Chrysanthos of Madytos
E201808
19th-century Greek person
Byzantine music theorist
Greek music theorist
Orthodox Christian cleric
music reformer
Chrysanthos of Madytos was a prominent 19th-century Greek music theorist and reformer who modernized the notation and theory of Byzantine chant.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Chrysanthos of Madytos canonical | 2 |
Statements (39)
| Predicate | Object |
|---|---|
| instanceOf |
19th-century Greek person
ⓘ
Byzantine music theorist ⓘ Greek music theorist ⓘ Orthodox Christian cleric ⓘ music reformer ⓘ |
| associatedWith |
Patriarchate of Constantinople
ⓘ
surface form:
Ecumenical Patriarchate of Constantinople
|
| centuryOfActivity | 19th century ⓘ |
| collaboratedWith |
Chourmouzios the Archivist
ⓘ
Gregorios the Protopsaltes ⓘ |
| contributedTo |
didactic reform of psaltic notation
ⓘ
standardization of Byzantine musical intervals ⓘ systematization of Byzantine modal theory ⓘ |
| field |
Byzantine chant notation
ⓘ
Byzantine music theory ⓘ |
| hasRole |
codifier of the New Method of Byzantine notation
ⓘ
teacher of the Patriarchal School of Music ⓘ |
| influenced |
19th-century Byzantine cantors
ⓘ
modern practice of Byzantine chant ⓘ |
| knownFor |
development of the New Method of Byzantine notation
ⓘ
modernization of Byzantine chant theory ⓘ reform of Byzantine musical notation ⓘ |
| languageOfWork | Greek ⓘ |
| legacy |
foundation of modern Byzantine music pedagogy
ⓘ
widespread adoption of his notation system in Orthodox churches ⓘ |
| movement | reform of Byzantine chant in the early 19th century ⓘ |
| name | Chrysanthos of Madytos self-link ⓘ |
| nationality | Greek ⓘ |
| occupation |
composer of Byzantine chant
ⓘ
music theorist ⓘ teacher of music ⓘ |
| placeOfActivity |
Constantinople (probable)
ⓘ
surface form:
Constantinople
|
| placeOfOrigin | Madytos ⓘ |
| religion | Eastern Orthodox Christianity ⓘ |
| subjectOf | studies in Byzantine musicology ⓘ |
| theoryFocus |
Byzantine chant
ⓘ
surface form:
Byzantine modes (echoi)
intervallic structure of Byzantine scales ⓘ rhythm in Byzantine chant ⓘ |
| wrote |
Eisagoge eis to Theoretikon kai Praktikon tes Ekklisiastikes Mousikes
ⓘ
Theoretikon Mega tes Mousikes ⓘ |
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.