Triple
T8626055
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Histoire(s) du cinéma |
E204282
|
entity |
| Predicate | hasPart |
P35
|
FINISHED |
| Object | Histoire(s) du cinéma 1A |
E204282
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Histoire(s) du cinéma 1A | Statement: [Histoire(s) du cinéma, hasPart, Histoire(s) du cinéma 1A]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Histoire(s) du cinéma 1A Context triple: [Histoire(s) du cinéma, hasPart, Histoire(s) du cinéma 1A]
-
A.
Histoire(s) du cinéma
chosen
Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
-
B.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
-
C.
100 Años de Cine
100 Años de Cine is a film project directed by Australian filmmaker Gillian Armstrong, likely exploring the history and evolution of cinema over a century.
-
D.
“Discovering Cinema”
“Discovering Cinema” is a musical piece or movement from Ennio Morricone’s acclaimed score for the film *Cinema Paradiso*, reflecting the movie’s nostalgic and emotional themes.
-
E.
Cinema 1: The Movement-Image
"Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69ca834a4ea0819094970dceb9e389f3 |
completed | March 30, 2026, 2:06 p.m. |
| NER | Named-entity recognition | batch_69cc472b8fa481909f52f83ea210483e |
completed | March 31, 2026, 10:14 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69cebbf03c688190a989f16675f6e8a6 |
completed | April 2, 2026, 6:56 p.m. |
Created at: March 30, 2026, 6:26 p.m.