Symphony in White, No. 1: The White Girl
E270855
Symphony in White, No. 1: The White Girl is an 1860s oil painting by James McNeill Whistler that portrays a young woman in a white dress and is celebrated as a key work in the development of aestheticism in art.
All labels observed (4)
| Label | Occurrences |
|---|---|
| Symphony in White, No. 1: The White Girl canonical | 2 |
| Symphony in White | 1 |
| Symphony in White, No. 2: The Little White Girl | 1 |
| Symphony in White, No. 3 | 1 |
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
oil painting
ⓘ
painting ⓘ |
| alsoKnownAs | The White Girl ⓘ |
| collection |
National Gallery of Art
ⓘ
surface form:
National Gallery of Art, Washington, D.C.
|
| colorPalette | predominantly white tones ⓘ |
| copyrightStatus | public domain ⓘ |
| country |
United States of America
ⓘ
surface form:
United States
|
| countryOfOrigin | United Kingdom ⓘ |
| creator | James McNeill Whistler ⓘ |
| depicts |
Joanna Hiffernan
ⓘ
a curtain with floral pattern ⓘ a lily held by the woman ⓘ a woman standing on a bearskin rug ⓘ a young woman in a white dress ⓘ |
| exhibitedAt |
Royal Academy summer exhibition
ⓘ
surface form:
Royal Academy (submitted, rejected)
1863 Salon des Refusés ⓘ
surface form:
Salon des Refusés
|
| followedBy |
Symphony in White, No. 1: The White Girl
self-linksurface differs
ⓘ
surface form:
Symphony in White, No. 2: The Little White Girl
Symphony in White, No. 1: The White Girl self-linksurface differs ⓘ
surface form:
Symphony in White, No. 3
|
| follows | none ⓘ |
| genre | Aestheticism ⓘ |
| hasPart |
animal-skin rug
ⓘ
full-length female figure ⓘ white curtain background ⓘ |
| hasTheme |
aestheticism
ⓘ
ambiguity of narrative ⓘ |
| inception | 1862 ⓘ |
| influenced | development of the Aesthetic movement ⓘ |
| inspiredBy | interest in musical analogies in painting ⓘ |
| languageOfWork | none (visual artwork) ⓘ |
| location | National Gallery of Art ⓘ |
| medium |
oil on canvas
ⓘ
oil paint ⓘ |
| model | Joanna Hiffernan ⓘ |
| movement |
Aesthetic movement
ⓘ
Realism ⓘ early Impressionism (contextual influence) ⓘ |
| notableFor |
emphasis on formal harmony over narrative content
ⓘ
exploration of tonal harmony in white ⓘ |
| partOf | collection of 19th-century European and American art at the National Gallery of Art ⓘ |
| series |
Symphony in White, No. 1: The White Girl
self-linksurface differs
ⓘ
surface form:
Symphony in White
|
| significantEvent |
exhibited at the Salon des Refusés in 1863
ⓘ
rejected by the Royal Academy exhibition of 1862 ⓘ |
| subjectMatter |
exploration of color and form
ⓘ
female figure ⓘ |
| title | Symphony in White, No. 1: The White Girl self-link ⓘ |
Referenced by (5)
Full triples — surface form annotated when it differs from this entity's canonical label.
Symphony in White, No. 1: The White Girl
→
title
→
Symphony in White, No. 1: The White Girl
self-link
ⓘ
Symphony in White, No. 1: The White Girl
→
series
→
Symphony in White, No. 1: The White Girl
self-linksurface differs
ⓘ
this entity surface form:
Symphony in White
Symphony in White, No. 1: The White Girl
→
followedBy
→
Symphony in White, No. 1: The White Girl
self-linksurface differs
ⓘ
this entity surface form:
Symphony in White, No. 2: The Little White Girl
Symphony in White, No. 1: The White Girl
→
followedBy
→
Symphony in White, No. 1: The White Girl
self-linksurface differs
ⓘ
this entity surface form:
Symphony in White, No. 3