Byzantine chant

E29143

Byzantine chant is the monophonic, modal liturgical music of the Eastern Orthodox Church and other churches following the Byzantine tradition.

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All labels observed (9)

Statements (51)

Predicate Object
instanceOf liturgical music tradition
modal music
monophonic chant
sacred music
associatedWith Mount Athos
Patriarchate of Constantinople
developedFrom Jewish cantillation traditions
ancient Greek musical theory
early Christian chant
developedIn Byzantine Empire
hasCharacteristic free rhythmic structure
modal system
monophonic texture
syllabic and melismatic styles
unaccompanied vocal performance
use of micro-ornamentation
influenced Georgian chant traditions
Italo-Byzantine chant
Romanian Orthodox chant
Slavic Orthodox chant traditions
languageOfTexts Arabic (in some Antiochian traditions)
Church Slavonic
surface form: Church Slavonic (in Slavic traditions)

Koine Greek
Medieval Greek
liturgicalFunction accompaniment of liturgical texts
congregational prayer support
modeType authentic modes
plagal modes
notationSystem Byzantine neumatic notation
Late Byzantine notation
Byzantine neumatic notation
surface form: Middle Byzantine notation
performedBy cantor (psaltis)
choir
recognizedBy UNESCO Intangible Cultural Heritage (Greece)
reformedBy Chourmouzios the Archivist
Chrysanthos of Madytos
Gregorios the Protopsaltes
reformPeriod early 19th century
religiousTradition Eastern Catholic Churches
surface form: Eastern Catholic Churches of Byzantine rite

Eastern Orthodox Christianity
surface form: Eastern Orthodox Church

Oriental Orthodox Churches using Byzantine rite
scaleSystem Octoechos
surface form: octoechos (eight-mode system)
timePeriod Late Antiquity
Middle Ages
UNESCOInscriptionYear 2019 (Greece)
UNESCOStatus Representative List of the Intangible Cultural Heritage of Humanity
usedIn Byzantine Rite
Divine Liturgy of St. John Chrysostom
surface form: Divine Liturgy

Horologion
surface form: Hours (Byzantine office)

Orthros
Vespers

Referenced by (27)

Full triples — surface form annotated when it differs from this entity's canonical label.

Byzantine Rite musicalTradition Byzantine chant
Triodion influencedBy Byzantine chant
this entity surface form: Byzantine hymnography
Octoechos tradition Byzantine chant
Akathist musicalTradition Byzantine chant
Italo-Albanian Catholic Church preserves Byzantine chant
this entity surface form: Byzantine chant traditions
Byzantine poetry relatedTo Byzantine chant
this entity surface form: Byzantine music
Ephrem the Syrian influenced Byzantine chant
this entity surface form: Byzantine hymnography
Paschal troparion relatedConcept Byzantine chant
Paschal Stichera chantTradition Byzantine chant
this entity surface form: Byzantine chant tradition
Paschal Stichera textSource Byzantine chant
this entity surface form: Orthodox hymnography
Prophet, Forerunner and Baptist of the Lord usedIn Byzantine chant
this entity surface form: Eastern Orthodox hymnography
Paraklesis to the Theotokos associatedWith Byzantine chant
this entity surface form: Orthodox hymnography
Small Paraklesis musicalTradition Byzantine chant
Gregorios the Protopsaltes mainWorkField Byzantine chant
Oktoechos usedIn Byzantine chant
Parakletike influencedBy Byzantine chant
troparia associatedWith Byzantine chant
Chrysanthos of Madytos theoryFocus Byzantine chant
this entity surface form: Byzantine modes (echoi)
Kassia genre Byzantine chant
Theodore Studites influenced Byzantine chant
this entity surface form: Byzantine hymnography
Entrance Hymn (Eisodikon) musicalTradition Byzantine chant
this entity surface form: Byzantine chant tradition
John Tavener influencedBy Byzantine chant
this entity surface form: Eastern Orthodox chant
John Tavener influencedBy Byzantine chant
this entity surface form: Byzantine music
Christ is Risen musicalTradition Byzantine chant