reception
P9965
predicate
Indicates the act of receiving or welcoming someone or something, often marking the initial acknowledgment or acceptance in an interaction or process.
All labels observed (6)
| Label | Occurrences |
|---|---|
| reception canonical | 442 |
| welcomed | 4 |
| يستقبل | 4 |
| greetedIn | 3 |
| receivesGuest | 2 |
| USReception | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: reception
Generated description
Indicates the act of receiving or welcoming someone or something, often marking the initial acknowledgment or acceptance in an interaction or process.
Sample triples (456)
| Subject | Object |
|---|---|
| Subhat al-Abrār | celebrated in Persian literary tradition ⓘ |
| Dīvān of lyric poems | highly esteemed by Persian critics ⓘ |
| Dīvān of lyric poems | widely read in Sufi circles ⓘ |
| Star Raiders | critical acclaim ⓘ |
| Theodotion’s Greek version of Daniel | preferred over Septuagint Daniel in later Greek manuscripts ⓘ |
| Violin Concerto No. 1 | considered one of the major violin concertos of the 20th century ⓘ |
| Violin Concerto No. 1 | renowned for its powerful emotional impact ⓘ |
| Psychological Care of Infant and Child | controversial ⓘ |
| Heretic | recognized as groundbreaking in modern dance history ⓘ |
| Millet’s peasant series | initially controversial for perceived socialism ⓘ |
| Millet’s peasant series | later acclaimed as masterpieces of Realism ⓘ |
| Prélude, Aria et Final | regarded as an important work in the Romantic piano repertoire ⓘ |
| Symphonic Variations | considered one of Franck's finest works for piano and orchestra ⓘ |
| Symphony No. 8 in C minor | considered one of Bruckner’s greatest works ⓘ |
| Symphony No. 8 in C minor | regarded as a pinnacle of the late-Romantic symphonic repertoire ⓘ |
| Cello Concerto No. 2 | highly regarded in cello repertoire ⓘ |
|
Symphony No. 3
surface form:
Symphony No. 3 (Arnold)
|
recognized as an important mid-period work of Malcolm Arnold ⓘ |
| Tecelares | celebrated in art historical scholarship ⓘ |
| Tecelares | considered a key work of Lygia Pape ⓘ |
| Tecelares | recognized as important in Brazilian Concrete and Neo-Concrete art ⓘ |
| Fantastic, Vol. 1 | critically acclaimed in underground circles ⓘ |
| Symphony No. 8 | respected within Arnold’s symphonic cycle ⓘ |
| Symphony No. 8 | noted by commentators for its orchestral color ⓘ |
| Symphony No. 8 | recognized for its emotional contrasts ⓘ |
| The Hound of Heaven | highly regarded in Christian circles ⓘ |
|
String Quartet No. 2
surface form:
String Quartet No. 2 (Elliott Carter)
|
considered a landmark of 20th-century chamber music ⓘ |
|
String Quartet No. 2
surface form:
String Quartet No. 2 (Elliott Carter)
|
renowned for its rhythmic complexity ⓘ |
|
String Quartet No. 2
surface form:
String Quartet No. 2 (Elliott Carter)
|
noted for its virtuosic demands on performers ⓘ |
| Les deux journées | highly successful at its premiere ⓘ |
| Seasons (for tuba quartet) | well regarded in tuba community ⓘ |
|
Tuba Concerto
surface form:
Tuba Concerto (John Stevens)
|
considered an important modern tuba concerto ⓘ |
|
Dies irae
surface form:
Dies irae (Verdi)
|
noted for overwhelming emotional impact ⓘ |
| Piano Quintet No. 2 in C minor, Op. 115 | highly regarded by performers and scholars ⓘ |
| Benny Goodman Carnegie Hall Jazz Concert | critical acclaim ⓘ |
| Mahler Symphony No. 9 | considered one of the greatest symphonies of the 20th century ⓘ |
| Mahler Symphony No. 9 | regarded as a landmark of the symphonic repertoire ⓘ |
| The Representation of Chaos | noted for its daring harmony for its time ⓘ |
| The Representation of Chaos | often cited as an early example of musical depiction of chaos ⓘ |
| بنسيون ميرامار | شخصيات ريفية مهاجرة إلى المدينة via predicate surface "يستقبل" ⓘ |
| بنسيون ميرامار | شخصيات من الطبقة الوسطى via predicate surface "يستقبل" ⓘ |
| بنسيون ميرامار | شخصيات من بقايا الطبقة الأرستقراطية via predicate surface "يستقبل" ⓘ |
| بنسيون ميرامار | شخصيات ذات انتماءات سياسية مختلفة via predicate surface "يستقبل" ⓘ |
|
theatrical production Oh! Calcutta!
surface form:
Oh! Calcutta!
|
commercially successful ⓘ |
|
theatrical production Oh! Calcutta!
surface form:
Oh! Calcutta!
|
critically divisive ⓘ |
| La Symphonie du Hanneton | critically acclaimed ⓘ |
| Draupadi with strong devotional traits | popular in modern devotional talks and writings ⓘ |
| Draupadi with strong devotional traits | used as example of female bhakti in Hindu spirituality ⓘ |
| Impartial History of the Church and Heretics | controversial among orthodox theologians ⓘ |
| Impartial History of the Church and Heretics | influential among radical Protestants ⓘ |
| Sefer ha-Ikkarim | widely studied in traditional Jewish communities ⓘ |