Triple
T13313381
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | French cinema |
E317130
|
entity |
| Predicate | notableMovement |
P22
|
FINISHED |
| Object | Impressionist cinema |
E787499
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Impressionist cinema | Statement: [French cinema, notableMovement, Impressionist cinema]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Impressionist cinema Context triple: [French cinema, notableMovement, Impressionist cinema]
-
A.
Impressionist cinema
chosen
Impressionist cinema was an early 20th-century French film movement that emphasized visual experimentation, subjective camerawork, and emotional expression over straightforward narrative realism.
-
B.
French New Wave
The French New Wave was a groundbreaking 1950s–60s French film movement known for its innovative narrative techniques, low-budget aesthetics, and rejection of traditional studio conventions, which profoundly reshaped modern cinema.
-
C.
Soviet montage school
The Soviet montage school was an influential early 20th-century film movement in the Soviet Union that emphasized dynamic editing and the collision of images to create meaning and emotional impact, shaping the theory and practice of cinema worldwide.
-
D.
Transcendental Style in Film: Ozu, Bresson, Dreyer
Transcendental Style in Film: Ozu, Bresson, Dreyer is a seminal work of film theory that analyzes how directors Yasujirō Ozu, Robert Bresson, and Carl Theodor Dreyer use minimalist cinematic techniques to evoke spiritual and transcendent experiences.
-
E.
“Discovering Cinema”
“Discovering Cinema” is a musical piece or movement from Ennio Morricone’s acclaimed score for the film *Cinema Paradiso*, reflecting the movie’s nostalgic and emotional themes.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d806b40ab4819094adf6c374f4811a |
completed | April 9, 2026, 8:06 p.m. |
| NER | Named-entity recognition | batch_69d990f6d34c8190ba19dc2df7d42c22 |
completed | April 11, 2026, 12:08 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69f716e7b9a48190a33b04df8ad45ed8 |
completed | May 3, 2026, 9:35 a.m. |
Created at: April 9, 2026, 9:29 p.m.