performanceTradition
P10229
predicate
Indicates a relationship where a performance is carried out according to a specific cultural, historical, or stylistic tradition.
All labels observed (8)
| Label | Occurrences |
|---|---|
| performanceTradition canonical | 156 |
| typicalPerformancePractice | 11 |
| performedInTradition | 3 |
| hasTraditionalPerformance | 2 |
| traditionallyPerformed | 2 |
| associatedPerformanceTradition | 1 |
| traditionalPerformance | 1 |
| исполнительская традиция | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: performanceTradition
Generated description
Indicates a relationship where a performance is carried out according to a specific cultural, historical, or stylistic tradition.
Sample triples (177)
| Subject | Object |
|---|---|
| Parijat Haran | Sattriya theatre NERFINISHED ⓘ |
| Dharmamangal | oral recitation ⓘ |
| Dharmamangal | ritual performance ⓘ |
| Malavikagnimitram | classical Sanskrit theatre ⓘ |
| Mei school | Peking opera dan roles ⓘ |
| Good people all, this Christmas time | a cappella ⓘ |
| Good people all, this Christmas time | choral ⓘ |
| Good people all, this Christmas time | solo voice ⓘ |
| Loong Kim Sang | Cantonese opera male-role tradition ⓘ |
| The Peony Pavilion | classical Kunqu staging ⓘ |
| Four Dreams of Linchuan | Kunqu performance ⓘ |
| Le docteur Miracle | often performed in double bills ⓘ |
| Semiramide | requires highly skilled coloratura singers ⓘ |
| Semiramide | often heavily cut in 19th- and early 20th-century performances ⓘ |
|
Tonio in La fille du régiment
surface form:
Tonio
|
showcase role for star tenors ⓘ |
| Vivre | showcase number for the actress playing Esmeralda ⓘ |
| Scarbo | often used as a showpiece in piano recitals ⓘ |
| Brigg Fair | unaccompanied solo singing ⓘ |
| Танец Феи Драже | часто исполняется отдельно от всего балета via predicate surface "исполнительская традиция" ⓘ |
| Gamzatti | classical Kirov/Mariinsky interpretations ⓘ |
| Gamzatti | Bolshoi interpretations ⓘ |
| Gamzatti | Western ballet companies’ productions of La Bayadère ⓘ |
|
Act III
surface form:
Act III (The Sleeping Beauty)
|
often adapted or shortened in modern productions ⓘ |
| Basilio | 19th-century classical ballet canon ⓘ |
| Ortrud | German Romantic opera repertoire ⓘ |
| Elsa of Brabant | central soprano role in the standard Wagnerian repertoire ⓘ |
| Bird Alone | jazz ballad standard style ⓘ |
| The Load-Out | often performed as medley with Stay ⓘ |
| Hunding | sung by dramatic basses ⓘ |
|
song "Close Every Door"
surface form:
Close Every Door
|
often performed in concerts of Andrew Lloyd Webber music ⓘ |
|
song "Close Every Door"
surface form:
Close Every Door
|
frequently included on cast recordings of Joseph and the Amazing Technicolor Dreamcoat ⓘ |
| Whoopin' the Blues | Piedmont blues NERFINISHED ⓘ |
| Whoopin' the Blues | country blues harmonica ⓘ |
| Good Morning Blues | performed by jazz and blues musicians ⓘ |
| Venus and Adonis | often performed with period instruments ⓘ |
| Beyoncé version of All I Could Do Was Cry | classic torch song style ⓘ |
| The Death of Queen Jane | British folk tradition ⓘ |
| The Death of Queen Jane | a cappella singing ⓘ |
| The Death of Queen Jane | ballad singing ⓘ |
| Guess Who I Saw Today | club setting ⓘ |
| Guess Who I Saw Today | intimate concert setting ⓘ |
| Nobody’s Business | often performed in small jazz combos ⓘ |
| Nobody’s Business | often performed by solo blues vocalists ⓘ |
| The Wabash Cannonball | string band music ⓘ |
| Cinderella (pantomime) | British pantomime ⓘ |
| Cinderella (pantomime) | Christmas pantomime ⓘ |
| As Long as He Needs Me | sung by a female vocalist ⓘ |
| La sonnambula | often performed in Italian ⓘ |
|
Carmen in Carmen Suite
surface form:
Carmen (Carmen Suite)
|
Bolshoi Theatre NERFINISHED ⓘ |
| Fin ch’han dal vino | often used as a showpiece for baritones ⓘ |