movement-image
E938772
The movement-image is Gilles Deleuze’s philosophical concept for a type of cinematic image defined by sensory-motor situations, where movement and action structure perception and narrative in classical cinema.
All labels observed (1)
| Label | Occurrences |
|---|---|
| movement-image canonical | 3 |
How this entity was disambiguated
This entity first appeared as the object of triple T11645140 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: movement-image Context triple: [Cinema 1: The Movement-Image, mainSubject, movement-image]
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A.
Motion
Motion is Apple's professional motion graphics and visual effects software used to create dynamic titles, transitions, and effects, particularly for video projects edited in Final Cut Pro.
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B.
Motion
Motion is a 2014 studio album by Scottish DJ and producer Calvin Harris that blends EDM, pop, and house music and features numerous high-profile collaborations.
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C.
Movement
"Movement" is a song by Irish singer-songwriter Hozier from his album "Wasteland, Baby!" known for its soulful vocals and gospel-influenced, emotionally charged sound.
-
D.
Movima
Movima is an indigenous language of the Bolivian lowlands, spoken by the Movima people primarily in the Beni Department.
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E.
Moving Pictures
Moving Pictures is a 1981 progressive rock album by the Canadian band Rush, widely regarded as one of their most acclaimed and commercially successful releases.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: movement-image Target entity description: The movement-image is Gilles Deleuze’s philosophical concept for a type of cinematic image defined by sensory-motor situations, where movement and action structure perception and narrative in classical cinema.
-
A.
Motion
Motion is Apple's professional motion graphics and visual effects software used to create dynamic titles, transitions, and effects, particularly for video projects edited in Final Cut Pro.
-
B.
Motion
Motion is a 2014 studio album by Scottish DJ and producer Calvin Harris that blends EDM, pop, and house music and features numerous high-profile collaborations.
-
C.
Movement
"Movement" is a song by Irish singer-songwriter Hozier from his album "Wasteland, Baby!" known for its soulful vocals and gospel-influenced, emotionally charged sound.
-
D.
Movima
Movima is an indigenous language of the Bolivian lowlands, spoken by the Movima people primarily in the Beni Department.
-
E.
Moving Pictures
Moving Pictures is a 1981 progressive rock album by the Canadian band Rush, widely regarded as one of their most acclaimed and commercially successful releases.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
Deleuzian concept
ⓘ
cinematic concept ⓘ philosophical concept ⓘ |
| analyzedIn | film theory ⓘ |
| appliesTo | classical cinema ⓘ |
| associatedWith |
Hollywood classical narrative
NERFINISHED
ⓘ
early sound cinema ⓘ pre-World War II cinema ⓘ silent cinema ⓘ |
| characterizedBy |
logical linkage of situations
ⓘ
narrative continuity ⓘ perception organized by action ⓘ sensory-motor situations ⓘ |
| concerns |
relation between action and narrative
ⓘ
relation between movement and perception ⓘ |
| contrastedWith | time-image ⓘ |
| definedBy | Gilles Deleuze NERFINISHED ⓘ |
| describedIn | Cinema 1: The Movement-Image NERFINISHED ⓘ |
| distinguishedFrom | modernist cinema of the time-image ⓘ |
| enables |
clear cause-effect relations
ⓘ
linear storytelling ⓘ |
| groundedIn | Bergsonian philosophy of movement ⓘ |
| hasComponent |
action-image
ⓘ
affection-image ⓘ perception-image ⓘ |
| hasGoal | to conceptualize classical cinematic representation ⓘ |
| hasKeyTerm |
action-image
ⓘ
affection-image ⓘ perception-image ⓘ sensory-motor situation ⓘ |
| historicallyPrecedes | time-image ⓘ |
| influencedBy |
Charles Sanders Peirce
NERFINISHED
ⓘ
Henri Bergson NERFINISHED ⓘ |
| linkedTo |
organic regime of images
ⓘ
sensory-motor linkage ⓘ |
| opposedTo | pure optical and sound situations ⓘ |
| partOf | Deleuze’s philosophy of cinema NERFINISHED ⓘ |
| providesFrameworkFor |
analysis of classical film style
ⓘ
taxonomy of cinematic images ⓘ |
| relatedTo |
goal-directed action
ⓘ
pragmatic perception ⓘ sensory-motor schema ⓘ |
| studiedIn |
Deleuze studies
ⓘ
philosophy of film ⓘ |
| usedToDescribe |
cinema organized by motor responses
ⓘ
films where action governs seeing ⓘ |
| usesConcept | Peircean semiotics ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: movement-image Description of subject: The movement-image is Gilles Deleuze’s philosophical concept for a type of cinematic image defined by sensory-motor situations, where movement and action structure perception and narrative in classical cinema.
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.