performanceTradition

P10229
predicate

Indicates a relationship where a performance is carried out according to a specific cultural, historical, or stylistic tradition.

All labels observed (8)

Label Occurrences
performanceTradition canonical 156
typicalPerformancePractice 11
performedInTradition 3

Description generation (PDg)

The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.

Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning.  
# Instructions
Focus on describing the relationship, not the entities themselves. 
# Response Format
Begin the description with \' Indicates...\'
Input
Predicate: performanceTradition
Generated description
Indicates a relationship where a performance is carried out according to a specific cultural, historical, or stylistic tradition.

Sample triples (177)

Subject Object
La Dame aux Camélias (stage role) star vehicle for leading actresses
La Dame aux Camélias (stage role) central role in 19th- and early 20th-century repertory theatre
Māori people kapa haka via predicate surface "traditionalPerformance"
I Got the Sun in the Mornin’ often performed in revivals of Annie Get Your Gun
Eugen d’Albert’s opera "Tiefland"
surface form: Tiefland
German opera repertoire
What Is a Man? Broadway repertoire
Serenade (from The Student Prince) tenor solo
Serenade (from The Student Prince) orchestral accompaniment
Can't Help Lovin' Dat Man female vocal
Send in the Clowns often performed as a standalone concert piece
Soothe Me live soul revues
Blow, Gabriel, Blow often staged with energetic choreography
Blow, Gabriel, Blow often used as a showstopper
The U.S. Army Song soldiers stand and sing along
Rusalka in Dvořák’s "Rusalka"
surface form: Rusalka (character)
major role in the international soprano repertoire
Mephistopheles in Gounod's "Faust"
surface form: Mephistopheles (Gounod's Faust)
often portrayed with ironic humor
Mephistopheles in Gounod's "Faust"
surface form: Mephistopheles (Gounod's Faust)
often breaks the fourth wall
Ivan the Terrible in Rimsky-Korsakov's "The Maid of Pskov" often sung by Russian basses
Elena in Boito's "Mefistofele"
surface form: Elena (Boito's Mefistofele)
Italian operatic repertoire
Aida in Verdi's "Aida"
surface form: Aida (character)
major role in Verdi soprano repertoire
Donna Anna sung in original Italian
opera "Dido and Aeneas" by Henry Purcell
surface form: Dido and Aeneas
frequently staged by professional and student opera companies
Barbara Allen Anglo-American folk tradition via predicate surface "performedInTradition"
Barbara Allen British folk revival via predicate surface "performedInTradition" NERFINISHED
Barbara Allen American folk revival via predicate surface "performedInTradition" NERFINISHED
Prince Yeletsky often a highlight baritone role in The Queen of Spades
O Mistress Mine often set to new musical settings in modern productions
"No One in the World"
surface form: No One in the World
live concert staple for Anita Baker
Sergeant of Police sung in English in most productions
Adelaide’s Lament solo female vocal
Two Soldiers American folk music revival
Brighella improvised theatre
“Last Midnight”
surface form: Last Midnight
often used as an audition piece for female musical theatre performers
Sing Happy cabaret repertoire
Sing Happy concert repertoire
Symphony No. 9 in D minor performed in three movements via predicate surface "typicalPerformancePractice"
Vastraharan proscenium theatre
Old Folks at Home blackface minstrelsy
Corelli Op. 2 basso continuo realized on harpsichord or organ via predicate surface "typicalPerformancePractice"
Corelli Op. 2 basso continuo often reinforced by cello or violone via predicate surface "typicalPerformancePractice"
HWV 56
surface form: Messiah
audience stands during Hallelujah chorus
Melancholy New Orleans clarinet style
Besame Mucho
surface form: Bésame Mucho
often performed as a slow dance
opera "Mignon" by Ambroise Thomas
surface form: Mignon
often performed in Italian translation in the 19th century
The Sun, Whose Rays Are All Ablaze often sung in English even in non-English-speaking countries
The Flowers that Bloom in the Spring performed with brisk tempo via predicate surface "typicalPerformancePractice"
The Flowers that Bloom in the Spring enunciated patter for comic effect via predicate surface "typicalPerformancePractice"
song “Chicago (That Toddlin’ Town)”
surface form: Chicago (That Toddlin’ Town)
often performed in swing style
Krishnanattam temple art
Arjuna Bhanjana (drama)
surface form: Arjuna Bhanjana
Assamese devotional theatre