Triple

T11645138
Position Surface form Disambiguated ID Type / Status
Subject Cinema 1: The Movement-Image E276759 entity
Predicate partOfSeries P1761 FINISHED
Object Deleuze’s Cinema books E276760 NE FINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Deleuze’s Cinema books | Statement: [Cinema 1: The Movement-Image, partOfSeries, Deleuze’s Cinema books]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: Deleuze’s Cinema books
Context triple: [Cinema 1: The Movement-Image, partOfSeries, Deleuze’s Cinema books]
  • A. Cinema 2: The Time-Image chosen
    Cinema 2: The Time-Image is a major philosophical work by Gilles Deleuze that develops a theory of modern cinema through the concept of the "time-image," emphasizing new ways films represent time, perception, and thought.
  • B. “Discovering Cinema”
    “Discovering Cinema” is a musical piece or movement from Ennio Morricone’s acclaimed score for the film *Cinema Paradiso*, reflecting the movie’s nostalgic and emotional themes.
  • C. Notebooks on Cinema
    Notebooks on Cinema is the English translation of the influential French film magazine Cahiers du Cinéma, renowned for its critical essays and role in shaping film theory and the French New Wave.
  • D. The Film Sense
    The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
  • E. Cinema 1: The Movement-Image
    "Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (3 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d6aafbb3c081908a9cdb4ecb8d981d completed April 8, 2026, 7:22 p.m.
NER Named-entity recognition batch_69d8a2cc8bfc8190a063cc37de9596a9 completed April 10, 2026, 7:12 a.m.
NED1 Entity disambiguation (via context triple) batch_69ee87ecbcac8190bb71a248d3601f8d completed April 26, 2026, 9:47 p.m.
Created at: April 8, 2026, 9:39 p.m.