performanceTradition
P10229
predicate
Indicates a relationship where a performance is carried out according to a specific cultural, historical, or stylistic tradition.
All labels observed (8)
| Label | Occurrences |
|---|---|
| performanceTradition canonical | 156 |
| typicalPerformancePractice | 11 |
| performedInTradition | 3 |
| hasTraditionalPerformance | 2 |
| traditionallyPerformed | 2 |
| associatedPerformanceTradition | 1 |
| traditionalPerformance | 1 |
| исполнительская традиция | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: performanceTradition
Generated description
Indicates a relationship where a performance is carried out according to a specific cultural, historical, or stylistic tradition.
Sample triples (177)
| Subject | Object |
|---|---|
|
Westminster Choir College (historically)
surface form:
Westminster Choir College
|
performances with major orchestras ⓘ |
|
Westminster Choir College (historically)
surface form:
Westminster Choir College
|
performances in major concert halls ⓘ |
| God Defend New Zealand | first verse in Māori followed by first verse in English via predicate surface "typicalPerformancePractice" ⓘ |
| God Defend New Zealand | often sung at the start of international sports matches involving New Zealand teams via predicate surface "typicalPerformancePractice" ⓘ |
| Academy Award for Best Original Song | nominated songs are often performed live during the ceremony ⓘ |
|
Nessun Dorma (Fenway Sports Management assets may vary; ignore if uncertain)
surface form:
Nessun dorma
|
encore piece for tenors ⓘ |
| Gregorian chant | unison singing via predicate surface "typicalPerformancePractice" ⓘ |
| Gregorian chant | a cappella via predicate surface "typicalPerformancePractice" ⓘ |
| St John Passion | regularly performed in Holy Week ⓘ |
| Porgy and Bess | all-Black principal cast ⓘ |
| Bewitched, Bothered and Bewildered | jazz vocal standard ⓘ |
| Bewitched, Bothered and Bewildered | cabaret standard ⓘ |
| Kakawin Hariwangsa |
Wayang
via predicate surface "associatedPerformanceTradition"
ⓘ
surface form:
wayang (Javanese shadow theatre)
|
| Olympic Hymn | performed in the host country's language ⓘ |
| Olympic Hymn | sometimes performed in Greek ⓘ |
| Olympic Hymn | often performed by choir and orchestra ⓘ |
| The Eyes of Texas | sung with "Hook ’em Horns" hand sign ⓘ |
| The Eyes of Texas | sung at the end of football games ⓘ |
| The Eyes of Texas | sung at the end of many athletic contests ⓘ |
| The Eyes of Texas | often sung a cappella by the crowd ⓘ |
| Let’s Do It, Let’s Fall in Love | cabaret standard ⓘ |
| Let’s Do It, Let’s Fall in Love | jazz vocal standard ⓘ |
| My Mammy | stage performance ⓘ |
| My Mammy | screen performance ⓘ |
| Harlequin | improvised dialogue ⓘ |
| Harlequin | lazzi (comic routines) ⓘ |
| Les Femmes savantes | Comédie-Française repertoire ⓘ |
| Shah Hussain | sung in Sufi gatherings ⓘ |
| Shah Hussain | performed in Punjabi qawwali ⓘ |
| Hallelujah Chorus | audience stands during performance ⓘ |
| God Bless America | sung at U.S. sports games ⓘ |
| God Bless America | performed at political events ⓘ |
| God Bless America | performed at Memorial Day and Independence Day ceremonies ⓘ |
| Pak Yong | oral tradition ⓘ |
|
Elle
surface form:
Elle (La voix humaine)
|
often performed by a single soprano in recital or staged settings ⓘ |
| Flower Song (La fleur que tu m’avais jetée) | often performed in recital ⓘ |
| Flower Song (La fleur que tu m’avais jetée) | often excerpted from the full opera ⓘ |
|
Candide (operetta by Leonard Bernstein)
surface form:
Candide
|
frequently revived by opera companies ⓘ |
|
Candide (operetta by Leonard Bernstein)
surface form:
Candide
|
frequently produced by musical theatre companies ⓘ |
| The Neville Brothers | regular performers at New Orleans Jazz & Heritage Festival ⓘ |
| Rock-a-Bye Your Baby with a Dixie Melody | vaudeville ⓘ |
| I Am Changing | often performed in auditions ⓘ |
| I Am Changing | often performed in vocal competitions ⓘ |
| Clock Scene | often highlighted as a showcase for bass voice singing Boris ⓘ |
| Rienzi | often cut in performance via predicate surface "typicalPerformancePractice" ⓘ |
| Bhagat Bhatt poets | sung as part of kirtan in gurdwaras ⓘ |
|
“Reach Out and Touch (Somebody’s Hand)”
surface form:
"Reach Out and Touch (Somebody’s Hand)"
|
often performed live by Diana Ross ⓘ |
| Ol' Man River | often performed by bass or baritone singers ⓘ |
| I Got Plenty o’ Nuttin’ | often excerpted in concert performances of Porgy and Bess ⓘ |
| I Got Plenty o’ Nuttin’ | recorded by numerous vocalists ⓘ |