Assumption of the Virgin (Titian)

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Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.

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Statements (46)

Predicate Object
instanceOf painting
artHistoricalPeriod High Renaissance NERFINISHED
artist Titian NERFINISHED
artStyle Venetian colorism NERFINISHED
cityOfCreation Venice NERFINISHED
commissionedBy Franciscan order in Venice NERFINISHED
commissionedFor high altar of the Frari church
completionDate 1518
countryOfOrigin Italy
creator Titian NERFINISHED
creatorNationality Italian
date 1516–1518
depicts Assumption of the Virgin Mary NERFINISHED
God the Father NERFINISHED
Virgin Mary
angels
apostles
genre religious painting
height about 690 cm
inception 1516
influenced later Venetian Baroque altarpieces
languageOfTitle Italian
locatedIn Italy
Venice NERFINISHED
location Basilica di Santa Maria Gloriosa dei Frari NERFINISHED
lowerRegister group of apostles
materialUsed oil on panel
medium oil paint
middleRegister Virgin Mary borne upward by angels
movement Italian Renaissance NERFINISHED
notableFor dramatic composition
monumental scale
vivid color
orientation vertical
originalLocation high altar of Santa Maria Gloriosa dei Frari NERFINISHED
partOf collection of Santa Maria Gloriosa dei Frari
patronCity Venice NERFINISHED
significance landmark of Venetian Renaissance painting
major early masterpiece of Titian
structure three-tier composition
subject Marian doctrine of the Assumption
support wood panel
titleInItalian Assunta NERFINISHED
Assunzione della Vergine NERFINISHED
upperRegister God the Father and angels
width about 360 cm

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Italian Renaissance painting hasNotableWork Assumption of the Virgin (Titian)