The Origin of the World
E68857
The Origin of the World is an 1866 realist oil painting by Gustave Courbet that provocatively depicts a close-up view of a woman's genitals, challenging 19th-century artistic and social conventions.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Origin of the World canonical | 4 |
How this entity was disambiguated
This entity first appeared as the object of triple T549049 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: The Origin of the World Context triple: [Gustave Courbet, notableWork, The Origin of the World]
-
A.
Caput Mundi
Caput Mundi is a Latin epithet meaning "capital of the world," historically used to emphasize Rome’s central importance in politics, culture, and civilization.
-
B.
Ancient of Days
Ancient of Days is a biblical title depicting God as the eternal, sovereign judge who exists from everlasting to everlasting.
-
C.
Galatea of the Spheres
Galatea of the Spheres is a 1952 surrealist painting by Salvador Dalí that depicts a fragmented, spherical representation of his wife Gala, reflecting his fascination with nuclear physics and mysticism.
-
D.
The Astronomer
"The Astronomer" is a 17th-century painting by Dutch master Johannes Vermeer depicting a scholar studying the heavens in a meticulously rendered interior scene.
-
E.
Deus sive Natura
Deus sive Natura is Baruch Spinoza’s philosophical conception of God as identical with the single, all-encompassing substance of nature and reality.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: The Origin of the World Target entity description: The Origin of the World is an 1866 realist oil painting by Gustave Courbet that provocatively depicts a close-up view of a woman's genitals, challenging 19th-century artistic and social conventions.
-
A.
Caput Mundi
Caput Mundi is a Latin epithet meaning "capital of the world," historically used to emphasize Rome’s central importance in politics, culture, and civilization.
-
B.
Ancient of Days
Ancient of Days is a biblical title depicting God as the eternal, sovereign judge who exists from everlasting to everlasting.
-
C.
Galatea of the Spheres
Galatea of the Spheres is a 1952 surrealist painting by Salvador Dalí that depicts a fragmented, spherical representation of his wife Gala, reflecting his fascination with nuclear physics and mysticism.
-
D.
The Astronomer
"The Astronomer" is a 17th-century painting by Dutch master Johannes Vermeer depicting a scholar studying the heavens in a meticulously rendered interior scene.
-
E.
Deus sive Natura
Deus sive Natura is Baruch Spinoza’s philosophical conception of God as identical with the single, all-encompassing substance of nature and reality.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
oil painting
ⓘ
painting ⓘ realist painting ⓘ |
| acquisitionDate | 1995 ⓘ |
| artHistoricalContext | 19th-century French art ⓘ |
| artisticTheme |
eroticism
ⓘ
female body ⓘ origin of life ⓘ provocation ⓘ sexuality ⓘ |
| artworkSurface | canvas ⓘ |
| catalogCode |
Musée d'Orsay
ⓘ
surface form:
Musée d’Orsay RF 1995-3
|
| collection |
Musée d'Orsay
ⓘ
surface form:
Musée d’Orsay
|
| collectionType | public museum collection ⓘ |
| countryOfOrigin | France ⓘ |
| creator | Gustave Courbet ⓘ |
| creatorGender | male ⓘ |
| creatorNationality | French ⓘ |
| depicts |
abdomen of a woman
ⓘ
female genitals ⓘ female nude ⓘ pubic hair ⓘ thighs of a woman ⓘ |
| genre | Realism ⓘ |
| hasCensorshipHistory | true ⓘ |
| hasCommissioner | Khalil-Bey ⓘ |
| hasDepictionAngle | close-up view ⓘ |
| hasOnlineCensorshipIncidents | true ⓘ |
| hasReference | often discussed in art history literature ⓘ |
| inception | 1866 ⓘ |
| influenced |
discussions of artistic freedom
ⓘ
feminist art criticism ⓘ later debates on pornography and art ⓘ |
| locatedIn |
France
ⓘ
Paris ⓘ |
| location |
Musée d'Orsay
ⓘ
surface form:
Musée d’Orsay
|
| materialUsed | oil paint ⓘ |
| movement | Realism ⓘ |
| notableFor |
challenge to 19th-century artistic conventions
ⓘ
challenge to 19th-century social conventions ⓘ controversial subject matter ⓘ explicit depiction of female genitals ⓘ |
| originalLanguageTitle | L’Origine du monde ⓘ |
| paintingTechnique | realist technique ⓘ |
| previousOwner |
Jacques Lacan
ⓘ
Khalil-Bey ⓘ Sylvia Bataille ⓘ |
| subjectGender | female ⓘ |
| title | The Origin of the World self-link ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: The Origin of the World Description of subject: The Origin of the World is an 1866 realist oil painting by Gustave Courbet that provocatively depicts a close-up view of a woman's genitals, challenging 19th-century artistic and social conventions.
Referenced by (4)
Full triples — surface form annotated when it differs from this entity's canonical label.