Impressionist cinema

E787499

Impressionist cinema was an early 20th-century French film movement that emphasized visual experimentation, subjective camerawork, and emotional expression over straightforward narrative realism.

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All labels observed (2)

Label Occurrences
Impressionist cinema canonical 2
French impressionist cinema 1

Statements (73)

Predicate Object
instanceOf French film movement
film movement
aim to explore the expressive possibilities of the film image
to express inner emotional reality rather than external realism
alsoKnownAs French Impressionist cinema NERFINISHED
French Impressionist film movement
countryOfOrigin France
developedIn silent film era
distinctFrom classical Hollywood cinema
straightforward narrative realism
endTime late 1920s
hasCharacteristic deemphasis of straightforward narrative realism
emphasis on emotional expression
emphasis on mood and atmosphere
emphasis on photogénie
experimentation with editing rhythms
experimentation with framing and composition
experimentation with lighting
exploration of interior states of characters
focus on inner life of characters
focus on psychological drama
loose plotting
nonlinear narrative elements
subjective camerawork
use of close-ups
use of distorting lenses
use of fast motion
use of filters
use of optical effects
use of point-of-view shots
use of recurring visual motifs
use of rhythmic montage
use of slow motion
use of soft focus
use of subjective editing
use of superimpositions
use of symbolic imagery
visual experimentation
historicalContext post-World War I France
influenced art cinema
film noir
modernist film
poetic realism
influencedBy French avant-garde art
Impressionist painting
Symbolism NERFINISHED
language French
medium silent film
movementIn cinema
notableDirector Abel Gance NERFINISHED
Dimitri Kirsanoff NERFINISHED
Germaine Dulac NERFINISHED
Jean Epstein NERFINISHED
Louis Delluc NERFINISHED
Marcel L’Herbier NERFINISHED
notableFilm Cœur fidèle NERFINISHED
El Dorado NERFINISHED
La Roue NERFINISHED
La Souriante Madame Beudet NERFINISHED
L’Inhumaine NERFINISHED
Ménilmontant NERFINISHED
notableTheorist Abel Gance NERFINISHED
Germaine Dulac NERFINISHED
Jean Epstein NERFINISHED
Louis Delluc NERFINISHED
Marcel L’Herbier NERFINISHED
primaryExhibitionContext French art cinemas GENERATED
relatedConcept photogénie
relatedTo French avant-garde cinema
Surrealist cinema
startTime 1910s
early 1920s
timePeriod early 20th century

Referenced by (3)

Full triples — surface form annotated when it differs from this entity's canonical label.

Abel Gance movement Impressionist cinema
Cinema 1: The Movement-Image hasConcept Impressionist cinema
this entity surface form: French impressionist cinema
French cinema notableMovement Impressionist cinema