Madama Butterfly

E293840

Madama Butterfly is a tragic opera set in Japan that tells the story of a young geisha betrayed by her American husband, renowned for its lyrical beauty and emotional intensity.

All labels observed (10)

How this entity was disambiguated

Statements (50)

Predicate Object
instanceOf opera
tragic opera
actCount 3
alternateLanguageTitle Madama Butterfly self-linksurface differs
surface form: Madame Butterfly
basedOn Madama Butterfly self-linksurface differs
surface form: Madame Butterfly (play)

Madama Butterfly self-linksurface differs
surface form: Madame Butterfly (short story)
basedOnAuthor David Belasco
John Luther Long
characterRole B. F. Pinkerton is a U.S. naval officer
Cio-Cio San
surface form: Cio-Cio-San is a young Japanese geisha
composer Giacomo Puccini
duration approximately 2 hours 30 minutes
famousAria Addio, fiorito asil
Un bel dì vedremo
Caro mio ben
surface form: Vogliatemi bene
firstVersionReception initially a failure at La Scala premiere
genre verismo
historicalContext reflects Western imperial attitudes toward Japan
influenced Miss Saigon
language Italian
laterReception became one of the most frequently performed operas worldwide
librettist Giuseppe Giacosa
Luigi Illica
mainCharacter B. F. Pinkerton
Cio-Cio San
surface form: Cio-Cio-San

Sharpless
Suzuki
notableFeature emotional intensity
lyrical beauty
operaHouseRepertoireStatus standard repertory piece
operaNumberInComposerOutput fourth opera by Giacomo Puccini
orchestration full symphony orchestra
originalTitle Madama Butterfly self-link
premiereDate 1904-02-17
premierePlace La Scala
surface form: Teatro alla Scala, Milan
publisher Casa Ricordi
revisedVersionActCount 2
settingCountry Japan
settingLocation Nagasaki
structure through-composed with recurring leitmotifs
theme betrayal
cultural clash
love
motherhood
suicide
timePeriod early 20th century
vocalTypeOfCioCioSan soprano
vocalTypeOfPinkerton tenor
vocalTypeOfSharpless baritone
vocalTypeOfSuzuki mezzo-soprano

How these facts were elicited

Referenced by (21)

Full triples — surface form annotated when it differs from this entity's canonical label.

Giacomo Puccini notableWork Madama Butterfly
The Toll of the Sea basedOn Madama Butterfly
The Toll of the Sea inspiredBy Madama Butterfly
Renata Tebaldi famousRole Madama Butterfly
this entity surface form: Madama Butterfly in Puccini's "Madama Butterfly"
Renata Tebaldi madeStudioRecordingsOf Madama Butterfly
this entity surface form: "Madama Butterfly"
Helen Frankenthaler notableWork Madama Butterfly
this entity surface form: Madame Butterfly
Kristīne Opolais notableRole Madama Butterfly
David Henry Hwang notableWork Madama Butterfly
this entity surface form: M. Butterfly
David Belasco notableWork Madama Butterfly
this entity surface form: Madame Butterfly
David Belasco hasWorkAdaptedInto Madama Butterfly
this entity surface form: Madama Butterfly (opera)
Angela Gheorghiu notableWork Madama Butterfly
this entity surface form: Madama Butterfly (Cio-Cio-San)
BD Wong notableWork Madama Butterfly
this entity surface form: M. Butterfly
Jussi Björling notableRole Madama Butterfly
this entity surface form: Pinkerton in Madama Butterfly
Madama Butterfly basedOn Madama Butterfly self-linksurface differs
this entity surface form: Madame Butterfly (short story)
Madama Butterfly basedOn Madama Butterfly self-linksurface differs
this entity surface form: Madame Butterfly (play)
Madama Butterfly originalTitle Madama Butterfly self-link
Madama Butterfly alternateLanguageTitle Madama Butterfly self-linksurface differs
this entity surface form: Madame Butterfly
La fanciulla del West precededBy Madama Butterfly
Eugene O'Neill Theatre hasNotableProduction Madama Butterfly
this entity surface form: M. Butterfly
Pinkerton inspiredBy Madama Butterfly
Weezer Pinkerton inspiredBy Madama Butterfly
subject surface form: Pinkerton