Sprechstimme

E540976

Sprechstimme is a vocal technique that lies between speaking and singing, using approximate pitches and speech-like delivery to create an expressive, declamatory sound.

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Statements (49)

Predicate Object
instanceOf extended vocal technique
vocal technique
associatedWithComposer Alban Berg NERFINISHED
Anton Webern NERFINISHED
Arnold Schoenberg NERFINISHED
associatedWithMovement musical Expressionism
contrastsWith fully notated singing
ordinary spoken narration
developedInPeriod late 19th century
differsFrom parlando singing
recitative
hasAlternativeName Sprechgesang
speech-song
hasCharacteristic expressive declamatory sound
follows notated contour rather than exact pitch
lies between speaking and singing
not strictly pitched like normal singing
often notated with special symbols
speech-like delivery
uses approximate pitch
hasDomain music theory
vocal performance practice
hasEtymologyLanguage German
hasEtymologyMeaning spoken voice
hasNotationFeature crossed stems in some scores
instructions to leave pitch after hitting it
x-shaped noteheads in some scores
notableWorkExample Alban Berg – Lulu NERFINISHED
Alban Berg – Wozzeck NERFINISHED
Arnold Schoenberg – Gurre-Lieder (part of the work) NERFINISHED
Arnold Schoenberg – Pierrot Lunaire, Op. 21 NERFINISHED
popularizedInPeriod early 20th century
relatedTo melodrama (musical genre)
singing
speech
requires clear diction
control of pitch inflection
precise rhythmic control
usedBy actors
narrators in musical works
vocal soloists
usedForEffect dramatic declamation
heightened expressivity
psychological intensity
textual clarity
usedIn 20th-century music
classical music
contemporary music
expressionist music

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

"Pierrot Lunaire" by Arnold Schoenberg vocalTechnique Sprechstimme
subject surface form: Pierrot Lunaire