movement-image

E938772

The movement-image is Gilles Deleuze’s philosophical concept for a type of cinematic image defined by sensory-motor situations, where movement and action structure perception and narrative in classical cinema.

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Statements (47)

Predicate Object
instanceOf Deleuzian concept
cinematic concept
philosophical concept
analyzedIn film theory
appliesTo classical cinema
associatedWith Hollywood classical narrative NERFINISHED
early sound cinema
pre-World War II cinema
silent cinema
characterizedBy logical linkage of situations
narrative continuity
perception organized by action
sensory-motor situations
concerns relation between action and narrative
relation between movement and perception
contrastedWith time-image
definedBy Gilles Deleuze NERFINISHED
describedIn Cinema 1: The Movement-Image NERFINISHED
distinguishedFrom modernist cinema of the time-image
enables clear cause-effect relations
linear storytelling
groundedIn Bergsonian philosophy of movement
hasComponent action-image
affection-image
perception-image
hasGoal to conceptualize classical cinematic representation
hasKeyTerm action-image
affection-image
perception-image
sensory-motor situation
historicallyPrecedes time-image
influencedBy Charles Sanders Peirce NERFINISHED
Henri Bergson NERFINISHED
linkedTo organic regime of images
sensory-motor linkage
opposedTo pure optical and sound situations
partOf Deleuze’s philosophy of cinema NERFINISHED
providesFrameworkFor analysis of classical film style
taxonomy of cinematic images
relatedTo goal-directed action
pragmatic perception
sensory-motor schema
studiedIn Deleuze studies
philosophy of film
usedToDescribe cinema organized by motor responses
films where action governs seeing
usesConcept Peircean semiotics

Referenced by (3)

Full triples — surface form annotated when it differs from this entity's canonical label.