composerStyle

P53017
predicate

Indicates that one entity is a composer and the other represents the musical style or genre characteristic of that composer's work.

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All labels observed (5)

Label Occurrences
composerStyle canonical 98
associatedComposerStyle 19
composerStyleCharacteristic 8

Sample triples (133)

Subject Object
Piano Concerto John Harbison’s distinctive contemporary style ⓘ
Symphony No. 3
surface form: Symphony No. 3 (Harbison)
neo-romantic influences ⓘ
Symphony No. 3
surface form: Symphony No. 3 (Harbison)
modern tonal language ⓘ
Symphony No. 2 contemporary yet accessible symphonic style ⓘ
No Mercy (1986 film score) use of suspenseful orchestration via predicate surface "composerStyleCharacteristic" ⓘ
No Mercy (1986 film score) use of atmospheric textures via predicate surface "composerStyleCharacteristic" ⓘ
No Mercy (1986 film score) cinematic orchestral writing via predicate surface "composerStyleCharacteristic" ⓘ
Poltergeist (1982 film score) late-romantic orchestral writing ⓘ
Poltergeist (1982 film score) avant-garde orchestral textures ⓘ
L.A. Confidential (1997 film score) Jerry Goldsmith’s late-career film noir scoring style ⓘ
The Wind and the Lion (1975 film score) complex rhythms via predicate surface "hasComposerStyleTrait" ⓘ
The Wind and the Lion (1975 film score) innovative orchestration via predicate surface "hasComposerStyleTrait" ⓘ
The Wind and the Lion (1975 film score) strong thematic development via predicate surface "hasComposerStyleTrait" ⓘ
Cocoon (film score) lyrical thematic writing ⓘ
Cocoon (film score) use of rich string writing ⓘ
Cocoon (film score) prominent use of brass and woodwinds ⓘ
Miserere
surface form: Miserere (Lully)
Lully’s French Baroque idiom ⓘ
Éclat serialism ⓘ
Éclat post-serialism ⓘ
Gaspard de la nuit French impressionism via predicate surface "associatedComposerStyle" ⓘ
Symphony No. 8 in D minor Ralph Vaughan Williams’ late style ⓘ
Keyboard Sonata in E minor (F.3) "Polonaise" Wilhelm Friedemann Bach’s mature style ⓘ
Cello Concerto in A minor, H. 432 Carl Philipp Emanuel Bach via predicate surface "associatedComposerStyle" ⓘ
surface form: Carl Philipp Emanuel Bach’s empfindsamer Stil
Road to Perdition (film score) Thomas Newman’s signature harmonic language ⓘ
C major (BWV 1005) German Baroque polyphony via predicate surface "associatedComposerStyle" ⓘ
orchestral piece "The Housatonic at Stockbridge" by Charles Ives
surface form: The Housatonic at Stockbridge
modernist ⓘ
On Dangerous Ground (1951 film) score characteristic Bernard Herrmann orchestration ⓘ
Men in Black (film score) Danny Elfman’s signature gothic-comic style ⓘ
Prelude in B-flat major, BWV 866 contrapuntal ⓘ
Prelude in F minor, BWV 857 Bach keyboard style via predicate surface "associatedComposerStyle" ⓘ
Fugue in A minor, BWV 865 contrapuntal ⓘ
Essay for Orchestra No. 3, Op. 47 neo-Romantic ⓘ
Eternal Sunshine of the Spotless Mind (film score) melancholic ⓘ
The Fugitive (film score) orchestral ⓘ
The Bourne Identity (film score) propulsive ostinatos ⓘ
The Bourne Identity (film score) syncopated rhythms ⓘ
The Bourne Identity (film score) use of motifs instead of long themes ⓘ
Mr. & Mrs. Smith (film score) percussive action writing ⓘ
Mr. & Mrs. Smith (film score) use of driving rhythms ⓘ
Mr. & Mrs. Smith (film score) integration of electronic elements ⓘ
The Sea and Sinbad’s Ship Russian Romantic ⓘ
Love Theme from Superman late-romantic orchestral via predicate surface "associatedComposerStyle" ⓘ
Naive and Sentimental Music minimalist ⓘ
Naive and Sentimental Music postminimalist ⓘ
Enemy at the Gates (film score) James Horner’s late‑1990s/early‑2000s dramatic style ⓘ
Symphony on G use of non-traditional percussion instruments via predicate surface "hasComposerStyleTrait" ⓘ
Symphony on G integration of world music influences via predicate surface "hasComposerStyleTrait" ⓘ
Fratres tintinnabuli technique ⓘ
Le Turc généreux Jean-Philippe Rameau’s mature French Baroque style ⓘ
Chœur des Scythes reform opera style of Gluck via predicate surface "associatedComposerStyle" ⓘ