Membra Jesu nostri
E302450
Membra Jesu nostri is a cycle of seven 17th-century Lutheran cantatas by Dieterich Buxtehude meditating on the crucified body of Christ, and is considered one of his most important sacred vocal works.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Membra Jesu nostri canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2809188 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Membra Jesu nostri Context triple: [Dieterich Buxtehude, notableWork, Membra Jesu nostri]
-
A.
De Carne Christi
De Carne Christi is an early Christian theological treatise by Tertullian that defends the true, fleshly incarnation of Christ against docetic and Gnostic views.
-
B.
O Salutaris Hostia
O Salutaris Hostia is a traditional Catholic Eucharistic hymn, composed by St. Thomas Aquinas, that is sung in praise and adoration of the Blessed Sacrament.
-
C.
Lamentation of Christ
Lamentation of Christ is a traditional Christian artistic theme depicting the mourners grieving over the dead body of Jesus after his crucifixion.
-
D.
Crucifixus
Crucifixus is the somber, passacaglia-style movement in J.S. Bach’s Mass in B minor that depicts Christ’s crucifixion through intensely expressive, descending musical lines.
-
E.
Agnus Dei
Agnus Dei is a traditional Christian liturgical chant and devotional motif that invokes Jesus Christ as the sacrificial Lamb of God who takes away the sins of the world.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Membra Jesu nostri Target entity description: Membra Jesu nostri is a cycle of seven 17th-century Lutheran cantatas by Dieterich Buxtehude meditating on the crucified body of Christ, and is considered one of his most important sacred vocal works.
-
A.
De Carne Christi
De Carne Christi is an early Christian theological treatise by Tertullian that defends the true, fleshly incarnation of Christ against docetic and Gnostic views.
-
B.
O Salutaris Hostia
O Salutaris Hostia is a traditional Catholic Eucharistic hymn, composed by St. Thomas Aquinas, that is sung in praise and adoration of the Blessed Sacrament.
-
C.
Lamentation of Christ
Lamentation of Christ is a traditional Christian artistic theme depicting the mourners grieving over the dead body of Jesus after his crucifixion.
-
D.
Crucifixus
Crucifixus is the somber, passacaglia-style movement in J.S. Bach’s Mass in B minor that depicts Christ’s crucifixion through intensely expressive, descending musical lines.
-
E.
Agnus Dei
Agnus Dei is a traditional Christian liturgical chant and devotional motif that invokes Jesus Christ as the sacrificial Lamb of God who takes away the sins of the world.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
Baroque composition
ⓘ
Lutheran cantata ⓘ sacred cantata cycle ⓘ |
| approximateCompositionDate | 1680 ⓘ |
| cantata1Title | Ad pedes ⓘ |
| cantata2Title | Ad genua ⓘ |
| cantata3Title | Ad manus ⓘ |
| cantata4Title | Ad latus ⓘ |
| cantata5Title | Ad pectus ⓘ |
| cantata6Title | Ad cor ⓘ |
| cantata7Title | Ad faciem ⓘ |
| catalogueDesignation | BuxWV 75 ⓘ |
| composer | Dieterich Buxtehude ⓘ |
| countryOfOrigin | Denmark–Germany ⓘ |
| dedication | Gustav Düben NERFINISHED ⓘ |
| devotionalFocus |
Passion of Christ
ⓘ
body of Christ ⓘ |
| form | series of cantatas with concerto and aria sections ⓘ |
| genre | sacred vocal music ⓘ |
| hasMovementCount | multiple movements in each cantata ⓘ |
| importance | one of Buxtehude’s most important sacred vocal works ⓘ |
| influence | North German Baroque sacred music tradition ⓘ |
| keyTheologyTheme | mystical contemplation of Christ’s suffering ⓘ |
| language | Latin ⓘ |
| liturgicalUse | Passion devotion ⓘ |
| musicalEra | Baroque ⓘ |
| notableFeature |
combines biblical verses with medieval devotional poetry
ⓘ
each cantata focuses on a different part of Christ’s body ⓘ |
| numberOfCantatas | 7 ⓘ |
| originalInstrumentation | voices and instruments ⓘ |
| period | 17th century ⓘ |
| placeOfComposition | Lübeck ⓘ |
| religiousContext | Holy Week devotion ⓘ |
| religiousTradition | Lutheranism ⓘ |
| scoring |
alto
ⓘ
bass ⓘ five-part strings and continuo ⓘ soprano ⓘ tenor ⓘ |
| structure | cycle of seven cantatas ⓘ |
| style | concertato sacred music ⓘ |
| survivingSource |
Uppsala University Library
ⓘ
surface form:
Düben collection at Uppsala University Library
|
| textLanguage | Latin ⓘ |
| textSource |
Bible
ⓘ
medieval Latin poetry ⓘ |
| textType | meditation on the crucified body of Christ ⓘ |
| vocalForces |
chorus
ⓘ
solo voices ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Membra Jesu nostri Description of subject: Membra Jesu nostri is a cycle of seven 17th-century Lutheran cantatas by Dieterich Buxtehude meditating on the crucified body of Christ, and is considered one of his most important sacred vocal works.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.