Eisagoge eis to Theoretikon kai Praktikon tes Ekklisiastikes Mousikes
E738077
Eisagoge eis to Theoretikon kai Praktikon tes Ekklisiastikes Mousikes is a foundational 19th-century treatise that systematically presents the theory and practice of Byzantine ecclesiastical music.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Eisagoge eis to Theoretikon kai Praktikon tes Ekklisiastikes Mousikes canonical | 1 |
Statements (31)
| Predicate | Object |
|---|---|
| instanceOf |
Byzantine music treatise
ⓘ
music treatise ⓘ theoretical work ⓘ |
| aimsTo | systematize Byzantine ecclesiastical music ⓘ |
| associatedWith | Orthodox liturgical tradition ⓘ |
| countryOfOrigin | Greece ⓘ |
| covers |
practical aspects of chant performance
ⓘ
theoretical aspects of chant ⓘ |
| describedAs | foundational treatise ⓘ |
| documentType | scholarly treatise ⓘ |
| field |
Byzantine studies
ⓘ
musicology ⓘ |
| focusesOn |
practice of Byzantine ecclesiastical music
ⓘ
theory of Byzantine ecclesiastical music ⓘ |
| genre |
liturgical music
ⓘ
music theory ⓘ |
| historicalPeriod | modern Greek music theory ⓘ |
| intendedAudience |
cantors
ⓘ
students of Byzantine music ⓘ |
| language | Greek ⓘ |
| mainSubject |
Byzantine ecclesiastical music
ⓘ
music practice ⓘ music theory ⓘ |
| publicationCentury | 19th century ⓘ |
| religiousTradition | Eastern Orthodox Church NERFINISHED ⓘ |
| scope | systematic presentation of Byzantine ecclesiastical music ⓘ |
| titleTranslation | Introduction to the Theoretical and Practical [Aspects] of Ecclesiastical Music NERFINISHED ⓘ |
| tradition | Byzantine chant ⓘ |
| typeOfWork | didactic text ⓘ |
| usedIn |
study of Byzantine chant notation
ⓘ
training of church musicians ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.
Chrysanthos of Madytos
→
wrote
→
Eisagoge eis to Theoretikon kai Praktikon tes Ekklisiastikes Mousikes
ⓘ