Five Orchestral Pieces, Op. 16
E302919
Five Orchestral Pieces, Op. 16 is a landmark early 20th-century orchestral work by Arnold Schoenberg that exemplifies his move toward atonality and highly expressive, coloristic writing.
All labels observed (3)
| Label | Occurrences |
|---|---|
| Five Orchestral Pieces, Op. 16 canonical | 1 |
| Fünf Orchesterstücke | 1 |
| Fünf Orchesterstücke, Op. 16 | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2848639 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Five Orchestral Pieces, Op. 16 Context triple: [Arnold Schoenberg, notableWork, Five Orchestral Pieces, Op. 16]
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A.
Piano Quintet in F minor, Op. 34
The Piano Quintet in F minor, Op. 34 is a powerful and richly textured chamber work by Johannes Brahms, celebrated for its symphonic scope, dramatic intensity, and masterful interplay between piano and string quartet.
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B.
Soirées musicales, Op. 6
Soirées musicales, Op. 6 is a set of character pieces for piano by Clara Schumann that showcases her early Romantic style and pianistic virtuosity.
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C.
Kreisleriana, Op. 16
Kreisleriana, Op. 16 is a highly expressive and structurally innovative piano cycle by Robert Schumann, inspired by E.T.A. Hoffmann’s literary character Johannes Kreisler and regarded as one of the composer’s greatest keyboard works.
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D.
Six Pieces for Piano, Op. 118
Six Pieces for Piano, Op. 118 is one of Johannes Brahms’s late piano collections, renowned for its introspective character and rich Romantic expressiveness.
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E.
Intermezzi, Op. 117
Intermezzi, Op. 117 is a set of three introspective piano pieces by Johannes Brahms, often regarded as some of his most poetic and autumnal late works.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Five Orchestral Pieces, Op. 16 Target entity description: Five Orchestral Pieces, Op. 16 is a landmark early 20th-century orchestral work by Arnold Schoenberg that exemplifies his move toward atonality and highly expressive, coloristic writing.
-
A.
Piano Quintet in F minor, Op. 34
The Piano Quintet in F minor, Op. 34 is a powerful and richly textured chamber work by Johannes Brahms, celebrated for its symphonic scope, dramatic intensity, and masterful interplay between piano and string quartet.
-
B.
Soirées musicales, Op. 6
Soirées musicales, Op. 6 is a set of character pieces for piano by Clara Schumann that showcases her early Romantic style and pianistic virtuosity.
-
C.
Kreisleriana, Op. 16
Kreisleriana, Op. 16 is a highly expressive and structurally innovative piano cycle by Robert Schumann, inspired by E.T.A. Hoffmann’s literary character Johannes Kreisler and regarded as one of the composer’s greatest keyboard works.
-
D.
Six Pieces for Piano, Op. 118
Six Pieces for Piano, Op. 118 is one of Johannes Brahms’s late piano collections, renowned for its introspective character and rich Romantic expressiveness.
-
E.
Intermezzi, Op. 117
Intermezzi, Op. 117 is a set of three introspective piano pieces by Johannes Brahms, often regarded as some of his most poetic and autumnal late works.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
composition
ⓘ
orchestral work ⓘ |
| alternativeTitle |
Five Orchestral Pieces, Op. 16
ⓘ
surface form:
Fünf Orchesterstücke
|
| approximateDuration | about 16 minutes ⓘ |
| catalogueIn | Schoenberg’s official opus list ⓘ |
| composer | Arnold Schoenberg ⓘ |
| compositionYear | 1909 ⓘ |
| countryOfOrigin | Austria ⓘ |
| dedication |
Richard Strauss
ⓘ
surface form:
to Richard Strauss (original dedication later withdrawn)
|
| genre | orchestral music ⓘ |
| hasForm | suite of character pieces ⓘ |
| historicalSignificance | landmark of early atonal orchestral repertoire ⓘ |
| influenced |
20th-century orchestral writing
ⓘ
Expressionist music ⓘ |
| influencedBy |
Gustav Mahler
ⓘ
Richard Wagner ⓘ late Romanticism ⓘ |
| language | none (instrumental) ⓘ |
| movement |
Das obligate Rezitativ
ⓘ
Farben ⓘ Peripetie ⓘ Vergangenes ⓘ Vorgefühle ⓘ |
| movementCount | 5 ⓘ |
| movementOrder |
1: Vorgefühle
ⓘ
2: Vergangenes ⓘ 3: Farben ⓘ 4: Peripetie ⓘ 5: Das obligate Rezitativ ⓘ |
| notableFor |
absence of traditional tonal center
ⓘ
highly coloristic orchestration ⓘ move toward atonality ⓘ |
| notableMovement | Farben ⓘ |
| opusNumber | Op. 16 ⓘ |
| orchestrationFeature |
large orchestra
ⓘ
prominent use of percussion ⓘ prominent use of woodwinds ⓘ |
| originalLanguageTitle |
Five Orchestral Pieces, Op. 16
self-linksurface differs
ⓘ
surface form:
Fünf Orchesterstücke, Op. 16
|
| period | early 20th century ⓘ |
| premiereConductor |
Sir Henry Wood
ⓘ
surface form:
Henry Wood
|
| premiereDate | 3 September 1912 ⓘ |
| premiereLocation |
London, England
ⓘ
surface form:
London
|
| premiereSeries | Promenade Concerts ⓘ |
| relatedWorkByComposer |
Erwartung, Op. 17
ⓘ
Pierrot Lunaire ⓘ
surface form:
Pierrot Lunaire, Op. 21
|
| style |
Expressionist
ⓘ
atonal ⓘ |
| workNumberInComposerOutput | early atonal orchestral work ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Five Orchestral Pieces, Op. 16 Description of subject: Five Orchestral Pieces, Op. 16 is a landmark early 20th-century orchestral work by Arnold Schoenberg that exemplifies his move toward atonality and highly expressive, coloristic writing.
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.