Triple

T8626058
Position Surface form Disambiguated ID Type / Status
Subject Histoire(s) du cinéma E204282 entity
Predicate hasPart P35 FINISHED
Object Histoire(s) du cinéma 2B E204282 NE FINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Histoire(s) du cinéma 2B | Statement: [Histoire(s) du cinéma, hasPart, Histoire(s) du cinéma 2B]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Histoire(s) du cinéma 2B
Context triple: [Histoire(s) du cinéma, hasPart, Histoire(s) du cinéma 2B]
  • A. Histoire(s) du cinéma chosen
    Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
  • B. Le Cinéma
    Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
  • C. Les Films du Siècle
    Les Films du Siècle is a French film production company known for backing various French and international cinema projects.
  • D. “Discovering Cinema”
    “Discovering Cinema” is a musical piece or movement from Ennio Morricone’s acclaimed score for the film *Cinema Paradiso*, reflecting the movie’s nostalgic and emotional themes.
  • E. Cinema 2: The Time-Image
    Cinema 2: The Time-Image is a major philosophical work by Gilles Deleuze that develops a theory of modern cinema through the concept of the "time-image," emphasizing new ways films represent time, perception, and thought.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (3 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69ca834a4ea0819094970dceb9e389f3 completed March 30, 2026, 2:06 p.m.
NER Named-entity recognition batch_69cc472b8fa481909f52f83ea210483e completed March 31, 2026, 10:14 p.m.
NED1 Entity disambiguation (via context triple) batch_69cecc9abd1081909d45af7498ec7c34 completed April 2, 2026, 8:07 p.m.
Created at: March 30, 2026, 6:26 p.m.