"Pierrot Lunaire" by Arnold Schoenberg

E125186

"Pierrot Lunaire" by Arnold Schoenberg is a landmark 1912 melodrama for voice and chamber ensemble that pioneered the use of Sprechstimme and became a key work of early 20th-century musical modernism.

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Label Occurrences
"Pierrot Lunaire" by Arnold Schoenberg canonical 1

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Statements (46)

Predicate Object
instanceOf melodrama
musical composition
song cycle
authorOfSourceText Albert Giraud
basedOn poetry collection "Pierrot lunaire: Rondels bergamasques"
catalogNumber Op. 21
commissionedBy Albertine Zehme
composer Arnold Schoenberg
countryOfOrigin Austria
dateOfPremiere 1912-10-16
dedicatedTo Albertine Zehme
ensembleType chamber ensemble
genre Expressionist music
historicalSignificance landmark of early 20th-century musical modernism
one of Schoenberg’s most frequently performed works
influenced 20th-century vocal music
atonal chamber music
instrumentation bass clarinet
cello
clarinet
flute
piano
piccolo
viola
violin
keyWorkOf Second Viennese School repertoire
language German
movementGrouping three groups of seven songs
notableFeature hallmark of musical Expressionism
pioneering use of Sprechstimme in a major work
numberOfMovements 21
placeOfPremiere Berlin
premiereConductor Arnold Schoenberg
premierePerformerVoice Albertine Zehme
publisher Universal Edition
relatedMovement Second Viennese School
structureFeature through-composed songs
stylePeriod early 20th-century modernism
subjectMatter commedia dell’arte character Pierrot
textPerformanceLanguage German
textSourceLanguage French
translatorOfTextsIntoGerman Otto Erich Hartleben
usesTechnique Klangfarbenmelodie elements
vocalTechnique Sprechstimme
vocalType female voice
yearComposed 1912

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Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Pierrot notableWorkInspired "Pierrot Lunaire" by Arnold Schoenberg