Triple
T2538483
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Gilles Deleuze |
E56326
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object |
Cinema 1: The Movement-Image
"Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
|
E276759
|
NE FINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Cinema 1: The Movement-Image | Statement: [Gilles Deleuze, notableWork, Cinema 1: The Movement-Image]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Cinema 1: The Movement-Image Context triple: [Gilles Deleuze, notableWork, Cinema 1: The Movement-Image]
-
A.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
B.
Kino: A New Art
"Kino: A New Art" is a seminal theoretical work by Soviet filmmaker Lev Kuleshov that helped define early film theory and the artistic principles of cinema.
-
C.
Soviet montage school
The Soviet montage school was an influential early 20th-century film movement in the Soviet Union that emphasized dynamic editing and the collision of images to create meaning and emotional impact, shaping the theory and practice of cinema worldwide.
-
D.
Histoire(s) du cinéma
Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
-
E.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg
Description generation
gpt-5.1
Instruction
Generate a one-sentence description of the target entity. You are given a context triple in the form (subject, predicate, object), where the object is the target entity. # Instructions Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. Avoid repeating the information from the triple, unless really essential. # Response Format Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Cinema 1: The Movement-Image Triple: [Gilles Deleuze, notableWork, Cinema 1: The Movement-Image]
Generated description
"Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Cinema 1: The Movement-Image Target entity description: "Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
-
A.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
B.
Kino: A New Art
"Kino: A New Art" is a seminal theoretical work by Soviet filmmaker Lev Kuleshov that helped define early film theory and the artistic principles of cinema.
-
C.
Soviet montage school
The Soviet montage school was an influential early 20th-century film movement in the Soviet Union that emphasized dynamic editing and the collision of images to create meaning and emotional impact, shaping the theory and practice of cinema worldwide.
-
D.
Histoire(s) du cinéma
Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
-
E.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
- F. None of above. chosen
Provenance (5 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69ab4a49b6508190bc467fbef4bac334 |
completed | March 6, 2026, 9:42 p.m. |
| NER | Named-entity recognition | batch_69abd298fc2481908b2925bf6a06532b |
completed | March 7, 2026, 7:24 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69af5cfc54cc8190bb43b54f873ffa63 |
completed | March 9, 2026, 11:51 p.m. |
| NEDg | Description generation | batch_69af5dd89fe48190a99b2bea591818cd |
completed | March 9, 2026, 11:55 p.m. |
| NED2 | Entity disambiguation (via description) | batch_69af5e8583408190862ba4e13bf81cbd |
completed | March 9, 2026, 11:57 p.m. |
Created at: March 6, 2026, 9:47 p.m.