|
"That's All Folks!"
|
humorous
→
|
|
"That's All Folks!"
|
lighthearted
→
|
|
A Bird came down the Walk
|
curious
→
|
|
A Bird came down the Walk
|
reverent toward nature
→
|
|
A Bird came down the Walk
|
tense
→
|
|
A Christmas Memory
|
bittersweet
→
|
|
A Christmas Memory
|
nostalgic
→
|
|
A Confession
|
confessional
→
|
|
A Confession
|
introspective
→
|
|
A Confession
|
philosophical
→
|
|
A Dream Within a Dream
|
contemplative
→
|
|
A Dream Within a Dream
|
despairing
→
|
|
A Dream Within a Dream
|
melancholic
→
|
|
A Fable for Critics
|
humorous
→
|
|
A Fable for Critics
|
mocking
→
|
|
A Good Man Is Hard to Find
|
darkly comic
→
|
|
A Good Man Is Hard to Find
|
grim
→
|
|
A Good Man Is Hard to Find
|
ironic
→
|
|
A Psalm of Life
|
didactic
→
|
|
A Psalm of Life
|
inspirational
→
|
|
Act One (autobiography)
|
inspirational
→
|
|
Act One (autobiography)
|
reflective
→
|
|
Albert Einstein's 1935 obituary letter
|
admiring
→
|
|
Albert Einstein's 1935 obituary letter
|
personal
→
|
|
Albert Einstein's 1935 obituary letter
|
reverent
→
|
|
All Er Nuthin'
|
comic
→
|
|
All Er Nuthin'
|
playful
→
|
|
Annabel Lee
|
haunting
→
|
|
Annabel Lee
|
melancholic
→
|
|
Anthem for Doomed Youth
|
angry
→
|
|
Anthem for Doomed Youth
|
bitter
→
|
|
Anthem for Doomed Youth
|
mournful
→
|
|
As We Go
|
didactic
("hasTone")
→
|
|
As We Go
|
reflective
("hasTone")
→
|
|
As We Go
|
satirical
("hasTone")
→
|
|
As We Were Saying
|
satirical
("hasTone")
→
|
|
As We Were Saying
|
witty
("hasTone")
→
|
|
Augustine’s Laws
|
humorous
→
|
|
Augustine’s Laws
|
satirical
→
|
|
Augustine’s Travels
|
humorous
("hasTone")
→
|
|
Augustine’s Travels
|
insightful
("hasTone")
→
|
|
Back in Town
|
dark humor
→
|
|
Back in Town
|
irreverent
→
|
|
Backlog Studies
|
humorous
→
|
|
Backlog Studies
|
reflective
→
|
|
Bad Feminist
|
critical
→
|
|
Bad Feminist
|
humorous
→
|
|
Bad Feminist
|
personal
→
|
|
Barchester Towers
|
comic
("hasTone")
→
|
|
Barchester Towers
|
satirical
("hasTone")
→
|
|
Because I could not stop for Death
|
calm
→
|
|
Because I could not stop for Death
|
meditative
→
|
|
Because I could not stop for Death
|
reflective
→
|
|
Behind a Mask
|
dark
("narrativeTone")
→
|
|
Behind a Mask
|
suspenseful
("narrativeTone")
→
|
|
Bicentennial Nigger
|
politically charged
("hasTone")
→
|
|
Bicentennial Nigger
|
provocative
("hasTone")
→
|
|
Bicentennial Nigger
|
satirical
("hasTone")
→
|
|
Black Mirror: Arkangel
|
cautionary
("hasTone")
→
|
|
Black Mirror: Arkangel
|
dark
("hasTone")
→
|
|
Blandings Castle series
|
light-hearted
("narrativeTone")
→
|
|
Boing Boing
|
countercultural
("editorialTone")
→
|
|
Boing Boing
|
irreverent
("editorialTone")
→
|
|
Boing Boing
|
quirky
("editorialTone")
→
|
|
Book I
|
humorous
→
|
|
Book I
|
satirical
→
|
|
Book II (A History of New York)
|
humorous
→
|
|
Book III (A History of New York)
|
comic
→
|
|
Book III (A History of New York)
|
satirical
→
|
|
Book V (A History of New York)
|
humorous
("hasTone")
→
|
|
Book V (A History of New York)
|
mock-heroic
("hasTone")
→
|
|
Bossypants
|
humorous
→
|
|
Bossypants
|
self-deprecating
→
|
|
Brain Droppings
|
irreverent
→
|
|
Brain Droppings
|
satirical
→
|
|
Breakfast-Table series
|
humorous
→
|
|
Breakfast-Table series
|
reflective
→
|
|
Cannery Row
|
humorous
→
|
|
Cannery Row
|
poignant
→
|
|
Cannery Row
|
warm-hearted
→
|
|
Carry On, Jeeves
|
humorous
("hasTone")
→
|
|
Carry On, Jeeves
|
light-hearted
("hasTone")
→
|
|
City of Angels
|
melancholic
("hasTone")
→
|
|
City of Thieves
|
darkly comic
→
|
|
City of Thieves
|
harrowing
→
|
|
City on a Hill
|
gritty
("narrativeTone")
→
|
|
City on a Hill
|
realistic
("narrativeTone")
→
|
|
Confession of Mikhail Bakunin
|
apologetic
→
|
|
Confession of Mikhail Bakunin
|
political
→
|
|
Confession of Mikhail Bakunin
|
self-critical
→
|
|
Confessions
|
candid
→
|
|
Confessions
|
introspective
→
|
|
Confessions of a Failed Southern Lady
|
satirical
→
|
|
Confessions of a Failed Southern Southern Lady
|
humorous
→
|
|
Cravings: Recipes for All the Food You Want to Eat
|
personal
→
|
|
Cravings: Recipes for All the Food You Want to Eat
|
playful
→
|
|
Dad Is Fat
|
humorous
→
|
|
Dad Is Fat
|
self-deprecating
→
|
|
Daddy (poem)
|
accusatory
→
|
|
Daddy (poem)
|
angry
→
|
|
Daddy (poem)
|
confessional
→
|
|
Daddy (poem)
|
intense
→
|
|
Dark Diversions
|
darkly comic
("hasTone")
→
|
|
Dark Diversions
|
satirical
("hasTone")
→
|
|
Death Has a Shadow
|
irreverent humor
→
|
|
Death Has a Shadow
|
satire
→
|
|
Derek Nurse
|
lighthearted
("toneOfPortrayal")
→
|
|
Description of a Struggle
|
anxious
("hasTone")
→
|
|
Description of a Struggle
|
introspective
("hasTone")
→
|
|
Disabled
|
bitter
→
|
|
Disabled
|
poignant
→
|
|
Disabled
|
reflective
→
|
|
Don't Panic
|
comic
("hasTone")
→
|
|
Don't Panic
|
reassuring
("hasTone")
→
|
|
Dress Sexy at My Funeral
|
darkly humorous
("hasTone")
→
|
|
Dress Sexy at My Funeral
|
wry
("hasTone")
→
|
|
Dudley
|
uplifting
("toneAssociation")
→
|
|
Dulce et Decorum Est
|
bitter
→
|
|
Dulce et Decorum Est
|
condemnatory
→
|
|
Dulce et Decorum Est
|
graphic
→
|
|
English Traits
|
admiring
→
|
|
English Traits
|
analytical
→
|
|
English Traits
|
critical
→
|
|
España: poema en cuatro angustias y una esperanza
|
hopeful ending
→
|
|
España: poema en cuatro angustias y una esperanza
|
tragic
→
|
|
Euthydemus
|
satirical
→
|
|
Everybody Knows
|
brooding
("narrativeTone")
→
|
|
Everybody Knows
|
cynical
("narrativeTone")
→
|
|
Everybody Knows
|
dark
("narrativeTone")
→
|
|
Everything That Rises Must Converge
|
darkly comic
→
|
|
Everything That Rises Must Converge
|
ironic
→
|
|
Exposure
|
bitter
→
|
|
Exposure
|
bleak
→
|
|
Exposure
|
somber
→
|
|
Fighter
|
aggressive
→
|
|
Futility
|
elegiac
→
|
|
Futility
|
poignant
→
|
|
Futility
|
questioning
→
|
|
Genuine People Personalities
|
humorous
→
|
|
Genuine People Personalities
|
satirical
→
|
|
George Carlin: Complaints and Grievances
|
dark humor
("hasTone")
→
|
|
George Carlin: Complaints and Grievances
|
satire
("hasTone")
→
|
|
George Carlin: Life Is Worth Losing
|
dark humor
→
|
|
George Carlin: Life Is Worth Losing
|
satire
→
|
|
Gift from the Sea
|
introspective
→
|
|
Gift from the Sea
|
lyrical
→
|
|
Gift from the Sea
|
meditative
→
|
|
Gloria
|
joyful
("typicalTone")
→
|
|
Going Bananas
|
lighthearted
→
|
|
Governor Moonbeam
|
sometimes affectionate
→
|
|
Governor Moonbeam
|
sometimes pejorative
→
|
|
Heart of Gold
|
humorous
("hasTone")
→
|
|
Himno Nacional Mexicano
|
martial
→
|
|
Hope is the thing with feathers
|
optimistic
→
|
|
Hope is the thing with feathers
|
reassuring
→
|
|
Hospital Sketches
|
humorous
("hasTone")
→
|
|
Hospital Sketches
|
realistic
("hasTone")
→
|
|
Hospital Sketches
|
sentimental
("hasTone")
→
|
|
Hurricane (Bob Dylan song)
|
accusatory
→
|
|
Hurricane (Bob Dylan song)
|
angry
→
|
|
Hyde Park
|
light
("hasTone")
→
|
|
Hyde Park
|
satirical
("hasTone")
→
|
|
I Cain't Say No
|
flirtatious
→
|
|
I Cain't Say No
|
humorous
→
|
|
I Sing the Body Electric
|
celebratory
→
|
|
I Sing the Body Electric
|
reverent
→
|
|
I Wish I Were in Love Again
|
cynical
("narrativeTone")
→
|
|
I Wish I Were in Love Again
|
witty
("narrativeTone")
→
|
|
I cannot live with You
|
meditative
→
|
|
I cannot live with You
|
melancholic
→
|
|
I died for Beauty—but was scarce
|
enigmatic
→
|
|
I died for Beauty—but was scarce
|
meditative
→
|
|
I died for Beauty—but was scarce
|
somber
→
|
|
I felt a Funeral, in my Brain
|
claustrophobic
→
|
|
I felt a Funeral, in my Brain
|
introspective
→
|
|
I felt a Funeral, in my Brain
|
somber
→
|
|
I heard a Fly buzz—when I died
|
ambiguous
→
|
|
I heard a Fly buzz—when I died
|
meditative
→
|
|
I heard a Fly buzz—when I died
|
solemn
→
|
|
I like to see it lap the Miles
|
awe-struck
→
|
|
I like to see it lap the Miles
|
playful
→
|
|
I taste a liquor never brewed
|
celebratory
→
|
|
I taste a liquor never brewed
|
exuberant
→
|
|
I'm Not Stiller
|
ambiguous
("hasTone")
→
|
|
I'm Not Stiller
|
introspective
("hasTone")
→
|
|
I'm Not Stiller
|
philosophical
("hasTone")
→
|
|
I, Too
|
assertive
→
|
|
I, Too
|
defiant
→
|
|
I, Too
|
hopeful
→
|
|
If Not Higher
|
gently satirical
→
|
|
If Not Higher
|
humorous
→
|
|
If Not Higher
|
reverent toward genuine faith
→
|
|
If You’re Out There
|
inspirational
→
|
|
If You’re Out There
|
uplifting
→
|
|
Infamous (2006 film)
|
dramatic
("hasTone")
→
|
|
Infamous (2006 film)
|
introspective
("hasTone")
→
|
|
Into the Woods (2014 film)
|
darkly comedic
("narrativeTone")
→
|
|
Into the Woods (2014 film)
|
emotionally complex
("narrativeTone")
→
|
|
Jabberwocky
|
darkly comic
("hasTone")
→
|
|
Jabberwocky
|
surreal
("hasTone")
→
|
|
Jacques le fataliste et son maître
|
ironic
→
|
|
Jacques le fataliste et son maître
|
playful
→
|
|
Jennifer Aniston as Dr. Julia Harris
|
comedic
("toneOfPortrayal")
→
|
|
Joy in the Morning
|
comic
("hasTone")
→
|
|
Joy in the Morning
|
light-hearted
("hasTone")
→
|
|
Kaddish
|
elegiac
→
|
|
Kaddish
|
lamenting
→
|
|
Kaddish
|
visionary
→
|
|
Kevin Spacey as Dave Harken
|
darkly comic
("toneOfCharacter")
→
|
|
Kingsman
|
humorous and irreverent
→
|
|
Kingsman
|
stylized and hyper-violent
→
|
|
Kol Nidre
|
solemn
→
|
|
Krikkit war
|
darkly comic
→
|
|
Lady Lazarus
|
dark
→
|
|
Lady Lazarus
|
ironic
→
|
|
Lady Lazarus
|
theatrical
→
|
|
Last Chance to See
|
humorous
→
|
|
Last Chance to See
|
informative
→
|
|
Le Neveu de Rameau
|
dialogic
→
|
|
Le Neveu de Rameau
|
satirical
→
|
|
Lenore (poem)
|
melancholic
→
|
|
Letter to His Father
|
accusatory
→
|
|
Letter to His Father
|
analytical
→
|
|
Letter to His Father
|
confessional
→
|
|
Life of Constantine
|
apologetic
→
|
|
Life of Constantine
|
laudatory
→
|
|
Light of the Seven
|
atmospheric
→
|
|
Light of the Seven
|
haunting
→
|
|
Light of the Seven
|
ominous
→
|
|
Linoleum
|
melancholic
("hasTone")
→
|
|
Linoleum
|
surreal
("hasTone")
→
|
|
Linoleum
|
whimsical
("hasTone")
→
|
|
Lonely Room
|
dark
→
|
|
Lonely Room
|
introspective
→
|
|
Lucky Wander Boy
|
comic
→
|
|
Lucky Wander Boy
|
ironic
→
|
|
Lucky Wander Boy
|
melancholic
→
|
|
Mad Girl’s Love Song
|
haunting
→
|
|
Mad Girl’s Love Song
|
introspective
→
|
|
Mad Girl’s Love Song
|
melancholic
→
|
|
Mark Twain’s Autobiography
|
candid
→
|
|
Mark Twain’s Autobiography
|
humorous
→
|
|
Markings
|
introspective
→
|
|
Markings
|
meditative
→
|
|
Mason & Dixon
|
darkly comic
→
|
|
Mason & Dixon
|
satirical
→
|
|
Matchmakers
|
humorous
→
|
|
Miami and the Siege of Chicago
|
critical
→
|
|
Miami and the Siege of Chicago
|
ironic
→
|
|
Miami and the Siege of Chicago
|
subjective
→
|
|
Monty Python’s The Meaning of Life
|
darkly humorous
→
|
|
Monty Python’s The Meaning of Life
|
surreal
→
|
|
Morning Song
|
ambivalent
→
|
|
Morning Song
|
intimate
→
|
|
Morning Song
|
tender
→
|
|
Mr Mulliner stories
|
light-hearted
→
|
|
My Summer in a Garden
|
lighthearted
→
|
|
My Summer in a Garden
|
reflective
→
|
|
Nearly Headless Nick
|
formal
("demeanor")
→
|
|
Nearly Headless Nick
|
old-fashioned
("demeanor")
→
|
|
No One Writes to the Colonel
|
melancholic
("narrativeTone")
→
|
|
No One Writes to the Colonel
|
restrained
("narrativeTone")
→
|
|
No Way to Stop It
|
conversational
→
|
|
No Way to Stop It
|
cynical
→
|
|
Nobiin
|
true
("hasTone")
→
|
|
O Captain! My Captain!
|
mournful
→
|
|
O Captain! My Captain!
|
reverent
→
|
|
Ode on a Distant Prospect of Eton College
|
melancholic
→
|
|
Ode on a Distant Prospect of Eton College
|
reflective
→
|
|
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes
|
humorous
→
|
|
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes
|
mock-heroic
→
|
|
Once in a Lifetime
|
humorous
→
|
|
Once in a Lifetime
|
irreverent
→
|
|
Once in a Lifetime
|
satirical
→
|
|
Once in a Lifetime
|
satirical
→
|
|
Paddy's Pub
|
dark comedy
("associatedWithTone")
→
|
|
Paddy's Pub
|
satire
("associatedWithTone")
→
|
|
Pal Joey
|
cynical
("hasTone")
→
|
|
Pal Joey
|
sophisticated
("hasTone")
→
|
|
Parliament of Fowls
|
comic
→
|
|
Parliament of Fowls
|
satirical
→
|
|
Paul Revere's Ride
|
celebratory
→
|
|
Paul Revere's Ride
|
dramatic
→
|
|
Pengi and Sommi
|
light-hearted
→
|
|
Pengi and Sommi
|
whimsical
→
|
|
Pepé Le Pew
|
parody of French romantic stereotype
→
|
|
Period Piece: A Cambridge Childhood
|
humorous
→
|
|
Period Piece: A Cambridge Childhood
|
nostalgic
→
|
|
Picture Picture
|
educational
→
|
|
Picture Picture
|
gentle
→
|
|
Pie in the Sky
|
humorous
("hasTone")
→
|
|
Pie in the Sky
|
light drama
("hasTone")
→
|
|
Pink and White Tyranny
|
critical
→
|
|
Pink and White Tyranny
|
satirical
→
|
|
Polly
|
satirical
→
|
|
Pore Jud Is Daid
|
black comedy
→
|
|
Pore Jud Is Daid
|
dark comedy
→
|
|
Queer Little People
|
didactic
→
|
|
Queer Little People
|
pious
→
|
|
Queer Little People
|
sentimental
→
|
|
Requiem for a Heavyweight (teleplay adaptation)
|
serious
→
|
|
Requiem for a Heavyweight (teleplay adaptation)
|
tragic
→
|
|
Right Ho, Jeeves
|
comic
→
|
|
Right Ho, Jeeves
|
light-hearted
→
|
|
Roadside
|
humorous
("narrativeTone")
→
|
|
Roscoe
|
admiring
→
|
|
Roscoe
|
reflective
→
|
|
Roughing It
|
humorous
→
|
|
Roughing It
|
satirical
→
|
|
Rural Funerals
|
meditative
→
|
|
Rural Funerals
|
melancholic
→
|
|
Rural Funerals
|
sentimental
→
|
|
Second Inaugural Address
|
conciliatory
→
|
|
Second Inaugural Address
|
reflective
→
|
|
Second Inaugural Address
|
somber
→
|
|
Setswana
|
tonal language
("hasTone")
→
|
|
Seven Dirty Words
|
humorous
→
|
|
Seven Dirty Words
|
irreverent
→
|
|
Seven Dirty Words
|
provocative
→
|
|
Shadowlands
|
introspective
→
|
|
Shadowlands
|
poignant
→
|
|
She Walks in Beauty
|
contemplative
→
|
|
She Walks in Beauty
|
reverent
→
|
|
Sherlock Holmes (2009 film) score
|
darkly comic
→
|
|
Sherlock Holmes (2009 film) score
|
energetic
→
|
|
Sherlock Holmes (2009 film) score
|
mysterious
→
|
|
Simple Speaks His Mind
|
humorous
→
|
|
Simple Speaks His Mind
|
satirical
→
|
|
Simple Speaks His Mind
|
socially incisive
→
|
|
Sinners in the Hands of an Angry God
|
warning
→
|
|
Something Fresh
|
lighthearted
→
|
|
Sons of Anarchy Season 1 Episode 1
|
dark
→
|
|
Sons of Anarchy Season 1 Episode 1
|
gritty
→
|
|
Stark family theme
|
melancholic
("tonalQuality")
→
|
|
Stark family theme
|
noble
("tonalQuality")
→
|
|
Stark family theme
|
somber
("tonalQuality")
→
|
|
Stepsisters’ Lament
|
humorous
→
|
|
Stepsisters’ Lament
|
satirical
→
|
|
Strange Meeting
|
compassionate
→
|
|
Strange Meeting
|
somber
→
|
|
Strange Meeting
|
tragic
→
|
|
Strife
|
realist
→
|
|
Stroop Report
|
triumphalist
→
|
|
Stupid Pet Tricks segment
|
humorous
→
|
|
Stupid Pet Tricks segment
|
light-hearted
→
|
|
Surely You’re Joking, Mr. Feynman!
|
humorous
→
|
|
Surely You’re Joking, Mr. Feynman!
|
informal
→
|
|
Surely You’re Joking, Mr. Feynman!
|
irreverent
→
|
|
Svaty
|
humorous
("hasTone")
→
|
|
Svaty
|
light-hearted
("hasTone")
→
|
|
The Adventure of the German Student
|
dark
→
|
|
The Adventure of the German Student
|
macabre
→
|
|
The Angler
|
humorous
("hasTone")
→
|
|
The Angler
|
reflective
("hasTone")
→
|
|
The Angler
|
sentimental
("hasTone")
→
|
|
The Art of Book-Making
|
ironic
("narrativeTone")
→
|
|
The Art of Book-Making
|
playful
("narrativeTone")
→
|
|
The Art of Book-Making
|
satirical
("narrativeTone")
→
|
|
The Assassination of Jesse James by the Coward Robert Ford
|
introspective
("narrativeTone")
→
|
|
The Autobiography of Benjamin Franklin
|
didactic
→
|
|
The Autobiography of Benjamin Franklin
|
reflective
→
|
|
The Autocrat
|
philosophical
→
|
|
The Autocrat
|
reflective
→
|
|
The Autocrat
|
satirical
→
|
|
The Autocrat
|
witty
→
|
|
The Autumn of the Patriarch
|
oppressive
→
|
|
The Autumn of the Patriarch
|
surreal
→
|
|
The Autumn of the Patriarch
|
tragic
→
|
|
The Barefoot Boy
|
celebratory
→
|
|
The Barefoot Boy
|
nostalgic
→
|
|
The Bells
|
joyful in early stanzas
→
|
|
The Bells
|
melancholic in final stanza
→
|
|
The Bells
|
ominous in later stanzas
→
|
|
The Bird Revelation
|
dark comedy
→
|
|
The Bird Revelation
|
introspective
→
|
|
The Bird Revelation
|
satirical
→
|
|
The Black Cat
|
dark
→
|
|
The Black Cat
|
macabre
→
|
|
The Black Cat
|
suspenseful
→
|
|
The Bride of Abydos
|
romantic
("hasTone")
→
|
|
The Bride of Abydos
|
tragic
("hasTone")
→
|
|
The Browning Version
|
melancholic
→
|
|
The Browning Version
|
tragic
→
|
|
The Cask of Amontillado
|
ironic
→
|
|
The Cask of Amontillado
|
macabre
→
|
|
The Chambered Nautilus
|
didactic
→
|
|
The Chambered Nautilus
|
inspirational
→
|
|
The Chambered Nautilus
|
meditative
→
|
|
The Christmas Dinner
|
humorous
("hasTone")
→
|
|
The Christmas Dinner
|
nostalgic
("hasTone")
→
|
|
The Christmas Dinner
|
warm
("hasTone")
→
|
|
The Confessions of Felix Krull
|
humorous
→
|
|
The Confessions of Felix Krull
|
ironic
→
|
|
The Country Church
|
nostalgic
→
|
|
The Country Church
|
sentimental
→
|
|
The D.E.N.N.I.S. System
|
dark comedy
→
|
|
The D.E.N.N.I.S. System
|
satirical
→
|
|
The Dark Knight trilogy
|
dark
→
|
|
The Dark Knight trilogy
|
realistic
→
|
|
The Deep Blue Sea
|
intense
→
|
|
The Deep Blue Sea
|
melancholic
→
|
|
The Diary of Samuel Pepys
|
candid
→
|
|
The Diary of Samuel Pepys
|
intimate
→
|
|
The Dream of the Rood
|
reverent and heroic
→
|
|
The Fall of the House of Usher
|
eerie
→
|
|
The Fall of the House of Usher
|
melancholic
→
|
|
The Fall of the House of Usher
|
oppressive atmosphere
→
|
|
The Farmer and the Cowman
|
boisterous
→
|
|
The Farmer and the Cowman
|
humorous
→
|
|
The Farmer and the Cowman
|
reconciliatory
→
|
|
The Flyting of Dunbar and Kennedy
|
mock-heroic
→
|
|
The Future Needs Us
|
optimistic about human potential
→
|
|
The Future Needs Us
|
reflective
→
|
|
The Guide
|
comic
→
|
|
The Guide
|
satirical
→
|
|
The Hitchhiker's Guide to the Galaxy (stage show)
|
comic
("narrativeTone")
→
|
|
The Hitchhiker's Guide to the Galaxy (stage show)
|
satirical
("narrativeTone")
→
|
|
The Hollow Men
|
bleak
→
|
|
The Hollow Men
|
despairing
→
|
|
The Hollow Men
|
resigned
→
|
|
The Honorable Gentleman
|
dramatic
("narrativeTone")
→
|
|
The Honorable Gentleman
|
ironic
("narrativeTone")
→
|
|
The Hunchback’s Tale
|
comic
→
|
|
The Intouchables (US distribution)
|
dramatic
→
|
|
The Intouchables (US distribution)
|
heartwarming
→
|
|
The Intouchables (US distribution)
|
humorous
→
|
|
The Judgment
|
oppressive
→
|
|
The Judgment
|
tragic
→
|
|
The King of Marvin Gardens
|
melancholic
("hasTone")
→
|
|
The King’s Arrival
|
dramatic
→
|
|
The King’s Arrival
|
regal
→
|
|
The Knight of Maison-Rouge
|
dramatic
("hasTone")
→
|
|
The Knight of Maison-Rouge
|
romantic
("hasTone")
→
|
|
The Knight of Maison-Rouge
|
suspenseful
("hasTone")
→
|
|
The Mare (Dos kleyne mentshele)
|
dark humor
→
|
|
The Masque of the Red Death
|
foreboding
→
|
|
The Masque of the Red Death
|
macabre
→
|
|
The Minister’s Black Veil
|
moralistic
→
|
|
The Minister’s Black Veil
|
somber
→
|
|
The Mutability of Literature
|
humorous
→
|
|
The Mutability of Literature
|
meditative
→
|
|
The Mutability of Literature
|
wry
→
|
|
The New Adventures of Old Christine
|
comedy
("hasTone")
→
|
|
The New Adventures of Old Christine
|
self-deprecating humor
("hasTone")
→
|
|
The Nightman Cometh
|
dark comedy
→
|
|
The Orville
|
homage
("hasTone")
→
|
|
The Orville
|
parody
("hasTone")
→
|
|
The Pillowman (Broadway production)
|
darkly comic
("hasTone")
→
|
|
The Pillowman (Broadway production)
|
psychologically intense
("hasTone")
→
|
|
The Pit and the Pendulum
|
claustrophobic
→
|
|
The Pit and the Pendulum
|
macabre
→
|
|
The Pit and the Pendulum
|
suspenseful
→
|
|
The Pride of the Village
|
melancholic
("hasTone")
→
|
|
The Pride of the Village
|
sentimental
("hasTone")
→
|
|
The Progress of Poesy
|
celebratory
→
|
|
The Progress of Poesy
|
exultant
→
|
|
The Rains of Castamere
|
haunting
→
|
|
The Rains of Castamere
|
ominous
→
|
|
The Raven
|
haunting
→
|
|
The Raven
|
melancholic
→
|
|
The Russians Are Coming, the Russians Are Coming
|
anti-war
→
|
|
The Russians Are Coming, the Russians Are Coming
|
humorous
→
|
|
The Shepherd's Week
|
comic
→
|
|
The Shepherd's Week
|
satirical
→
|
|
The Shores of the Cosmic Ocean
|
awe-inspired
→
|
|
The Shores of the Cosmic Ocean
|
contemplative
→
|
|
The Silence
|
apocalyptic
→
|
|
The Silence
|
bleak
→
|
|
The Silence
|
meditative
→
|
|
The Sleepers
|
dreamlike
→
|
|
The Stars, Like Dust
|
adventurous
("hasTone")
→
|
|
The Stars, Like Dust
|
dramatic
("hasTone")
→
|
|
The Story of an Hour
|
ambivalent
→
|
|
The Story of an Hour
|
ironic
→
|
|
The Surrey with the Fringe on Top
|
lighthearted
→
|
|
The Tell-Tale Heart
|
claustrophobic
→
|
|
The Tell-Tale Heart
|
psychologically intense
→
|
|
The Tell-Tale Heart
|
tense
→
|
|
The Time Regulation Institute
|
ironic
→
|
|
The Time Regulation Institute
|
satirical
→
|
|
The Tramp
|
comedic
("typicalTone")
→
|
|
The Tramp
|
poignant
("typicalTone")
→
|
|
The Travels of Benjamin the Third
|
comic
→
|
|
The Travels of Benjamin the Third
|
ironic
→
|
|
The Trial
|
nightmarish
("narrativeTone")
→
|
|
The Trial
|
surreal
("narrativeTone")
→
|
|
The Village Blacksmith
|
moralizing
("hasTone")
→
|
|
The Village Blacksmith
|
respectful
("hasTone")
→
|
|
The Village Blacksmith
|
sentimental
("hasTone")
→
|
|
The Wanderer
|
contemplative
→
|
|
The Wanderer
|
melancholic
→
|
|
The Way We Live Now
|
critical
→
|
|
The Way We Live Now
|
satirical
→
|
|
The Widow and Her Son
|
melancholic
→
|
|
The Widow and Her Son
|
sentimental
→
|
|
The Wife
|
sentimental
→
|
|
The Wife
|
tender
→
|
|
The Wild Wood
|
eerie
→
|
|
The Wild Wood
|
menacing
→
|
|
The Wild Wood
|
suspenseful
→
|