Italian Renaissance painting

E176328

Italian Renaissance painting is a style of art that flourished in Italy from the 14th to the 16th century, characterized by its use of perspective, classical themes, and naturalistic representation of the human figure.

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All labels observed (5)

Statements (81)

Predicate Object
instanceOf art movement
cultural movement
painting style
aimsTo depict idealized yet natural human forms
represent three-dimensional space on a flat surface
countryOfOrigin Italy
followedBy Baroque painting
Mannerist painting
follows Gothic painting
Medieval painting
hasCharacteristic anatomical accuracy
balanced composition
chiaroscuro
classical themes
naturalistic representation of the human figure
sfumato
use of atmospheric perspective
use of fresco technique
use of linear perspective
use of oil paint
hasEndTime 16th century
hasNotableArtist Andrea Mantegna
Correggio
Domenico Ghirlandaio
Fra Angelico
Giorgio da Castelfranco
surface form: Giorgione

Giotto
surface form: Giotto di Bondone

Leonardo da Vinci
Luca Signorelli
Masaccio
Michelangelo
Paolo Uccello
Perugino
Piero della Francesca
Raphael
Sandro Botticelli
Titian
hasNotableCenter Florence
Milan
Padua
Rome
Venice
hasNotableWork Assumption of the Virgin (Titian)
Mona Lisa
Primavera
The Birth of Venus
The Creation of Adam
Last Supper
surface form: The Last Supper

The School of Athens
Michelangelo's Sistine Chapel ceiling frescoes
surface form: The Sistine Chapel ceiling

Transfiguration
surface form: The Transfiguration
hasPhase Renaissance
surface form: Early Renaissance

High Renaissance
Late Renaissance
hasStartTime 14th century
hasTheme Madonna and Child
allegorical scenes
biblical scenes
mythological subjects
portraits
saints
influenced Baroque painting
Neoclassicism
surface form: Neoclassical painting

Northern Renaissance painting
Western art
influencedBy Ancient Greek art
Ancient Roman art
Christian theology
Classical antiquity
Humanism
languageOfWorkOrName Italian
partOf Renaissance Italy
surface form: Italian Renaissance

Renaissance art
usesInnovation foreshortening
mathematical perspective
study of light and shadow
vanishing point
usesTechnique fresco
oil on canvas
oil on panel
tempera

Referenced by (33)

Full triples — surface form annotated when it differs from this entity's canonical label.

Ernest Wadsworth Longfellow influencedBy Italian Renaissance painting
Tuscany knownFor Italian Renaissance painting
this entity surface form: Renaissance art
Gustave Moreau influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
Edward Burne-Jones influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
Karl Bryullov influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
Madonna of the Goldfinch artHistoricalPeriod Italian Renaissance painting
this entity surface form: Italian High Renaissance
Adam Elsheimer influencedBy Italian Renaissance painting
Hendrick Goltzius influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
Jan van Scorel movement Italian Renaissance painting
this entity surface form: Italian High Renaissance
Jan van Scorel influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
Maarten van Heemskerck influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
Giotto influenced Italian Renaissance painting
Fra Angelico influenced Italian Renaissance painting
Rokeby Venus influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance nudes
Fontainebleau School decorations influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
Primaticcio influencedBy Italian Renaissance painting
this entity surface form: Italian High Renaissance
Lucas Cranach the Elder influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
School of Fontainebleau influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
Angelica Kauffman influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
Albert Moore influencedBy Italian Renaissance painting
subject surface form: Albert Joseph Moore
this entity surface form: Italian Renaissance art
Franz Pforr influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
George Frederic Watts influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
Musée des Beaux-Arts de Chambéry hasSubject Italian Renaissance painting
this entity surface form: Italian Renaissance art
Julius Schnorr von Carolsfeld influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
Edwin Blashfield influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
House of Este patronOf Italian Renaissance painting
this entity surface form: Renaissance art
William Wetmore Story influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
The Reading Magdalen hasArtisticMovement Italian Renaissance painting
this entity surface form: Renaissance art
Aragonese school of painting movement Italian Renaissance painting
this entity surface form: Renaissance art
Musée Bonnat-Helleu, Bayonne hasCollectionType Italian Renaissance painting
this entity surface form: Italian Renaissance art
Albert of Brandenburg patronOf Italian Renaissance painting
this entity surface form: Renaissance art
Cretan School influencedBy Italian Renaissance painting
this entity surface form: Italian Renaissance art
Creation of Adam period Italian Renaissance painting
subject surface form: The Creation of Adam
this entity surface form: Italian High Renaissance