performanceTradition
P10229
predicate
Indicates a relationship where a performance is carried out according to a specific cultural, historical, or stylistic tradition.
All labels observed (8)
| Label | Occurrences |
|---|---|
| performanceTradition canonical | 156 |
| typicalPerformancePractice | 11 |
| performedInTradition | 3 |
| hasTraditionalPerformance | 2 |
| traditionallyPerformed | 2 |
| associatedPerformanceTradition | 1 |
| traditionalPerformance | 1 |
| исполнительская традиция | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: performanceTradition
Generated description
Indicates a relationship where a performance is carried out according to a specific cultural, historical, or stylistic tradition.
Sample triples (177)
| Subject | Object |
|---|---|
| La Dame aux Camélias (stage role) | star vehicle for leading actresses ⓘ |
| La Dame aux Camélias (stage role) | central role in 19th- and early 20th-century repertory theatre ⓘ |
| Māori people | kapa haka via predicate surface "traditionalPerformance" ⓘ |
| I Got the Sun in the Mornin’ | often performed in revivals of Annie Get Your Gun ⓘ |
|
Eugen d’Albert’s opera "Tiefland"
surface form:
Tiefland
|
German opera repertoire ⓘ |
| What Is a Man? | Broadway repertoire ⓘ |
| Serenade (from The Student Prince) | tenor solo ⓘ |
| Serenade (from The Student Prince) | orchestral accompaniment ⓘ |
| Can't Help Lovin' Dat Man | female vocal ⓘ |
| Send in the Clowns | often performed as a standalone concert piece ⓘ |
| Soothe Me | live soul revues ⓘ |
| Blow, Gabriel, Blow | often staged with energetic choreography ⓘ |
| Blow, Gabriel, Blow | often used as a showstopper ⓘ |
| The U.S. Army Song | soldiers stand and sing along ⓘ |
|
Rusalka in Dvořák’s "Rusalka"
surface form:
Rusalka (character)
|
major role in the international soprano repertoire ⓘ |
|
Mephistopheles in Gounod's "Faust"
surface form:
Mephistopheles (Gounod's Faust)
|
often portrayed with ironic humor ⓘ |
|
Mephistopheles in Gounod's "Faust"
surface form:
Mephistopheles (Gounod's Faust)
|
often breaks the fourth wall ⓘ |
| Ivan the Terrible in Rimsky-Korsakov's "The Maid of Pskov" | often sung by Russian basses ⓘ |
|
Elena in Boito's "Mefistofele"
surface form:
Elena (Boito's Mefistofele)
|
Italian operatic repertoire ⓘ |
|
Aida in Verdi's "Aida"
surface form:
Aida (character)
|
major role in Verdi soprano repertoire ⓘ |
| Donna Anna | sung in original Italian ⓘ |
|
opera "Dido and Aeneas" by Henry Purcell
surface form:
Dido and Aeneas
|
frequently staged by professional and student opera companies ⓘ |
| Barbara Allen | Anglo-American folk tradition via predicate surface "performedInTradition" ⓘ |
| Barbara Allen | British folk revival via predicate surface "performedInTradition" NERFINISHED ⓘ |
| Barbara Allen | American folk revival via predicate surface "performedInTradition" NERFINISHED ⓘ |
| Prince Yeletsky | often a highlight baritone role in The Queen of Spades ⓘ |
| O Mistress Mine | often set to new musical settings in modern productions ⓘ |
|
"No One in the World"
surface form:
No One in the World
|
live concert staple for Anita Baker ⓘ |
| Sergeant of Police | sung in English in most productions ⓘ |
| Adelaide’s Lament | solo female vocal ⓘ |
| Two Soldiers | American folk music revival ⓘ |
| Brighella | improvised theatre ⓘ |
|
“Last Midnight”
surface form:
Last Midnight
|
often used as an audition piece for female musical theatre performers ⓘ |
| Sing Happy | cabaret repertoire ⓘ |
| Sing Happy | concert repertoire ⓘ |
| Symphony No. 9 in D minor | performed in three movements via predicate surface "typicalPerformancePractice" ⓘ |
| Vastraharan | proscenium theatre ⓘ |
| Old Folks at Home | blackface minstrelsy ⓘ |
| Corelli Op. 2 | basso continuo realized on harpsichord or organ via predicate surface "typicalPerformancePractice" ⓘ |
| Corelli Op. 2 | basso continuo often reinforced by cello or violone via predicate surface "typicalPerformancePractice" ⓘ |
|
HWV 56
surface form:
Messiah
|
audience stands during Hallelujah chorus ⓘ |
| Melancholy | New Orleans clarinet style ⓘ |
|
Besame Mucho
surface form:
Bésame Mucho
|
often performed as a slow dance ⓘ |
|
opera "Mignon" by Ambroise Thomas
surface form:
Mignon
|
often performed in Italian translation in the 19th century ⓘ |
| The Sun, Whose Rays Are All Ablaze | often sung in English even in non-English-speaking countries ⓘ |
| The Flowers that Bloom in the Spring | performed with brisk tempo via predicate surface "typicalPerformancePractice" ⓘ |
| The Flowers that Bloom in the Spring | enunciated patter for comic effect via predicate surface "typicalPerformancePractice" ⓘ |
|
song “Chicago (That Toddlin’ Town)”
surface form:
Chicago (That Toddlin’ Town)
|
often performed in swing style ⓘ |
| Krishnanattam | temple art ⓘ |
|
Arjuna Bhanjana (drama)
surface form:
Arjuna Bhanjana
|
Assamese devotional theatre ⓘ |