Triple

T2538483
Position Surface form Disambiguated ID Type / Status
Subject Gilles Deleuze E56326 entity
Predicate notableWork P4 FINISHED
Object Cinema 1: The Movement-Image
"Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
E276759 NE FINISHED

How this triple was built (4 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Cinema 1: The Movement-Image | Statement: [Gilles Deleuze, notableWork, Cinema 1: The Movement-Image]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Cinema 1: The Movement-Image
Context triple: [Gilles Deleuze, notableWork, Cinema 1: The Movement-Image]
  • A. The Film Sense
    The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
  • B. Kino: A New Art
    "Kino: A New Art" is a seminal theoretical work by Soviet filmmaker Lev Kuleshov that helped define early film theory and the artistic principles of cinema.
  • C. Soviet montage school
    The Soviet montage school was an influential early 20th-century film movement in the Soviet Union that emphasized dynamic editing and the collision of images to create meaning and emotional impact, shaping the theory and practice of cinema worldwide.
  • D. Histoire(s) du cinéma
    Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
  • E. Le Cinéma
    Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg Description generation gpt-5.1
Instruction
Generate a one-sentence description of the target entity. 
You are given a context triple in the form (subject, predicate, object), where the object is the target entity. 
# Instructions
Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. 
Avoid repeating the information from the triple, unless really essential.
# Response Format
Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Cinema 1: The Movement-Image
Triple: [Gilles Deleuze, notableWork, Cinema 1: The Movement-Image]
Generated description
"Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Cinema 1: The Movement-Image
Target entity description: "Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
  • A. The Film Sense
    The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
  • B. Kino: A New Art
    "Kino: A New Art" is a seminal theoretical work by Soviet filmmaker Lev Kuleshov that helped define early film theory and the artistic principles of cinema.
  • C. Soviet montage school
    The Soviet montage school was an influential early 20th-century film movement in the Soviet Union that emphasized dynamic editing and the collision of images to create meaning and emotional impact, shaping the theory and practice of cinema worldwide.
  • D. Histoire(s) du cinéma
    Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
  • E. Le Cinéma
    Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
  • F. None of above. chosen

Provenance (5 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69ab4a49b6508190bc467fbef4bac334 completed March 6, 2026, 9:42 p.m.
NER Named-entity recognition batch_69abd298fc2481908b2925bf6a06532b completed March 7, 2026, 7:24 a.m.
NED1 Entity disambiguation (via context triple) batch_69af5cfc54cc8190bb43b54f873ffa63 completed March 9, 2026, 11:51 p.m.
NEDg Description generation batch_69af5dd89fe48190a99b2bea591818cd completed March 9, 2026, 11:55 p.m.
NED2 Entity disambiguation (via description) batch_69af5e8583408190862ba4e13bf81cbd completed March 9, 2026, 11:57 p.m.
Created at: March 6, 2026, 9:47 p.m.