Symphony No. 5 (Prometheus), Op. 60

E1044558

Symphony No. 5 (Prometheus), Op. 60 is a groundbreaking orchestral work by Alexander Scriabin that combines symphonic writing with piano, chorus, and a part for color organ to express his mystical, theosophical ideas.

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Statements (48)

Predicate Object
instanceOf orchestral work
symphonic poem
alternativeTitle Prométhée: Le Poème du feu NERFINISHED
approximateDuration 20 minutes
associatedPhilosophy mysticism
theosophy
basedOn myth of Prometheus
catalogueStatus major work in Scriabin’s orchestral output
centralConcept cosmic creation and enlightenment
completionYear 1910
composer Alexander Scriabin NERFINISHED
compositionEndDate 1910
compositionStartDate 1908
countryOfOrigin Russia
dedicatedTo Serge Koussevitzky NERFINISHED
genre program music
symphonic poem
harmonicLanguage based on the mystic chord
highly chromatic
hasPart color organ
mixed chorus
orchestra
piano solo
influencedBy Alexander Scriabin’s theosophical beliefs
synesthetic ideas about color and sound
instrumentation large orchestra
organ or harmonium (for color organ part in some performances)
piano
key D minor (approximate, highly chromatic)
languageOfTitle Russian
movementCount 1
notableFeature integration of piano solo into symphonic texture
use of a color organ (Luce) to project colors
wordless choral writing
numberInSeries 5
opusNumber Op. 60
period early modern
late Romantic
premiereConductor Serge Koussevitzky NERFINISHED
premiereCountry Russian Empire NERFINISHED
premiereDate 1911-03-02
premiereLocation Moscow NERFINISHED
premierePerformer Alexander Scriabin NERFINISHED
premierePianist Alexander Scriabin NERFINISHED
title Prometheus: The Poem of Fire NERFINISHED
usesChord mystic chord (Prometheus chord) NERFINISHED
vocalForces wordless chorus
workNumberInScriabinOeuvre one of Scriabin’s last orchestral works

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Full triples — surface form annotated when it differs from this entity's canonical label.

Alexander Scriabin notableWork Symphony No. 5 (Prometheus), Op. 60