Symphony No. 3
E554435
Symphony No. 3 is a mid-20th-century symphonic work by British composer Malcolm Arnold, noted for its vivid orchestration and blend of lyrical and dramatic elements.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 3 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5811691 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Symphony No. 3 Context triple: [Malcolm Arnold, notableWork, Symphony No. 3]
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A.
Symphony No. 3
Symphony No. 3 is a large-scale orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
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B.
Symphony No. 3
Symphony No. 3 is a 1930 symphonic work by French composer Albert Roussel, noted for its vigorous rhythmic drive, clear orchestration, and neoclassical style.
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C.
Symphony No. 3 in D minor
Symphony No. 3 in D minor is Gustav Mahler’s expansive, six-movement symphony renowned for its philosophical scope, incorporation of vocal and choral forces, and exploration of nature and existence.
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D.
Symphony No. 3 in D minor
Symphony No. 3 in D minor is a large-scale Romantic symphony by Anton Bruckner, renowned for its monumental structure, rich orchestration, and early associations with Richard Wagner.
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E.
Symphony No. 2
Symphony No. 2 is a mid-20th-century symphonic work by British composer Malcolm Arnold, noted for its vivid orchestration and blend of lyrical and energetic, often sardonic, character.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Symphony No. 3 Target entity description: Symphony No. 3 is a mid-20th-century symphonic work by British composer Malcolm Arnold, noted for its vivid orchestration and blend of lyrical and dramatic elements.
-
A.
Symphony No. 3
Symphony No. 3 is a large-scale orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
-
B.
Symphony No. 3
Symphony No. 3 is a 1930 symphonic work by French composer Albert Roussel, noted for its vigorous rhythmic drive, clear orchestration, and neoclassical style.
-
C.
Symphony No. 3 in D minor
Symphony No. 3 in D minor is Gustav Mahler’s expansive, six-movement symphony renowned for its philosophical scope, incorporation of vocal and choral forces, and exploration of nature and existence.
-
D.
Symphony No. 3 in D minor
Symphony No. 3 in D minor is a large-scale Romantic symphony by Anton Bruckner, renowned for its monumental structure, rich orchestration, and early associations with Richard Wagner.
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E.
Symphony No. 2
Symphony No. 2 is an orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf | symphony ⓘ |
| approximateDuration | about 25–30 minutes ⓘ |
| catalogueNumber | Op. 63 ⓘ |
| composer | Malcolm Arnold NERFINISHED ⓘ |
| composerFullName | Sir Malcolm Henry Arnold NERFINISHED ⓘ |
| composerNationality | British ⓘ |
| compositionDate | 1957 ⓘ |
| compositionPeriod |
20th century
ⓘ
post-war period ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| dedication | not consistently cited; often listed without a specific dedicatee ⓘ |
| era | modern classical ⓘ |
| followedBy | Symphony No. 4 (Arnold) NERFINISHED ⓘ |
| followsWork | Symphony No. 2 (Arnold) NERFINISHED ⓘ |
| genre |
classical music
ⓘ
symphonic music ⓘ |
| influences |
British symphonic tradition
ⓘ
film-music style color and immediacy associated with Arnold ⓘ |
| key | not consistently specified in sources (often described without a fixed key) ⓘ |
| language | none (instrumental) ⓘ |
| movement |
I. Allegro
ⓘ
II. Lento ⓘ III. Con fuoco ⓘ |
| movementCount | three-movement structure ⓘ |
| notableFeature |
colorful brass and percussion writing
ⓘ
contrasts between aggression and lyricism ⓘ strong rhythmic drive ⓘ |
| numberOfMovements | 3 ⓘ |
| opusNumber | 63 ⓘ |
| orchestration | large symphony orchestra ⓘ |
| partOfSeries | Malcolm Arnold symphonies NERFINISHED ⓘ |
| positionInSeries | third numbered symphony by Malcolm Arnold ⓘ |
| precededBy | Symphony No. 2 (Arnold) NERFINISHED ⓘ |
| premiereYear | 1957 ⓘ |
| reception | recognized as an important mid-period work of Malcolm Arnold ⓘ |
| recordedBy |
conductors specializing in 20th-century British music
ⓘ
various British orchestras ⓘ |
| structuralCharacteristic | traditional multi-movement symphonic form with modern harmonic language ⓘ |
| styleCharacteristic |
blend of lyrical and dramatic elements
ⓘ
vivid orchestration ⓘ |
| tonalLanguage | tonal with dissonant and modernist elements ⓘ |
| typicalInstrumentation |
extensive percussion use
ⓘ
prominent brass section ⓘ woodwinds, brass, percussion, strings ⓘ |
| workNumberInComposerOutput | one of nine numbered symphonies by Malcolm Arnold ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Symphony No. 3 Description of subject: Symphony No. 3 is a mid-20th-century symphonic work by British composer Malcolm Arnold, noted for its vivid orchestration and blend of lyrical and dramatic elements.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.