Pierrot Lunaire

E302918

Pierrot Lunaire is a landmark 1912 melodrama by Arnold Schoenberg that combines Sprechstimme, chamber ensemble, and expressionist poetry, marking a pivotal shift toward atonality in 20th-century music.

All labels observed (2)

Label Occurrences
Pierrot Lunaire canonical 2
Pierrot Lunaire, Op. 21 1

How this entity was disambiguated

Statements (48)

Predicate Object
instanceOf melodrama
musical composition
song cycle
authorOfText Albert Giraud NERFINISHED
basedOn poems by Albert Giraud
catalogueNumber Op. 21
characterFeatured Pierrot
characterType commedia dell’arte figure
commissionedBy Albertine Zehme
composer Arnold Schoenberg
composerNationality Austrian
countryOfOrigin Austria
dateOfComposition 1912
ensembleType chamber ensemble
genre melodrama for voice and chamber ensemble
historicalSignificance pivotal shift toward atonality
influenced 20th-century chamber music
Second Viennese School repertoire
modern vocal techniques
instrumentation bass clarinet
cello
clarinet
flute
piano
piccolo
viola
violin
language German
literaryMovement Expressionist poetry
movementType short vocal pieces
musicalPeriod 20th-century music
notableFeature combination of Sprechstimme and chamber ensemble
highly influential in early atonal practice
use of expressionist text setting
numberOfMovements 21
placeOfPremiere Berlin
poetryAdaptationLanguage German translation by Otto Erich Hartleben
premiereConductor Arnold Schoenberg
premierePerformer Albertine Zehme
structure three groups of seven pieces
style Expressionism
textTranslator Otto Erich Hartleben
tonalLanguage atonal
vocalForces solo voice
vocalTechnique Sprechstimme
voiceType reciter
sprechstimme soprano
yearOfPremiere 1912

How these facts were elicited

Referenced by (3)

Full triples — surface form annotated when it differs from this entity's canonical label.

Arnold Schoenberg notableWork Pierrot Lunaire
Five Orchestral Pieces, Op. 16 relatedWorkByComposer Pierrot Lunaire
this entity surface form: Pierrot Lunaire, Op. 21