Samuel Beckett’s trilogy
E501011
Samuel Beckett’s trilogy is a landmark sequence of three modernist novels—Molloy, Malone Dies, and The Unnamable—known for their bleak humor, experimental style, and exploration of identity and existence.
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
literary work series
ⓘ
novel sequence ⓘ |
| alsoKnownAs |
Beckett’s French trilogy
NERFINISHED
ⓘ
Beckett’s novel trilogy NERFINISHED ⓘ |
| author | Samuel Beckett NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| firstWork | Molloy NERFINISHED ⓘ |
| firstWorkPublicationYear | 1951 ⓘ |
| genre |
experimental fiction
ⓘ
modernist fiction ⓘ |
| hasPart |
Malone Dies
NERFINISHED
ⓘ
Molloy NERFINISHED ⓘ The Unnamable NERFINISHED ⓘ |
| influenced |
experimental novelists
ⓘ
postmodern literature ⓘ |
| influencedBy |
James Joyce
NERFINISHED
ⓘ
modernist literature ⓘ |
| lastWorkPublicationYear | 1953 ⓘ |
| literaryMovement | modernism ⓘ |
| literarySignificance |
key work of existential literature
ⓘ
landmark of twentieth-century fiction ⓘ |
| narrativeMode | first-person narration ⓘ |
| notableFor |
bleak humor
ⓘ
experimental narrative style ⓘ exploration of existence ⓘ exploration of identity ⓘ interior monologue ⓘ minimalist prose ⓘ unreliable narrators ⓘ |
| originalLanguage | French ⓘ |
| publicationPeriod | late 1940s to early 1950s ⓘ |
| relatedWork | Waiting for Godot NERFINISHED ⓘ |
| secondWork | Malone Dies NERFINISHED ⓘ |
| setting | largely indeterminate locations ⓘ |
| style |
fragmented narrative
ⓘ
repetitive motifs ⓘ sparse description ⓘ stream of consciousness ⓘ |
| theme |
consciousness
ⓘ
death ⓘ existentialism ⓘ identity ⓘ language and its limits ⓘ memory ⓘ selfhood ⓘ |
| thirdWork | The Unnamable NERFINISHED ⓘ |
| tone |
bleak
ⓘ
darkly comic ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.