Cinema 1: The Movement-Image
E276759
"Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Cinema 1: The Movement-Image canonical | 2 |
| Cinéma 1 : L’image-mouvement | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2538483 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Cinema 1: The Movement-Image Context triple: [Gilles Deleuze, notableWork, Cinema 1: The Movement-Image]
-
A.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
B.
Kino: A New Art
"Kino: A New Art" is a seminal theoretical work by Soviet filmmaker Lev Kuleshov that helped define early film theory and the artistic principles of cinema.
-
C.
Soviet montage school
The Soviet montage school was an influential early 20th-century film movement in the Soviet Union that emphasized dynamic editing and the collision of images to create meaning and emotional impact, shaping the theory and practice of cinema worldwide.
-
D.
Histoire(s) du cinéma
Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
-
E.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Cinema 1: The Movement-Image Target entity description: "Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
-
A.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
B.
Kino: A New Art
"Kino: A New Art" is a seminal theoretical work by Soviet filmmaker Lev Kuleshov that helped define early film theory and the artistic principles of cinema.
-
C.
Soviet montage school
The Soviet montage school was an influential early 20th-century film movement in the Soviet Union that emphasized dynamic editing and the collision of images to create meaning and emotional impact, shaping the theory and practice of cinema worldwide.
-
D.
Histoire(s) du cinéma
Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
-
E.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
book
ⓘ
film theory book ⓘ philosophical work ⓘ |
| aimsTo |
rethink movement in film
ⓘ
rethink perception in film ⓘ rethink time in film ⓘ |
| author | Gilles Deleuze ⓘ |
| countryOfOrigin | France ⓘ |
| followedBy | Cinema 2: The Time-Image ⓘ |
| genre |
aesthetics
ⓘ
non-fiction ⓘ philosophy ⓘ |
| hasConcept |
American action cinema
ⓘ
Impressionist cinema ⓘ
surface form:
French impressionist cinema
German expressionist cinema ⓘ Italian Neorealism ⓘ
surface form:
Italian neorealism
Soviet montage school ⓘ
surface form:
Soviet montage cinema
action-image ⓘ affection-image ⓘ any-space-whatever ⓘ classical cinema ⓘ impulse-image ⓘ large form of the action-image ⓘ montage regimes ⓘ movement-image ⓘ organic composition of the image ⓘ perception-image ⓘ sensory-motor schema ⓘ small form of the action-image ⓘ taxonomies of cinematic signs ⓘ |
| influencedBy |
Charles Sanders Peirce
ⓘ
Henri Bergson ⓘ philosophy of time ⓘ semiotics ⓘ |
| mainSubject |
cinema
ⓘ
film philosophy ⓘ film theory ⓘ image and sign in cinema ⓘ movement in cinema ⓘ movement-image ⓘ perception in film ⓘ time in cinema ⓘ |
| notableFor |
rigorous taxonomy of cinematic images and signs
ⓘ
systematic philosophical approach to cinema ⓘ |
| originalLanguage | French ⓘ |
| originalTitle |
Cinema 1: The Movement-Image
self-linksurface differs
ⓘ
surface form:
Cinéma 1 : L’image-mouvement
|
| partOfSeries |
Cinema 2: The Time-Image
ⓘ
surface form:
Deleuze’s Cinema books
|
| publicationYear | 1983 ⓘ |
| subjectOf | academic film studies ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Cinema 1: The Movement-Image Description of subject: "Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.
Cinema 1: The Movement-Image
→
originalTitle
→
Cinema 1: The Movement-Image
self-linksurface differs
ⓘ
this entity surface form:
Cinéma 1 : L’image-mouvement