"Pierrot Lunaire" by Arnold Schoenberg
E125186
"Pierrot Lunaire" by Arnold Schoenberg is a landmark 1912 melodrama for voice and chamber ensemble that pioneered the use of Sprechstimme and became a key work of early 20th-century musical modernism.
All labels observed (1)
| Label | Occurrences |
|---|---|
| "Pierrot Lunaire" by Arnold Schoenberg canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1082687 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: "Pierrot Lunaire" by Arnold Schoenberg Context triple: [Pierrot, notableWorkInspired, "Pierrot Lunaire" by Arnold Schoenberg]
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A.
song cycle "Frauenliebe und -leben" by Robert Schumann
The song cycle "Frauenliebe und -leben" by Robert Schumann is a Romantic-era vocal work for voice and piano that traces a woman's emotional journey through love, marriage, and loss, set to poems by Adelbert von Chamisso.
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B.
Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight"
Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight" is one of Ludwig van Beethoven’s most famous and frequently performed piano works, renowned for its hauntingly lyrical first movement and innovative, emotionally charged structure.
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C.
“La Valse”
“La Valse” is a darkly atmospheric ballet set to Maurice Ravel’s waltz, famously choreographed by George Balanchine and noted for its themes of glamour and impending doom.
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D.
Matisse’s “Music”
Matisse’s “Music” is a large early 20th-century Fauvist painting by Henri Matisse that depicts simplified, vividly colored figures engaged in musical performance.
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E.
Ravel Daphnis et Chloé
Ravel's "Daphnis et Chloé" is a large-scale impressionistic ballet score, renowned for its lush orchestration and evocative depiction of an ancient pastoral love story.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: "Pierrot Lunaire" by Arnold Schoenberg Target entity description: "Pierrot Lunaire" by Arnold Schoenberg is a landmark 1912 melodrama for voice and chamber ensemble that pioneered the use of Sprechstimme and became a key work of early 20th-century musical modernism.
-
A.
song cycle "Frauenliebe und -leben" by Robert Schumann
The song cycle "Frauenliebe und -leben" by Robert Schumann is a Romantic-era vocal work for voice and piano that traces a woman's emotional journey through love, marriage, and loss, set to poems by Adelbert von Chamisso.
-
B.
Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight"
Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight" is one of Ludwig van Beethoven’s most famous and frequently performed piano works, renowned for its hauntingly lyrical first movement and innovative, emotionally charged structure.
-
C.
“La Valse”
“La Valse” is a darkly atmospheric ballet set to Maurice Ravel’s waltz, famously choreographed by George Balanchine and noted for its themes of glamour and impending doom.
-
D.
Matisse’s “Music”
Matisse’s “Music” is a large early 20th-century Fauvist painting by Henri Matisse that depicts simplified, vividly colored figures engaged in musical performance.
-
E.
Ravel Daphnis et Chloé
Ravel's "Daphnis et Chloé" is a large-scale impressionistic ballet score, renowned for its lush orchestration and evocative depiction of an ancient pastoral love story.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
melodrama
ⓘ
musical composition ⓘ song cycle ⓘ |
| authorOfSourceText | Albert Giraud ⓘ |
| basedOn | poetry collection "Pierrot lunaire: Rondels bergamasques" ⓘ |
| catalogNumber | Op. 21 ⓘ |
| commissionedBy | Albertine Zehme ⓘ |
| composer | Arnold Schoenberg ⓘ |
| countryOfOrigin | Austria ⓘ |
| dateOfPremiere | 1912-10-16 ⓘ |
| dedicatedTo | Albertine Zehme ⓘ |
| ensembleType | chamber ensemble ⓘ |
| genre | Expressionist music ⓘ |
| historicalSignificance |
landmark of early 20th-century musical modernism
ⓘ
one of Schoenberg’s most frequently performed works ⓘ |
| influenced |
20th-century vocal music
ⓘ
atonal chamber music ⓘ |
| instrumentation |
bass clarinet
ⓘ
cello ⓘ clarinet ⓘ flute ⓘ piano ⓘ piccolo ⓘ viola ⓘ violin ⓘ |
| keyWorkOf | Second Viennese School repertoire ⓘ |
| language | German ⓘ |
| movementGrouping | three groups of seven songs ⓘ |
| notableFeature |
hallmark of musical Expressionism
ⓘ
pioneering use of Sprechstimme in a major work ⓘ |
| numberOfMovements | 21 ⓘ |
| placeOfPremiere | Berlin ⓘ |
| premiereConductor | Arnold Schoenberg ⓘ |
| premierePerformerVoice | Albertine Zehme ⓘ |
| publisher | Universal Edition ⓘ |
| relatedMovement | Second Viennese School ⓘ |
| structureFeature | through-composed songs ⓘ |
| stylePeriod | early 20th-century modernism ⓘ |
| subjectMatter | commedia dell’arte character Pierrot ⓘ |
| textPerformanceLanguage | German ⓘ |
| textSourceLanguage | French ⓘ |
| translatorOfTextsIntoGerman | Otto Erich Hartleben ⓘ |
| usesTechnique | Klangfarbenmelodie elements ⓘ |
| vocalTechnique | Sprechstimme ⓘ |
| vocalType | female voice ⓘ |
| yearComposed | 1912 ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: "Pierrot Lunaire" by Arnold Schoenberg Description of subject: "Pierrot Lunaire" by Arnold Schoenberg is a landmark 1912 melodrama for voice and chamber ensemble that pioneered the use of Sprechstimme and became a key work of early 20th-century musical modernism.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.