harmonicLanguage
P64410
predicate
Indicates a relationship where one entity uses or is characterized by a system of musical harmony or tonal organization associated with another entity.
Observed surface forms (7)
| Surface form | Occurrences |
|---|---|
| musicalLanguage | 23 |
| harmonicStyle | 8 |
| harmonicCharacteristic | 7 |
| harmonicFunction | 4 |
| hasHarmonicLanguage | 2 |
| harmonicCharacter | 1 |
| usesHarmonyLanguage | 1 |
Sample triples (94)
| Subject | Object |
|---|---|
| Fortune | English via predicate surface "musicalLanguage" ⓘ |
| Semi-Simple Variations | twelve-tone technique via predicate surface "musicalLanguage" ⓘ |
| Arrows | twelve-tone technique via predicate surface "musicalLanguage" ⓘ |
| Arrows | serial technique via predicate surface "musicalLanguage" ⓘ |
| Piano Sonata No. 2 in A-flat major, Op. 39 | Romantic tonality with chromaticism ⓘ |
| Nuvole Bianche | tonal harmony with modal inflections via predicate surface "harmonicCharacteristic" ⓘ |
| House of Jade | sophisticated harmonic structure via predicate surface "harmonicCharacteristic" ⓘ |
| House of Jade | modern jazz harmony via predicate surface "hasHarmonicLanguage" ⓘ |
| Mass for Five Voices, Op. 9 | modern ⓘ |
| Mass for Five Voices, Op. 9 | accessible ⓘ |
| Piano Sonata No. 3 in F-sharp minor, Op. 23 | chromatic ⓘ |
| Piano Sonata No. 3 in F-sharp minor, Op. 23 | expanded tonality ⓘ |
| Piano Sonata No. 5, Op. 53 | extended tonality ⓘ |
| Piano Sonata No. 5, Op. 53 | use of complex chords ⓘ |
| Piano Sonata No. 5, Op. 53 | use of tritone relationships ⓘ |
| Piano Sonata No. 10, Op. 70 | highly chromatic ⓘ |
| Divine Poem (Symphony No. 3), Op. 43 | highly chromatic via predicate surface "musicalLanguage" ⓘ |
| Symphony No. 5 (Prometheus), Op. 60 | highly chromatic ⓘ |
| Symphony No. 5 (Prometheus), Op. 60 | based on the mystic chord ⓘ |
| Piano Sonata No. 8, Op. 66 | post-tonal ⓘ |
| Piano Sonata No. 8, Op. 66 | chromatic ⓘ |
| Piano Sonata No. 9, Op. 68 "Black Mass" | post-tonal ⓘ |
| Piano Sonata No. 9, Op. 68 "Black Mass" | extended tonality ⓘ |
| Symphony No. 1 in E major, Op. 26 | late-Romantic harmony via predicate surface "harmonicStyle" ⓘ |
|
Alleluia
surface form:
Alleluia (Randall Thompson)
|
modal inflections within tonal framework ⓘ |
| Air from Orchestral Suite No. 3 in D major, BWV 1068 | rich suspensions and resolutions via predicate surface "harmonicCharacteristic" ⓘ |
|
Intermezzo
surface form:
Intermezzo, Op. 118 No. 1
|
late Brahms chromaticism ⓘ |
| Toccata on L’homme armé | modern ⓘ |
| Intermezzo in A minor, Op. 118 No. 1 | chromatic late-Romantic harmony ⓘ |
| Franz Liszt Consolation No. 3 in D-flat major (A-flat major section) | tonal Romantic harmony ⓘ |
| Johannes Brahms Intermezzo in A-flat major Op. 76 No. 3 | chromatic Romantic harmony ⓘ |
| Intermezzo in F minor, Op. 118 No. 4 | late Brahms chromaticism ⓘ |
| Johannes Brahms Intermezzo in A-flat major Op. 118 No. 2 | late Brahms chromaticism ⓘ |
| Intermezzo in E-flat minor, Op. 118 No. 6 | chromatic ⓘ |
| Intermezzo in E-flat minor, Op. 118 No. 6 | late-Romantic ⓘ |
| Intermezzo in B minor, Op. 119 No. 1 | late-Romantic chromaticism ⓘ |
| Intermezzo in E minor, Op. 119 No. 2 | chromatic inflections within tonal framework via predicate surface "harmonicStyle" ⓘ |
| Das Tanzlied | rich, chromatic harmony via predicate surface "harmonicStyle" ⓘ |
| Hommage à Rameau | extended tonal ⓘ |
| Hommage à Rameau | modal inflections ⓘ |
| Cloches à travers les feuilles | extended tonality ⓘ |
| Cloches à travers les feuilles | parallel chords ⓘ |
| Cloches à travers les feuilles | modal inflections ⓘ |
| Preludio from Partita No. 3 in E major, BWV 1006 | tonal with functional harmony ⓘ |