composerStyle
P53017
predicate
Indicates that one entity is a composer and the other represents the musical style or genre characteristic of that composer's work.
All labels observed (5)
| Label | Occurrences |
|---|---|
| composerStyle canonical | 98 |
| associatedComposerStyle | 19 |
| composerStyleCharacteristic | 8 |
| hasComposerStyleTrait | 6 |
| composerStyleContext | 2 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: composerStyle
Generated description
Indicates that one entity is a composer and the other represents the musical style or genre characteristic of that composer's work.
Sample triples (133)
| Subject | Object |
|---|---|
| Three Inventions | distinctive modernism ⓘ |
| Combat Drop | James Horner's 1980s action scoring style ⓘ |
| Piano Concerto No. 2 | Shostakovich late style via predicate surface "associatedComposerStyle" ⓘ |
| Total Recall (1990 film score) | late 20th-century Hollywood orchestral scoring ⓘ |
| Violin Concerto in D minor, Op. 4 No. 8, RV 249 | Italian Baroque ⓘ |
| HWV 17 | features extensive da capo arias ⓘ |
| A Symphony of Three Orchestras | Elliott Carter’s mature style ⓘ |
|
Symphony No. 3
surface form:
Symphony No. 3 (Peter Maxwell Davies)
|
modernist ⓘ |
| Symphony No. 6 | distinctive personal idiom of Peter Maxwell Davies ⓘ |
| The Dunwich Horror (film score) | Les Baxter’s horror and exotica-influenced orchestration ⓘ |
|
Symphony No. 2
surface form:
Symphony No. 2 (Elliott Carter)
|
Elliott Carter’s mature modernist style ⓘ |
| L’Egisto | Francesco Cavalli’s Venetian opera style ⓘ |
| Notation I for solo piano | serialism ⓘ |
| Notation I for solo piano | post-war avant-garde ⓘ |
| Improvisation III sur Mallarmé | Boulez’s integral serial style ⓘ |
| La caduta de’ Decemviri | Italian opera seria conventions ⓘ |
| Child's Play (2019 film) score | use of toy-like instruments and childlike motifs in a horror context ⓘ |
| Three Days of the Condor (film score) | jazz fusion ⓘ |
| Service in G major | English late-Romantic sacred music via predicate surface "associatedComposerStyle" ⓘ |
| Farewell, My Lovely (1975 film score) | jazz-influenced film music ⓘ |
| The Promise (1979 film score) | orchestral ⓘ |
| Spartacus (film score) | modernist ⓘ |
| Spartacus (film score) | romantic-lyrical elements ⓘ |
| Nunc Dimittis in G (Gloucester Service) | Herbert Howells’ cathedral service style via predicate surface "associatedComposerStyle" ⓘ |
| Mörike-Lieder | through-composed songs ⓘ |
| Ungeduldig (No. 4) | introspective ⓘ |
| Eichendorff-Lieder | Late Romantic ⓘ |
| Sindhu Bhairavi (Tamil film score) | integration of classical and folk elements ⓘ |
| The Piano Concerto | minimalism ⓘ |
| The Piano Concerto | experimental classical music ⓘ |
| The Singing Rooms | Jennifer Higdon’s neo-romantic idiom via predicate surface "associatedComposerStyle" ⓘ |
|
Piano Concerto No. 2
surface form:
Piano Concerto No. 2 (Rorem)
|
lyrical American modernism ⓘ |
| Capriccio diabolico (Omaggio a Paganini), Op. 85 | neo-Romantic ⓘ |
|
song "Der Tod und das Mädchen" D 531
surface form:
Der Tod und das Mädchen D 531
|
early Romantic ⓘ |
| Vettaiyaadu Vilaiyaadu (Tamil film soundtrack) | melodic ⓘ |
| Vettaiyaadu Vilaiyaadu (Tamil film soundtrack) | contemporary orchestration ⓘ |
| Ballet and Final Tableau | English pastoral tradition via predicate surface "associatedComposerStyle" ⓘ |
| Gaude gloriosa Dei mater | English Renaissance polyphony via predicate surface "associatedComposerStyle" ⓘ |
| Piano Suite, Op. 13 | blend of folk elements and modernism ⓘ |
| Seven Songs in Folk Style, Op. 18 | Pavel Haas’s early modernist style ⓘ |
| Les Brigands | melodic writing for dance via predicate surface "composerStyleCharacteristic" ⓘ |
| Les Brigands | clear rhythmic patterns for choreography via predicate surface "composerStyleCharacteristic" ⓘ |
| Les Brigands | light orchestration typical of 19th-century ballet via predicate surface "composerStyleCharacteristic" ⓘ |
| Frühlingssehnsucht | late Schubert ⓘ |
| Three Compositions for Piano | high modernism ⓘ |
| All Set | American academic serialism ⓘ |
| Ensembles for Synthesizer | total serialism ⓘ |
|
String Quartet No. 2
surface form:
String Quartet No. 2 (Babbitt)
|
highly structured ⓘ |
|
String Quartet No. 2
surface form:
String Quartet No. 2 (Babbitt)
|
mathematically rigorous ⓘ |
| From the Psalter | serialism ⓘ |