Triple

T7464156
Position Surface form Disambiguated ID Type / Status
Subject Italian Renaissance painting E176328 entity
Predicate hasNotableWork P4 FINISHED
Object Assumption of the Virgin (Titian)
Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
E666402 NE FINISHED

How this triple was built (4 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Assumption of the Virgin (Titian) | Statement: [Italian Renaissance painting, hasNotableWork, Assumption of the Virgin (Titian)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Assumption of the Virgin (Titian)
Context triple: [Italian Renaissance painting, hasNotableWork, Assumption of the Virgin (Titian)]
  • A. The Sistine Madonna
    The Sistine Madonna is a renowned High Renaissance altarpiece by Raphael, celebrated for its serene depiction of the Virgin and Child flanked by saints and the iconic pair of cherubs at the bottom.
  • B. Assumption of the Virgin (dome fresco)
    Assumption of the Virgin (dome fresco) is a monumental late Renaissance ceiling painting by Correggio in Parma Cathedral, celebrated for its dramatic illusionistic perspective and swirling heavenly ascent of the Virgin Mary.
  • C. San Marco Altarpiece
    The San Marco Altarpiece is a renowned early Renaissance painting by Fra Angelico, celebrated for its serene depiction of the Virgin and Child surrounded by saints and its luminous, devotional style.
  • D. Madonna Enthroned
    Madonna Enthroned is a landmark early 14th-century altarpiece by Giotto that marks a pivotal shift toward naturalism in Italian Renaissance painting.
  • E. Assumption of the Virgin (Cerasi Chapel)
    Assumption of the Virgin (Cerasi Chapel) is a Baroque altarpiece painting by Annibale Carracci depicting the Virgin Mary’s ascent into heaven, created for the Cerasi Chapel in Santa Maria del Popolo in Rome.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg Description generation gpt-5.1
Instruction
Generate a one-sentence description of the target entity. 
You are given a context triple in the form (subject, predicate, object), where the object is the target entity. 
# Instructions
Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. 
Avoid repeating the information from the triple, unless really essential.
# Response Format
Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Assumption of the Virgin (Titian)
Triple: [Italian Renaissance painting, hasNotableWork, Assumption of the Virgin (Titian)]
Generated description
Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Assumption of the Virgin (Titian)
Target entity description: Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
  • A. The Sistine Madonna
    The Sistine Madonna is a renowned High Renaissance altarpiece by Raphael, celebrated for its serene depiction of the Virgin and Child flanked by saints and the iconic pair of cherubs at the bottom.
  • B. Assumption of the Virgin (dome fresco)
    Assumption of the Virgin (dome fresco) is a monumental late Renaissance ceiling painting by Correggio in Parma Cathedral, celebrated for its dramatic illusionistic perspective and swirling heavenly ascent of the Virgin Mary.
  • C. San Marco Altarpiece
    The San Marco Altarpiece is a renowned early Renaissance painting by Fra Angelico, celebrated for its serene depiction of the Virgin and Child surrounded by saints and its luminous, devotional style.
  • D. Madonna Enthroned
    Madonna Enthroned is a landmark early 14th-century altarpiece by Giotto that marks a pivotal shift toward naturalism in Italian Renaissance painting.
  • E. Assumption of the Virgin (Cerasi Chapel)
    Assumption of the Virgin (Cerasi Chapel) is a Baroque altarpiece painting by Annibale Carracci depicting the Virgin Mary’s ascent into heaven, created for the Cerasi Chapel in Santa Maria del Popolo in Rome.
  • F. None of above. chosen

Provenance (5 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69c69f21632481908bf83f6c6da897e3 completed March 27, 2026, 3:15 p.m.
NER Named-entity recognition batch_69c6f3d9d25c819087efc772b5b127fa completed March 27, 2026, 9:17 p.m.
NED1 Entity disambiguation (via context triple) batch_69c8346adb3081908f049d8dcd623215 completed March 28, 2026, 8:04 p.m.
NEDg Description generation batch_69c835904be081908fa9317eb5568d82 completed March 28, 2026, 8:09 p.m.
NED2 Entity disambiguation (via description) batch_69c83621b32c8190bd4b289b5f9f1764 completed March 28, 2026, 8:12 p.m.
Created at: March 27, 2026, 3:39 p.m.