Flower Song (La fleur que tu m’avais jetée)
E189271
Flower Song (La fleur que tu m’avais jetée) is a famous romantic aria for tenor from Georges Bizet’s opera Carmen, in which Don José passionately recalls the flower Carmen once threw to him.
All labels observed (2)
| Label | Occurrences |
|---|---|
| La fleur que tu m’avais jetée | 3 |
| Flower Song (La fleur que tu m’avais jetée) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1682224 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Flower Song (La fleur que tu m’avais jetée) Context triple: [Carmen, notableNumber, Flower Song (La fleur que tu m’avais jetée)]
-
A.
Pour que tu m’aimes encore
"Pour que tu m’aimes encore" is one of Céline Dion’s most iconic French-language ballads, renowned for its emotional lyrics and powerful vocal performance.
-
B.
La Vie en rose
"La Vie en rose" is a classic French song, originally made famous by Édith Piaf, that became one of Louis Armstrong’s signature romantic jazz standards through his celebrated interpretation.
-
C.
Mademoiselle Juliette
"Mademoiselle Juliette" is a French pop song by singer Alizée, known for its playful, upbeat style and literary allusions.
-
D.
Les Vaines Tendresses
Les Vaines Tendresses is a collection of lyrical poems by French poet Sully Prudhomme, reflecting his characteristic blend of melancholy, introspection, and philosophical sensitivity.
-
E.
Voulez-Vous
"Voulez-Vous" is a disco-driven ABBA song known for its energetic rhythm and prominent use in the musical and film adaptation of Mamma Mia!.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Flower Song (La fleur que tu m’avais jetée) Target entity description: Flower Song (La fleur que tu m’avais jetée) is a famous romantic aria for tenor from Georges Bizet’s opera Carmen, in which Don José passionately recalls the flower Carmen once threw to him.
-
A.
Pour que tu m’aimes encore
"Pour que tu m’aimes encore" is one of Céline Dion’s most iconic French-language ballads, renowned for its emotional lyrics and powerful vocal performance.
-
B.
La Vie en rose
"La Vie en rose" is a classic French song, originally made famous by Édith Piaf, that became one of Louis Armstrong’s signature romantic jazz standards through his celebrated interpretation.
-
C.
Mademoiselle Juliette
"Mademoiselle Juliette" is a French pop song by singer Alizée, known for its playful, upbeat style and literary allusions.
-
D.
Les Vaines Tendresses
Les Vaines Tendresses is a collection of lyrical poems by French poet Sully Prudhomme, reflecting his characteristic blend of melancholy, introspection, and philosophical sensitivity.
-
E.
Voulez-Vous
"Voulez-Vous" is a disco-driven ABBA song known for its energetic rhythm and prominent use in the musical and film adaptation of Mamma Mia!.
- F. None of above. chosen
Statements (42)
| Predicate | Object |
|---|---|
| instanceOf |
opera aria
ⓘ
romantic aria ⓘ tenor aria ⓘ |
| associatedCharacter | Carmen ⓘ |
| associatedWork |
Carmen
ⓘ
surface form:
Carmen (opera)
|
| basedOnLibrettoOf | Carmen ⓘ |
| characterVoiceType | lyric tenor ⓘ |
| composer | Georges Bizet ⓘ |
| countryOfOrigin | France ⓘ |
| dramaticContext |
Don José
ⓘ
surface form:
Don José recalls the flower Carmen threw to him
|
| dramaticFunction |
intensifies the love conflict between Don José and Carmen
ⓘ
Don José ⓘ
surface form:
reveals Don José’s emotional vulnerability
|
| firstPerformanceOperaCity | Paris ⓘ |
| firstPerformanceOperaVenue |
Opéra-Comique, Paris, France
ⓘ
surface form:
Opéra-Comique, Paris
|
| genre |
lyric aria
ⓘ
opera aria ⓘ |
| language | French ⓘ |
| librettist |
Henri Meilhac
ⓘ
Ludovic Halévy ⓘ |
| musicalPeriod |
Romantic period in music
ⓘ
surface form:
Romantic era
|
| notableFor |
emotional high B-flat climax
ⓘ
expressive lyrical line for tenor ⓘ |
| operaAct |
Carmen
ⓘ
surface form:
Act II of Carmen
|
| operaComposer | Georges Bizet ⓘ |
| operaOriginalLanguage | French ⓘ |
| originalLanguageTitle |
Flower Song (La fleur que tu m’avais jetée)
self-linksurface differs
ⓘ
surface form:
La fleur que tu m’avais jetée
|
| originalWorkPremiereYear | 1875 ⓘ |
| partOfOpera | Carmen ⓘ |
| performanceTradition |
often excerpted from the full opera
ⓘ
often performed in recital ⓘ |
| setting | Seville, Spain ⓘ |
| subjectOf | numerous commercial recordings ⓘ |
| sungByCharacter | Don José ⓘ |
| theme |
fate
ⓘ
obsession ⓘ unrequited love ⓘ |
| title |
Flower Song
ⓘ
Flower Song (La fleur que tu m’avais jetée) self-linksurface differs ⓘ
surface form:
La fleur que tu m’avais jetée
|
| typicalPerformanceLanguage | French ⓘ |
| usedAs | audition piece for tenors ⓘ |
| vocalRange | tenor with high B-flat ⓘ |
| voiceType | tenor ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Flower Song (La fleur que tu m’avais jetée) Description of subject: Flower Song (La fleur que tu m’avais jetée) is a famous romantic aria for tenor from Georges Bizet’s opera Carmen, in which Don José passionately recalls the flower Carmen once threw to him.
Referenced by (4)
Full triples — surface form annotated when it differs from this entity's canonical label.