Impressionist cinema
E787499
Impressionist cinema was an early 20th-century French film movement that emphasized visual experimentation, subjective camerawork, and emotional expression over straightforward narrative realism.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Impressionist cinema canonical | 2 |
| French impressionist cinema | 1 |
Statements (73)
| Predicate | Object |
|---|---|
| instanceOf |
French film movement
ⓘ
film movement ⓘ |
| aim |
to explore the expressive possibilities of the film image
ⓘ
to express inner emotional reality rather than external realism ⓘ |
| alsoKnownAs |
French Impressionist cinema
NERFINISHED
ⓘ
French Impressionist film movement ⓘ |
| countryOfOrigin | France ⓘ |
| developedIn | silent film era ⓘ |
| distinctFrom |
classical Hollywood cinema
ⓘ
straightforward narrative realism ⓘ |
| endTime | late 1920s ⓘ |
| hasCharacteristic |
deemphasis of straightforward narrative realism
ⓘ
emphasis on emotional expression ⓘ emphasis on mood and atmosphere ⓘ emphasis on photogénie ⓘ experimentation with editing rhythms ⓘ experimentation with framing and composition ⓘ experimentation with lighting ⓘ exploration of interior states of characters ⓘ focus on inner life of characters ⓘ focus on psychological drama ⓘ loose plotting ⓘ nonlinear narrative elements ⓘ subjective camerawork ⓘ use of close-ups ⓘ use of distorting lenses ⓘ use of fast motion ⓘ use of filters ⓘ use of optical effects ⓘ use of point-of-view shots ⓘ use of recurring visual motifs ⓘ use of rhythmic montage ⓘ use of slow motion ⓘ use of soft focus ⓘ use of subjective editing ⓘ use of superimpositions ⓘ use of symbolic imagery ⓘ visual experimentation ⓘ |
| historicalContext | post-World War I France ⓘ |
| influenced |
art cinema
ⓘ
film noir ⓘ modernist film ⓘ poetic realism ⓘ |
| influencedBy |
French avant-garde art
ⓘ
Impressionist painting ⓘ Symbolism NERFINISHED ⓘ |
| language | French ⓘ |
| medium | silent film ⓘ |
| movementIn | cinema ⓘ |
| notableDirector |
Abel Gance
NERFINISHED
ⓘ
Dimitri Kirsanoff NERFINISHED ⓘ Germaine Dulac NERFINISHED ⓘ Jean Epstein NERFINISHED ⓘ Louis Delluc NERFINISHED ⓘ Marcel L’Herbier NERFINISHED ⓘ |
| notableFilm |
Cœur fidèle
NERFINISHED
ⓘ
El Dorado NERFINISHED ⓘ La Roue NERFINISHED ⓘ La Souriante Madame Beudet NERFINISHED ⓘ L’Inhumaine NERFINISHED ⓘ Ménilmontant NERFINISHED ⓘ |
| notableTheorist |
Abel Gance
NERFINISHED
ⓘ
Germaine Dulac NERFINISHED ⓘ Jean Epstein NERFINISHED ⓘ Louis Delluc NERFINISHED ⓘ Marcel L’Herbier NERFINISHED ⓘ |
| primaryExhibitionContext | French art cinemas GENERATED ⓘ |
| relatedConcept | photogénie ⓘ |
| relatedTo |
French avant-garde cinema
ⓘ
Surrealist cinema ⓘ |
| startTime |
1910s
ⓘ
early 1920s ⓘ |
| timePeriod | early 20th century ⓘ |
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.
this entity surface form:
French impressionist cinema