vocalForces
P24653
predicate
Indicates a relationship where one entity uses vocal expression (such as speech, singing, or sound) to exert influence, pressure, or compulsion on another entity.
All labels observed (1)
| Label | Occurrences |
|---|---|
| vocalForces canonical | 928 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: vocalForces
Generated description
Indicates a relationship where one entity uses vocal expression (such as speech, singing, or sound) to exert influence, pressure, or compulsion on another entity.
Sample triples (928)
| Subject | Object |
|---|---|
| Kommt, ihr Töchter, helft mir klagen | boys’ choir (ripieno) ⓘ |
| Kommt, ihr Töchter, helft mir klagen | soloists ⓘ |
| Cantata I | soprano ⓘ |
| Cantata I | alto ⓘ |
| Cantata I | tenor ⓘ |
| Cantata I | bass ⓘ |
| Membra Jesu nostri | solo voices ⓘ |
| Membra Jesu nostri | chorus ⓘ |
| Gurre-Lieder | multiple vocal soloists ⓘ |
| Gurre-Lieder | large mixed chorus ⓘ |
| Pierrot Lunaire | solo voice ⓘ |
| Moses und Aron | solo voices ⓘ |
| Moses und Aron | chorus ⓘ |
| A Survivor from Warsaw | male chorus ⓘ |
| A Survivor from Warsaw | speaker ⓘ |
|
Cantata II
surface form:
Cantata II (Christmas Oratorio)
|
soprano solo ⓘ |
|
Cantata II
surface form:
Cantata II (Christmas Oratorio)
|
alto solo ⓘ |
|
Cantata II
surface form:
Cantata II (Christmas Oratorio)
|
tenor solo ⓘ |
|
Cantata II
surface form:
Cantata II (Christmas Oratorio)
|
bass solo ⓘ |
| Symphony of Psalms | SATB chorus ⓘ |
|
Mass
surface form:
Mass (Stravinsky)
|
SATB choir ⓘ |
|
Mass
surface form:
Mass (Stravinsky)
|
soloists ⓘ |
| Die tote Stadt | solo voices ⓘ |
| Die tote Stadt | mixed chorus ⓘ |
| Die tote Stadt | children's chorus ⓘ |
| Das Wunder der Heliane | soprano ⓘ |
| Das Wunder der Heliane | tenor ⓘ |
| Das Wunder der Heliane | baritone ⓘ |
| Das Wunder der Heliane | mezzo-soprano ⓘ |
| Das Wunder der Heliane | bass ⓘ |
| Cantata IV | soprano solo ⓘ |
| Cantata IV | alto solo ⓘ |
| Cantata IV | tenor solo ⓘ |
| Cantata IV | bass solo ⓘ |
| Cantata IV | four-part choir ⓘ |
| Violanta | solo voices and chorus ⓘ |
| Axur, re d'Ormus | solo voices, chorus, and orchestra ⓘ |
| Falstaff, ossia Le tre burle | solo voices and chorus ⓘ |
|
Eugen d’Albert’s opera "Tiefland"
surface form:
Tiefland
|
solo voices ⓘ |
|
Eugen d’Albert’s opera "Tiefland"
surface form:
Tiefland
|
mixed chorus ⓘ |
| Maria (song) | female chorus ⓘ |
| Stouthearted Men | male chorus ⓘ |
| Stouthearted Men | solo voice and chorus ⓘ |
| La reine de Saba | solo voices ⓘ |
| La reine de Saba | chorus ⓘ |
| La reine de Saba | orchestra ⓘ |
| Fünf Lieder (Five Songs), Op. 1 | solo voice ⓘ |
| Chicago Symphony Chorus | soprano ⓘ |
| Chicago Symphony Chorus | alto ⓘ |
| Chicago Symphony Chorus | tenor ⓘ |