Preludio from Partita No. 3 in E major, BWV 1006
E934158
The "Preludio" from J.S. Bach’s Partita No. 3 in E major, BWV 1006, is a virtuosic and exuberant opening movement renowned for its continuous rapid figuration and brilliant display of violin technique.
Statements (43)
| Predicate | Object |
|---|---|
| instanceOf |
baroque composition
ⓘ
movement ⓘ violin piece ⓘ |
| approximateCompositionPeriod | circa 1720 ⓘ |
| associatedCollection | Sonatas and Partitas for Solo Violin, BWV 1001–1006 NERFINISHED ⓘ |
| catalogNumber | BWV 1006/1 NERFINISHED ⓘ |
| character |
exuberant
ⓘ
virtuosic ⓘ |
| commonlyPerformedOn | violin ⓘ |
| composer | Johann Sebastian Bach ⓘ |
| countryOfOrigin | Germany ⓘ |
| educationalUse |
study of bow control and string crossings
ⓘ
study of evenness in rapid passagework ⓘ |
| followsInPartita | Loure from Partita No. 3 in E major, BWV 1006 NERFINISHED ⓘ |
| frequentlyArrangedFor |
guitar
ⓘ
orchestra ⓘ piano ⓘ |
| genre | partita movement ⓘ |
| harmonicLanguage | tonal with functional harmony ⓘ |
| historicalSignificance | one of the most famous solo violin movements by Bach ⓘ |
| key | E major ⓘ |
| languageOfTitle | Italian ⓘ |
| laterArrangementByComposer |
Overture from Orchestral Suite in D major, BWV 1068
NERFINISHED
ⓘ
Sinfonia from Cantata BWV 29 "Wir danken dir, Gott" NERFINISHED ⓘ |
| movementNumber | 1 ⓘ |
| notableFeature |
arpeggiated patterns
ⓘ
brilliant display of violin technique ⓘ continuous rapid figuration ⓘ string-crossing passages ⓘ |
| openingGesture | rapid broken chords outlining E major ⓘ |
| openingMovementOf | Partita No. 3 in E major, BWV 1006 NERFINISHED ⓘ |
| originalInstrumentation | solo violin ⓘ |
| partOf | Partita No. 3 in E major, BWV 1006 NERFINISHED ⓘ |
| performanceContext |
competition repertoire
ⓘ
encore piece ⓘ recital repertoire ⓘ |
| stylePeriod | Baroque ⓘ |
| technicalDemand | advanced ⓘ |
| tempoCharacter | fast ⓘ |
| texture | monophonic line with implied polyphony ⓘ |
| tonic | E ⓘ |
| typicalDuration | approximately 3–4 minutes ⓘ |
| usesForm | through-composed ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.