fourth fugue in The Art of Fugue
E939027
The fourth fugue in The Art of Fugue is a contrapuntal keyboard piece by Johann Sebastian Bach that develops the work’s main subject with increasing complexity and expressive intensity.
All labels observed (1)
| Label | Occurrences |
|---|---|
| fourth fugue in The Art of Fugue canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11662109 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: fourth fugue in The Art of Fugue Context triple: [Contrapunctus IV, cyclePosition, fourth fugue in The Art of Fugue]
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A.
Fugue in C-sharp major, BWV 848
Fugue in C-sharp major, BWV 848 is a contrapuntal keyboard work by Johann Sebastian Bach, notable for its intricate thematic development and inclusion in his influential collection The Well-Tempered Clavier.
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B.
Fugue in C minor, BWV 847
Fugue in C minor, BWV 847 is a highly recognizable keyboard fugue by Johann Sebastian Bach, noted for its driving rhythmic intensity and intricate contrapuntal writing.
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C.
Fugue in C major, BWV 846
Fugue in C major, BWV 846 is Johann Sebastian Bach’s opening fugue from Book I of The Well-Tempered Clavier, renowned for its clarity, contrapuntal craftsmanship, and foundational role in keyboard repertoire.
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D.
Fugue in E-flat major, BWV 852
Fugue in E-flat major, BWV 852 is a contrapuntal keyboard work by Johann Sebastian Bach, notable as one of the fugues in the first book of The Well-Tempered Clavier.
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E.
Fugue in F minor, BWV 857
Fugue in F minor, BWV 857 is a contrapuntal keyboard work by Johann Sebastian Bach, known for its expressive intensity and intricate voice leading.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: fourth fugue in The Art of Fugue Target entity description: The fourth fugue in The Art of Fugue is a contrapuntal keyboard piece by Johann Sebastian Bach that develops the work’s main subject with increasing complexity and expressive intensity.
-
A.
Fugue in C-sharp major, BWV 848
Fugue in C-sharp major, BWV 848 is a contrapuntal keyboard work by Johann Sebastian Bach, notable for its intricate thematic development and inclusion in his influential collection The Well-Tempered Clavier.
-
B.
Fugue in C minor, BWV 847
Fugue in C minor, BWV 847 is a highly recognizable keyboard fugue by Johann Sebastian Bach, noted for its driving rhythmic intensity and intricate contrapuntal writing.
-
C.
Fugue in C major, BWV 846
Fugue in C major, BWV 846 is Johann Sebastian Bach’s opening fugue from Book I of The Well-Tempered Clavier, renowned for its clarity, contrapuntal craftsmanship, and foundational role in keyboard repertoire.
-
D.
Fugue in E-flat major, BWV 852
Fugue in E-flat major, BWV 852 is a contrapuntal keyboard work by Johann Sebastian Bach, notable as one of the fugues in the first book of The Well-Tempered Clavier.
-
E.
Fugue in F minor, BWV 857
Fugue in F minor, BWV 857 is a contrapuntal keyboard work by Johann Sebastian Bach, known for its expressive intensity and intricate voice leading.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
contrapuntal composition
ⓘ
fugue ⓘ keyboard piece ⓘ |
| alsoKnownAs | Contrapunctus IV NERFINISHED ⓘ |
| basedOn | main subject of The Art of Fugue ⓘ |
| belongsTo | Bach keyboard repertoire ⓘ |
| belongsToCatalogue | Bach-Werke-Verzeichnis NERFINISHED ⓘ |
| belongsToCorpus | Bach contrapuntal studies NERFINISHED ⓘ |
| catalogueSection | simple fugues of The Art of Fugue ⓘ |
| characterizedBy |
expressive intensity
ⓘ
increasing contrapuntal complexity ⓘ |
| composer | Johann Sebastian Bach ⓘ |
| composerStyle | late Bach contrapuntal style ⓘ |
| countryOfOrigin | Germany ⓘ |
| cycle | series of fugues on a single subject ⓘ |
| develops | The Art of Fugue principal subject ⓘ |
| genre | Baroque fugue ⓘ |
| hasThematicMaterial | subject derived from D–A–F–D motif ⓘ |
| historicalEra | 18th century ⓘ |
| influencedBy | German contrapuntal tradition ⓘ |
| intendedInstrument | keyboard ⓘ |
| key | D minor ⓘ |
| languageOfTitle | Latin ⓘ |
| musicalForm | fugue exposition and episodes ⓘ |
| notatedFor | open score (four staves) in some sources ⓘ |
| opus | BWV 1080 NERFINISHED ⓘ |
| partOf | The Art of Fugue NERFINISHED ⓘ |
| performanceMedium |
harpsichord
ⓘ
organ ⓘ piano ⓘ |
| period | Baroque ⓘ |
| positionInCycle | fourth ⓘ |
| relatedWork |
fifth fugue in The Art of Fugue
ⓘ
first fugue in The Art of Fugue ⓘ second fugue in The Art of Fugue ⓘ third fugue in The Art of Fugue ⓘ |
| scholarlyInterest | studied for contrapuntal technique ⓘ |
| style | contrapuntal ⓘ |
| subjectType | single principal theme ⓘ |
| texture | four-voice counterpoint ⓘ |
| tonalCenter | D minor ⓘ |
| typicalDuration | short to medium-length fugue ⓘ |
| usesTechnique |
augmentation
ⓘ
diminution ⓘ imitation ⓘ invertible counterpoint ⓘ stretto ⓘ |
| workNumberWithinCollection | 4 ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: fourth fugue in The Art of Fugue Description of subject: The fourth fugue in The Art of Fugue is a contrapuntal keyboard piece by Johann Sebastian Bach that develops the work’s main subject with increasing complexity and expressive intensity.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.