Histoire(s) du cinéma
E204282
Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
All labels observed (9)
| Label | Occurrences |
|---|---|
| Histoire(s) du cinéma canonical | 1 |
| Histoire(s) du cinéma 1A | 1 |
| Histoire(s) du cinéma 1B | 1 |
| Histoire(s) du cinéma 2A | 1 |
| Histoire(s) du cinéma 2B | 1 |
| Histoire(s) du cinéma 3A | 1 |
| Histoire(s) du cinéma 3B | 1 |
| Histoire(s) du cinéma 4A | 1 |
| Histoire(s) du cinéma 4B | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1825814 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Histoire(s) du cinéma Context triple: [Jean-Luc Godard, notableWork, Histoire(s) du cinéma]
-
A.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
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B.
Cinéfondation
Cinéfondation is a Cannes Film Festival program dedicated to discovering and promoting emerging filmmakers, primarily through showcasing short and medium-length films from film schools around the world.
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C.
100 Años de Cine
100 Años de Cine is a film project directed by Australian filmmaker Gillian Armstrong, likely exploring the history and evolution of cinema over a century.
-
D.
The Heart of Screenland
The Heart of Screenland is the official motto of Culver City, California, reflecting its historic role as a major center of film and television production.
-
E.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Histoire(s) du cinéma Target entity description: Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
-
A.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
-
B.
Cinéfondation
Cinéfondation is a Cannes Film Festival program dedicated to discovering and promoting emerging filmmakers, primarily through showcasing short and medium-length films from film schools around the world.
-
C.
100 Años de Cine
100 Años de Cine is a film project directed by Australian filmmaker Gillian Armstrong, likely exploring the history and evolution of cinema over a century.
-
D.
The Heart of Screenland
The Heart of Screenland is the official motto of Culver City, California, reflecting its historic role as a major center of film and television production.
-
E.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
experimental film
ⓘ
television series ⓘ video essay ⓘ |
| about |
World War II
ⓘ
memory and history ⓘ politics of representation ⓘ relationship between image and sound ⓘ role of cinema in the 20th century ⓘ |
| countryOfOrigin | France ⓘ |
| creator | Jean-Luc Godard ⓘ |
| director | Jean-Luc Godard ⓘ |
| genre |
documentary
ⓘ
essay film ⓘ experimental film ⓘ |
| hasMediaType | video ⓘ |
| hasNarrativeLocation |
history of cinema
ⓘ
history of the 20th century ⓘ |
| hasPart |
Histoire(s) du cinéma
self-linksurface differs
ⓘ
surface form:
Histoire(s) du cinéma 1A
Histoire(s) du cinéma self-linksurface differs ⓘ
surface form:
Histoire(s) du cinéma 1B
Histoire(s) du cinéma self-linksurface differs ⓘ
surface form:
Histoire(s) du cinéma 2A
Histoire(s) du cinéma self-linksurface differs ⓘ
surface form:
Histoire(s) du cinéma 2B
Histoire(s) du cinéma self-linksurface differs ⓘ
surface form:
Histoire(s) du cinéma 3A
Histoire(s) du cinéma self-linksurface differs ⓘ
surface form:
Histoire(s) du cinéma 3B
Histoire(s) du cinéma self-linksurface differs ⓘ
surface form:
Histoire(s) du cinéma 4A
Histoire(s) du cinéma self-linksurface differs ⓘ
surface form:
Histoire(s) du cinéma 4B
|
| influencedBy |
European art cinema
ⓘ
Soviet montage theory ⓘ classical Hollywood cinema ⓘ silent cinema ⓘ |
| mainSubject |
aesthetics of cinema
ⓘ
film theory ⓘ history of cinema ⓘ |
| movement | French New Wave ⓘ |
| notableWorkOf | Jean-Luc Godard ⓘ |
| originalLanguage | French ⓘ |
| partOf |
Jean-Luc Godard
ⓘ
surface form:
Jean-Luc Godard filmography
|
| productionCompany | Gaumont ⓘ |
| publicationFormat |
DVD
ⓘ
television broadcast ⓘ video ⓘ |
| usesTechnique |
archival footage
ⓘ
intertitles ⓘ montage ⓘ sound collage ⓘ voice-over commentary ⓘ |
| workExampleOf |
collage film
ⓘ
intertextual cinema ⓘ |
| writer | Jean-Luc Godard ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Histoire(s) du cinéma Description of subject: Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
Referenced by (9)
Full triples — surface form annotated when it differs from this entity's canonical label.