1863 Salon des Refusés
E332500
The 1863 Salon des Refusés was a landmark Paris art exhibition organized by order of Napoleon III to showcase works rejected by the official Salon, marking a pivotal moment in the emergence of modern art.
All labels observed (4)
| Label | Occurrences |
|---|---|
| Salon des Refusés | 3 |
| 1863 Salon des Refusés canonical | 1 |
| Salon des Refusés of 1867 | 1 |
| displaying controversial works by Édouard Manet | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T3136973 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: 1863 Salon des Refusés Context triple: [Le Déjeuner sur l'herbe, exhibitionDate, 1863 Salon des Refusés]
-
A.
Salon of 1874
The Salon of 1874 was a pivotal Paris art exhibition that marked a turning point in 19th-century French art, showcasing works that challenged academic traditions and helped usher in modern painting.
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B.
1911 Salon d’Automne
The 1911 Salon d’Automne was a landmark Paris art exhibition that brought Cubism to broad public attention and sparked intense critical controversy over the movement’s radical break with traditional representation.
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C.
Société Nationale des Beaux-Arts Salon
The Société Nationale des Beaux-Arts Salon was a prominent French art exhibition established in the late 19th century as an alternative to the official Paris Salon, showcasing more progressive and independent artists.
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D.
Eighth Impressionist Exhibition
The Eighth Impressionist Exhibition was the final group show of the French Impressionists in 1886, notable for marking a transition toward Neo-Impressionism and showcasing artists like Camille Pissarro and Georges Seurat.
-
E.
Sixth Impressionist Exhibition
The Sixth Impressionist Exhibition was an 1881 Paris show organized by the independent Impressionist group, featuring works by artists such as Camille Pissarro and marking a mature phase of the movement’s development.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: 1863 Salon des Refusés Target entity description: The 1863 Salon des Refusés was a landmark Paris art exhibition organized by order of Napoleon III to showcase works rejected by the official Salon, marking a pivotal moment in the emergence of modern art.
-
A.
Salon of 1874
The Salon of 1874 was a pivotal Paris art exhibition that marked a turning point in 19th-century French art, showcasing works that challenged academic traditions and helped usher in modern painting.
-
B.
1911 Salon d’Automne
The 1911 Salon d’Automne was a landmark Paris art exhibition that brought Cubism to broad public attention and sparked intense critical controversy over the movement’s radical break with traditional representation.
-
C.
Société Nationale des Beaux-Arts Salon
The Société Nationale des Beaux-Arts Salon was a prominent French art exhibition established in the late 19th century as an alternative to the official Paris Salon, showcasing more progressive and independent artists.
-
D.
Eighth Impressionist Exhibition
The Eighth Impressionist Exhibition was the final group show of the French Impressionists in 1886, notable for marking a transition toward Neo-Impressionism and showcasing artists like Camille Pissarro and Georges Seurat.
-
E.
Sixth Impressionist Exhibition
The Sixth Impressionist Exhibition was an 1881 Paris show organized by the independent Impressionist group, featuring works by artists such as Camille Pissarro and marking a mature phase of the movement’s development.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
Paris Salon
ⓘ
art exhibition ⓘ historical event ⓘ |
| associatedWithInstitution |
French Académie des Beaux-Arts
ⓘ
surface form:
Académie des Beaux-Arts
|
| associatedWithMovement | early modern art ⓘ |
| associatedWithPerson |
Napoleon III of France
ⓘ
surface form:
Napoleon III
Édouard Manet ⓘ |
| authorizedBy |
Napoleon III of France
ⓘ
surface form:
Napoleon III
|
| challenged |
academic art standards
ⓘ
authority of the official Salon jury ⓘ |
| country | France ⓘ |
| criticizedBy | conservative art critics ⓘ |
| exhibitedArtist |
Camille Pissarro
ⓘ
Henri Fantin-Latour ⓘ James McNeill Whistler ⓘ Paul Cézanne ⓘ Édouard Manet ⓘ |
| exhibitedWork | Édouard Manet’s Le Déjeuner sur l’herbe ⓘ |
| follows |
Paris Salon
ⓘ
surface form:
Salon de Paris
|
| genre | painting exhibition ⓘ |
| hasCause | rejection of artworks by the official Salon jury ⓘ |
| hasEffect |
increased visibility for rejected artists
ⓘ
public debate about artistic taste and standards ⓘ |
| hasTheme | artistic rebellion against academic norms ⓘ |
| historicalPeriod |
Second Empire of France
ⓘ
surface form:
Second French Empire
|
| inception | 1863 ⓘ |
| influenced |
Impressionism
ⓘ
Post-Impressionism ⓘ development of independent art exhibitions ⓘ |
| languageOfContext | French ⓘ |
| legacy | model for later salons des refusés and independent shows ⓘ |
| location | Paris ⓘ |
| namedAfter | refusés (rejected works) ⓘ |
| numberOfWorks | over 1000 ⓘ |
| organizer |
Government of France
ⓘ
surface form:
French government
|
| partOf | Second French Empire cultural history ⓘ |
| precededBy | controversial jury decisions of the 1863 official Salon ⓘ |
| publicReaction |
mixed critical reception
ⓘ
strong curiosity from the Parisian public ⓘ |
| purpose | to exhibit works rejected by the official Salon ⓘ |
| received | large public attendance ⓘ |
| selectionCriteria | works rejected by the official Salon jury ⓘ |
| significance |
challenge to the authority of the Académie des Beaux-Arts
ⓘ
milestone in the history of avant-garde art ⓘ pivotal moment in the emergence of modern art ⓘ |
| startTime | 1863 ⓘ |
| typeOfExhibition | juried alternative to official Salon ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: 1863 Salon des Refusés Description of subject: The 1863 Salon des Refusés was a landmark Paris art exhibition organized by order of Napoleon III to showcase works rejected by the official Salon, marking a pivotal moment in the emergence of modern art.
Referenced by (6)
Full triples — surface form annotated when it differs from this entity's canonical label.