"Des Baches Wiegenlied"

Target entity: "Des Baches Wiegenlied"
Context triple: [Die schöne Müllerin, hasPart, "Des Baches Wiegenlied"]

• A. Gesang der Jünglinge
  Gesang der Jünglinge is a pioneering 1956 electroacoustic composition by Karlheinz Stockhausen that combines electronically generated sounds with a boy’s voice, often cited as a landmark in the history of electronic music.
• B. Kindertotenlieder
  Kindertotenlieder is a song cycle for voice and orchestra by Gustav Mahler, setting Friedrich Rückert’s poems about the death of children to deeply introspective and elegiac music.
• C. An die Freude
  "An die Freude" is Friedrich Schiller’s ode celebrating universal brotherhood and joy, famously set to music in the choral finale of Beethoven’s Ninth Symphony.
• D. Hör’ ich das Liedchen klingen
  "Hör’ ich das Liedchen klingen" is a song for voice and piano by Robert Schumann, set to a Heinrich Heine poem and included as one of the pieces in his celebrated song cycle Dichterliebe, Op. 48.
• E. “Das lila Lied”
  “Das lila Lied” is a pioneering 1920 German cabaret song by Mischa Spoliansky that is widely regarded as one of the first explicitly pro-gay anthems in modern music history.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: "Des Baches Wiegenlied"
Target entity description: "Des Baches Wiegenlied" is the gentle, concluding lullaby song in Franz Schubert’s song cycle "Die schöne Müllerin," in which the brook soothes the miller to his final rest.

• A. Gesang der Jünglinge
  Gesang der Jünglinge is a pioneering 1956 electroacoustic composition by Karlheinz Stockhausen that combines electronically generated sounds with a boy’s voice, often cited as a landmark in the history of electronic music.
• B. Kindertotenlieder
  Kindertotenlieder is a song cycle for voice and orchestra by Gustav Mahler, setting Friedrich Rückert’s poems about the death of children to deeply introspective and elegiac music.
• C. An die Freude
  "An die Freude" is Friedrich Schiller’s ode celebrating universal brotherhood and joy, famously set to music in the choral finale of Beethoven’s Ninth Symphony.
• D. Hör’ ich das Liedchen klingen
  "Hör’ ich das Liedchen klingen" is a song for voice and piano by Robert Schumann, set to a Heinrich Heine poem and included as one of the pieces in his celebrated song cycle Dichterliebe, Op. 48.
• E. “Das lila Lied”
  “Das lila Lied” is a pioneering 1920 German cabaret song by Mischa Spoliansky that is widely regarded as one of the first explicitly pro-gay anthems in modern music history.
• F. None of above. chosen