Assumption of the Virgin (Titian)
E666402
Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Assumption of the Virgin (Titian) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T7464156 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Assumption of the Virgin (Titian) Context triple: [Italian Renaissance painting, hasNotableWork, Assumption of the Virgin (Titian)]
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A.
The Sistine Madonna
The Sistine Madonna is a renowned High Renaissance altarpiece by Raphael, celebrated for its serene depiction of the Virgin and Child flanked by saints and the iconic pair of cherubs at the bottom.
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B.
Assumption of the Virgin (dome fresco)
Assumption of the Virgin (dome fresco) is a monumental late Renaissance ceiling painting by Correggio in Parma Cathedral, celebrated for its dramatic illusionistic perspective and swirling heavenly ascent of the Virgin Mary.
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C.
San Marco Altarpiece
The San Marco Altarpiece is a renowned early Renaissance painting by Fra Angelico, celebrated for its serene depiction of the Virgin and Child surrounded by saints and its luminous, devotional style.
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D.
Madonna Enthroned
Madonna Enthroned is a landmark early 14th-century altarpiece by Giotto that marks a pivotal shift toward naturalism in Italian Renaissance painting.
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E.
Assumption of the Virgin (Cerasi Chapel)
Assumption of the Virgin (Cerasi Chapel) is a Baroque altarpiece painting by Annibale Carracci depicting the Virgin Mary’s ascent into heaven, created for the Cerasi Chapel in Santa Maria del Popolo in Rome.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Assumption of the Virgin (Titian) Target entity description: Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
-
A.
The Sistine Madonna
The Sistine Madonna is a renowned High Renaissance altarpiece by Raphael, celebrated for its serene depiction of the Virgin and Child flanked by saints and the iconic pair of cherubs at the bottom.
-
B.
Assumption of the Virgin (dome fresco)
Assumption of the Virgin (dome fresco) is a monumental late Renaissance ceiling painting by Correggio in Parma Cathedral, celebrated for its dramatic illusionistic perspective and swirling heavenly ascent of the Virgin Mary.
-
C.
San Marco Altarpiece
The San Marco Altarpiece is a renowned early Renaissance painting by Fra Angelico, celebrated for its serene depiction of the Virgin and Child surrounded by saints and its luminous, devotional style.
-
D.
Madonna Enthroned
Madonna Enthroned is a landmark early 14th-century altarpiece by Giotto that marks a pivotal shift toward naturalism in Italian Renaissance painting.
-
E.
Assumption of the Virgin (Cerasi Chapel)
Assumption of the Virgin (Cerasi Chapel) is a Baroque altarpiece painting by Annibale Carracci depicting the Virgin Mary’s ascent into heaven, created for the Cerasi Chapel in Santa Maria del Popolo in Rome.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf | painting ⓘ |
| artHistoricalPeriod | High Renaissance NERFINISHED ⓘ |
| artist | Titian NERFINISHED ⓘ |
| artStyle | Venetian colorism NERFINISHED ⓘ |
| cityOfCreation | Venice NERFINISHED ⓘ |
| commissionedBy | Franciscan order in Venice NERFINISHED ⓘ |
| commissionedFor | high altar of the Frari church ⓘ |
| completionDate | 1518 ⓘ |
| countryOfOrigin | Italy ⓘ |
| creator | Titian NERFINISHED ⓘ |
| creatorNationality | Italian ⓘ |
| date | 1516–1518 ⓘ |
| depicts |
Assumption of the Virgin Mary
NERFINISHED
ⓘ
God the Father NERFINISHED ⓘ Virgin Mary ⓘ angels ⓘ apostles ⓘ |
| genre | religious painting ⓘ |
| height | about 690 cm ⓘ |
| inception | 1516 ⓘ |
| influenced | later Venetian Baroque altarpieces ⓘ |
| languageOfTitle | Italian ⓘ |
| locatedIn |
Italy
ⓘ
Venice NERFINISHED ⓘ |
| location | Basilica di Santa Maria Gloriosa dei Frari NERFINISHED ⓘ |
| lowerRegister | group of apostles ⓘ |
| materialUsed | oil on panel ⓘ |
| medium | oil paint ⓘ |
| middleRegister | Virgin Mary borne upward by angels ⓘ |
| movement | Italian Renaissance NERFINISHED ⓘ |
| notableFor |
dramatic composition
ⓘ
monumental scale ⓘ vivid color ⓘ |
| orientation | vertical ⓘ |
| originalLocation | high altar of Santa Maria Gloriosa dei Frari NERFINISHED ⓘ |
| partOf | collection of Santa Maria Gloriosa dei Frari ⓘ |
| patronCity | Venice NERFINISHED ⓘ |
| significance |
landmark of Venetian Renaissance painting
ⓘ
major early masterpiece of Titian ⓘ |
| structure | three-tier composition ⓘ |
| subject | Marian doctrine of the Assumption ⓘ |
| support | wood panel ⓘ |
| titleInItalian |
Assunta
NERFINISHED
ⓘ
Assunzione della Vergine NERFINISHED ⓘ |
| upperRegister | God the Father and angels ⓘ |
| width | about 360 cm ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Assumption of the Virgin (Titian) Description of subject: Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.