composerStyle
P53017
predicate
Indicates that one entity is a composer and the other represents the musical style or genre characteristic of that composer's work.
All labels observed (5)
| Label | Occurrences |
|---|---|
| composerStyle canonical | 98 |
| associatedComposerStyle | 19 |
| composerStyleCharacteristic | 8 |
| hasComposerStyleTrait | 6 |
| composerStyleContext | 2 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: composerStyle
Generated description
Indicates that one entity is a composer and the other represents the musical style or genre characteristic of that composer's work.
Sample triples (133)
| Subject | Object |
|---|---|
| From the Psalter | post-tonal music ⓘ |
| Beaten Paths | Milton Babbitt’s characteristic serial style ⓘ |
| Melismata | highly structured ⓘ |
| Melismata | mathematically oriented ⓘ |
| Relata II | American academic modernism ⓘ |
| Senta | early Wagner via predicate surface "composerStyleContext" ⓘ |
| Trois petites liturgies de la Présence Divine | Olivier Messiaen's modal and rhythmic language ⓘ |
| Fête des belles eaux | use of modes of limited transposition via predicate surface "composerStyleCharacteristic" ⓘ |
| Fête des belles eaux | emphasis on coloristic harmony via predicate surface "composerStyleCharacteristic" ⓘ |
| Waterloo (1970 film score) | Nino Rota’s signature style ⓘ |
| Sì | non-verismo work by Pietro Mascagni via predicate surface "composerStyleContext" ⓘ |
| Septuor à cordes et harpe | André Caplet’s impressionistic style ⓘ |
| Messe à trois voix | French impressionism via predicate surface "associatedComposerStyle" ⓘ |
| BWV 861 | contrapuntal ⓘ |
| In a Summer Garden | late Romantic via predicate surface "associatedComposerStyle" ⓘ |
| In a Summer Garden | impressionism in music via predicate surface "associatedComposerStyle" ⓘ |
| Love Abide | fusion of sacred and contemporary idioms via predicate surface "hasComposerStyleTrait" ⓘ |
| We are Shadows | Judith Weir’s modern classical style ⓘ |
|
Storm
surface form:
Storm (Judith Weir)
|
narrative-driven ⓘ |
|
Storm
surface form:
Storm (Judith Weir)
|
distinctive modern classical style ⓘ |
| Aria in G major | contrapuntal writing ⓘ |
| Piano Sonata in F-sharp minor, Op. 81 | virtuosic keyboard idiom ⓘ |
| Piano Sonata in F-sharp minor, Op. 81 | lyrical inventiveness ⓘ |
| Bittersweet Suite | minimalist-influenced ⓘ |
| Bittersweet Suite | atmospheric ⓘ |
|
"Nachklang" Op. 59 No. 4
surface form:
Nachklang Op. 59 No. 4
|
late Romantic ⓘ |
| fourth fugue in The Art of Fugue | late Bach contrapuntal style ⓘ |
| Canon perpetuus super thema regium | contrapuntal ⓘ |
| BWV 858 | High Baroque via predicate surface "associatedComposerStyle" ⓘ |
| Variations on a Waltz | American classical ⓘ |
|
“End Credits”
surface form:
End Credits
|
evocative via predicate surface "associatedComposerStyle" ⓘ |
|
“End Credits”
surface form:
End Credits
|
minimalist-influenced via predicate surface "associatedComposerStyle" ⓘ |
|
“End Credits”
surface form:
End Credits
|
atmospheric via predicate surface "associatedComposerStyle" ⓘ |