Symphony No. 8
E566870
Symphony No. 8 is a mid-20th-century symphonic work by British composer Malcolm Arnold, noted for its vivid orchestration and contrasting emotional character.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 8 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5811696 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Symphony No. 8 Context triple: [Malcolm Arnold, notableWork, Symphony No. 8]
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A.
Symphony No. 8 in D minor
Symphony No. 8 in D minor is a mid-20th-century symphony by English composer Ralph Vaughan Williams, noted for its inventive orchestration and exploration of varied percussion and timbral effects.
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B.
Symphony No. 8 in C minor
Symphony No. 8 in C minor is Anton Bruckner’s monumental late-Romantic symphony, renowned for its vast scale, complex structure, and profound spiritual intensity.
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C.
Symphony No. 8 in F major, Op. 93
Symphony No. 8 in F major, Op. 93 is a late symphonic work by Ludwig van Beethoven, noted for its compact, playful character and classical clarity compared to his more monumental symphonies.
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D.
Symphony No. 7
Symphony No. 7 is a large-scale orchestral work by British composer Malcolm Arnold, reflecting his distinctive blend of vivid orchestration, emotional intensity, and accessible modernism.
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E.
Symphony No. 6
Symphony No. 6 is a contemporary orchestral work by American composer John Harbison that reflects his modern yet accessible style and command of large-scale symphonic form.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Symphony No. 8 Target entity description: Symphony No. 8 is a mid-20th-century symphonic work by British composer Malcolm Arnold, noted for its vivid orchestration and contrasting emotional character.
-
A.
Symphony No. 8 in D minor
Symphony No. 8 in D minor is a mid-20th-century symphony by English composer Ralph Vaughan Williams, noted for its inventive orchestration and exploration of varied percussion and timbral effects.
-
B.
Symphony No. 8 in C minor
Symphony No. 8 in C minor is Anton Bruckner’s monumental late-Romantic symphony, renowned for its vast scale, complex structure, and profound spiritual intensity.
-
C.
Symphony No. 8 in F major, Op. 93
Symphony No. 8 in F major, Op. 93 is a late symphonic work by Ludwig van Beethoven, noted for its compact, playful character and classical clarity compared to his more monumental symphonies.
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D.
Symphony No. 7
Symphony No. 7 is a large-scale orchestral work by British composer Malcolm Arnold, reflecting his distinctive blend of vivid orchestration, emotional intensity, and accessible modernism.
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E.
Symphony No. 6
Symphony No. 6 is a contemporary orchestral work by American composer John Harbison that reflects his modern yet accessible style and command of large-scale symphonic form.
- F. None of above. chosen
Statements (44)
| Predicate | Object |
|---|---|
| instanceOf | symphony ⓘ |
| approximateDuration | about 25–30 minutes ⓘ |
| catalogueStatus | part of Malcolm Arnold’s numbered symphonies ⓘ |
| composer | Malcolm Arnold NERFINISHED ⓘ |
| composerFullName | Sir Malcolm Henry Arnold NERFINISHED ⓘ |
| composerNationality | British ⓘ |
| compositionDate | 1978 ⓘ |
| compositionPeriod |
20th century
ⓘ
post-war era ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| dedication | not widely cited / not prominently dedicated in standard references ⓘ |
| emotionalCharacter |
alternation of dark and sardonic passages with more lyrical writing
ⓘ
strong contrasts between movements ⓘ |
| genre | concert music ⓘ |
| historicalContext |
reflects mid- to late-20th-century British symphonic tradition
ⓘ
written in the late career of Malcolm Arnold ⓘ |
| influences |
20th-century tonal and neo-romantic idioms
ⓘ
British symphonic tradition ⓘ |
| intendedEnsemble | professional symphony orchestra ⓘ |
| key | not clearly specified / often described as tonally ambiguous ⓘ |
| languageOfTempoMarkings | Italian ⓘ |
| movement |
I. Allegro
ⓘ
II. Andantino ⓘ III. Vivace ⓘ |
| notableFeature |
contrasting emotional character
ⓘ
vivid orchestration ⓘ |
| numberOfMovements | 3 ⓘ |
| orchestration | large symphony orchestra ⓘ |
| positionInCycle | eighth symphony by Malcolm Arnold NERFINISHED ⓘ |
| premiereType | concert premiere with symphony orchestra ⓘ |
| publisher | classical music publisher (e.g., Faber Music / similar, depending on edition) ⓘ |
| reception |
noted by commentators for its orchestral color
ⓘ
recognized for its emotional contrasts ⓘ respected within Arnold’s symphonic cycle ⓘ |
| recordingAvailability | commercially recorded by multiple orchestras ⓘ |
| relatedWorkByComposer |
Symphony No. 7
NERFINISHED
ⓘ
Symphony No. 9 NERFINISHED ⓘ |
| style |
characteristic Arnold irony and wit
ⓘ
lyrical slow movement ⓘ rhythmic and energetic finale ⓘ tonal with modernist elements ⓘ |
| typicalPerformanceVenue | concert hall ⓘ |
| typicalPerformers | professional orchestras ⓘ |
| workNumberInComposerOutput | one of Malcolm Arnold's late symphonies ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Symphony No. 8 Description of subject: Symphony No. 8 is a mid-20th-century symphonic work by British composer Malcolm Arnold, noted for its vivid orchestration and contrasting emotional character.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.