narrativeStyle
P5869
predicate
Indicates how a narrative is told, such as the point of view, tone, and structural approach used to present a story or account.
Aliases (8)
- narrativeMode ×50
- communicationStyle ×19
- hasNarrativeStyle ×13
- dialogueStyle ×9
- speechStyle ×4
- hasNarrationStyle ×1
- narrativePace ×1
- toneOfStoryline ×1
Sample triples (225)
| Subject | Object |
|---|---|
| A Beggar in Jerusalem | fragmented ("narrativeMode") → |
| A Beggar in Jerusalem | lyrical ("narrativeMode") → |
| A Beggar in Jerusalem | meditative ("narrativeMode") → |
| A Liar’s Autobiography | blend of fact and fiction ("hasNarrativeStyle") → |
| A Liar’s Autobiography | surreal ("hasNarrativeStyle") → |
| A Mercy | first-person narration → |
| A Mercy | multiple perspectives → |
| A Mercy | nonlinear narrative → |
| A-text | allegory ("narrativeMode") → |
| Ab Urbe Condita | continuous year-by-year narrative → |
| Act One (autobiography) | chronological life story ("narrativeMode") → |
| Against the Day | ensemble cast → |
| Against the Day | multi-plot → |
| Agathon | ornate ("speechStyle") → |
| Agathon | poetic ("speechStyle") → |
| Anglo-Norman Brut | chronological narrative ("narrativeMode") → |
| Another Country | third-person narration → |
| Around the World in 80 Days | first-person travelogue → |
| Arrested Development | mockumentary → |
| Augustine’s Travels | first-person ("hasNarrativeStyle") → |
| Bad Feminist | cultural criticism ("narrativeMode") → |
| Bad Feminist | feminist analysis ("narrativeMode") → |
| Bad Feminist | personal narrative ("narrativeMode") → |
| Bang Bang | minimal dialogue ("communicationStyle") → |
| Beloved | nonlinear narrative → |
| Benjy Compson | stream of consciousness → |
| Better Make Room campaign | relatable student stories ("communicationStyle") → |
| Better Make Room campaign | youth-driven messaging ("communicationStyle") → |
| Big Fish | magical realism → |
| Big Mama’s Funeral | third-person narration → |
| Black Summer | minimal exposition → |
| Black Summer | multiple intersecting survivor storylines → |
| Book I | first-person narrator Diedrich Knickerbocker ("narrativeMode") → |
| Book III: Polybius | chronicle ("narrativeMode") → |
| Book III: Polybius | interpretive history ("narrativeMode") → |
| Book V (A History of New York) | first-person narration ("narrativeMode") → |
| Brenda Quagmire | dark comedy ("toneOfStoryline") → |
| CSP (Communicating Sequential Processes) | synchronous message passing ("communicationStyle") → |
| Cannery Row | third-person narration → |
| Carry On, Jeeves | first-person narration ("hasNarrativeStyle") → |
| Casanova (2005 TV serial) | nonlinear narrative ("hasNarrativeStyle") → |
| Cassiopeia | poetic lyrics ("hasNarrativeStyle") → |
| Cassiopeia | storytelling ("hasNarrativeStyle") → |
| Chelsea Girls | largely improvised ("dialogueStyle") → |
| Chronicles of Barsetshire | omniscient narrator → |
| Cleanness | third-person narration ("narrativeMode") → |
| Clint Eastwood as Frank Morris | laconic ("dialogueStyle") → |
| Confessions | autodiegetic narration ("narrativeMode") → |
| Cosmopolis | dialogue-driven → |
| Cosmopolis | fragmented → |
| Cyber-Shades | animalistic screeches ("communicationStyle") → |
| Dad Is Fat | essay collection → |
| Daniel Striped Tiger | hesitant ("communicationStyle") → |
| Daniel Striped Tiger | soft-spoken ("communicationStyle") → |
| Das blaue Licht | mystical → |
| Das blaue Licht | romantic → |
| Daytime Friends | storytelling → |
| Death Comes for the Archbishop | lyrical prose → |
| Death by Black Hole | engaging essays → |
| Description of a Struggle | fragmented → |
| Description of a Struggle | surreal → |
| Doctor Who and the Krikkitmen | humorous → |
| Doctor Who and the Krikkitmen | satirical → |
| Don Juan | first-person intrusive narrator ("narrativeMode") → |
| Dot Complicated | memoir → |
| Dot Complicated | self-help → |
| Dragnet (television series) | semi-documentary → |
| Désirée’s Baby | omniscient narration → |
| English Traits | first-person observation ("narrativeMode") → |
| Euthydemus | Socratic questioning ("dialogueStyle") → |
| Euthydemus | eristic disputation ("dialogueStyle") → |
| Everything That Rises Must Converge | third-person narration → |
| Fables | third-person narration ("narrativeMode") → |
| Fear and Loathing in Las Vegas | gonzo journalism → |
| Fourth Party | confrontational and populist rhetoric ("communicationStyle") → |
| God Has a Dream: A Vision of Hope for Our Time | first-person reflection ("narrativeMode") → |
| Gravity’s Rainbow | multiple perspectives → |
| Gravity’s Rainbow | nonlinear → |
| Gritty | slapstick physical comedy ("communicationStyle") → |
| Have Gun – Will Travel (TV series episodes) | episodic storytelling ("hasNarrativeStyle") → |
| Henrietta Pussycat | often ends words with 'meow' ("communicationStyle") → |
| Homeric epics | third-person narrative ("narrativeMode") → |
| How to Play Football | instructional parody → |
| Huckleberry Finn | vernacular American English ("speechStyle") → |
| Hyperion | first-person narrative ("narrativeMode") → |
| IEEE 1149 family of standards | serial scan chain ("communicationStyle") → |
| If Not Higher | third-person narration ("narrativeMode") → |
| In Cold Blood | third-person omniscient → |
| Inherent Vice | comic → |
| Inherent Vice | pastiche of hardboiled detective fiction → |
| Isaac | formal ("communicationStyle") → |
| JavaSpaces | asynchronous message passing via shared space ("communicationStyle") → |
| Jazz (novel) | improvisational → |
| Jazz (novel) | nonlinear → |
| Joe Starks | Southern Black vernacular English ("dialogueStyle") → |
| Jonah’s Gourd Vine | third-person narration → |
| K-9 | formal ("communicationStyle") → |
| Kakawin Hariwangsa | third-person narrative ("narrativeMode") → |
| Knight of Cups | impressionistic → |
| Le Neveu de Rameau | dialogue ("narrativeMode") → |
| Le Rêve | dreamlike → |
| Le Rêve | lyrical → |
| Life in the Undergrowth | first-person commentary by David Attenborough → |
| Lincoln the Unknown | narrative-driven → |
| LisaTerminal | time-sharing terminal access ("communicationStyle") → |
| Lucille | first-person storytelling → |
| MTV Cribs | celebrity-guided tour → |
| MaddAddam | multiple viewpoints → |
| Manfred | dramatic monologue and dialogue ("narrativeMode") → |
| Mason & Dixon | first-person frame narrative → |
| Mason & Dixon | metafictional → |
| Mason & Dixon | nonlinear → |
| Meno | aporetic ("dialogueStyle") → |
| Midaq Alley | third-person omniscient → |
| Middlemarch | third-person omniscient → |
| Mules and Men | blend of anthropological fieldwork and literary storytelling ("hasNarrativeStyle") → |
| My Name Is Red | multiple first-person narrators → |
| My Wife and I | fictional narrative ("narrativeMode") → |
| Nayib Bukele | populist ("communicationStyle") → |
| Newsqueak | synchronous channels ("communicationStyle") → |
| No One Writes to the Colonel | third-person narration → |
| Notes of a Native Son | essayistic ("narrativeMode") → |
| On Green Dolphin Street | realist fiction ("narrativeMode") → |
| Orley Farm | third-person omniscient → |
| Parasite | genre-bending → |
| Patience | first-person narrator ("narrativeMode") → |
| Phaedo | dramatic ("dialogueStyle") → |
| Phaedo | narrated in retrospect ("dialogueStyle") → |
| Pink and White Tyranny | prose ("narrativeMode") → |
| Point Omega | meditative → |
| Point Omega | minimalist → |
| Pork Chop Hill | analytical → |
| Pork Chop Hill | reportorial → |
| Primo Levi's Auschwitz trilogy | non-fiction ("narrativeMode") → |
| Project Orion: The True Story of the Atomic Spaceship | historical narrative → |
| Quichotte | metafictional → |
| Running Dog | third-person narration → |
| Sam Lawson's Oldtown Fireside Stories | framed storytelling ("narrativeMode") → |
| Scenes of Clerical Life | third-person narration → |
| Shame | nonlinear → |
| Shrapnel: Aristeia Rising | serialized comic storytelling → |
| Silas Marner | chronological with some flashbacks ("narrativeMode") → |
| Someone Comes to Town, Someone Leaves Town | magical realist → |
| Someone Comes to Town, Someone Leaves Town | surreal → |
| Something Fresh | third-person narration → |
| Song to Song | impressionistic → |
| Souls on Fire | hagiographic → |
| Souls on Fire | lyrical → |
| Souls on Fire | meditative → |
| Southern Strategy | dog-whistle politics ("communicationStyle") → |
| Southern Strategy | racially coded messaging ("communicationStyle") → |
| Space Odyssey: Voyage to the Planets | documentary-style → |
| Spiegel van den ouden ende nieuwen tijdt | exempla and commentary ("narrativeMode") → |
| Stay | surreal → |
| Summer Lightning | third-person narration → |
| Surah Yusuf | continuous narrative → |
| The 9/11 Report: A Graphic Adaptation | documentary → |
| The Ambassadors | free indirect discourse → |
| The Archers | ensemble cast ("hasNarrativeStyle") → |
| The Archers | serialised storytelling ("hasNarrativeStyle") → |
| The Autocrat | first-person narration ("narrativeMode") → |
| The Autocrat of the Breakfast-Table | first-person ("narrativeMode") → |
| The Autumn of the Patriarch | long sentences → |
| The Autumn of the Patriarch | nonlinear narrative → |
| The Autumn of the Patriarch | stream of consciousness → |
| The Bird Revelation | confessional → |
| The Bird Revelation | storytelling → |
| The Body Artist | introspective → |
| The Bostonians | free indirect discourse ("narrativeMode") → |
| The Bride of Abydos | third-person narration ("narrativeMode") → |
| The Business of Happiness | blend of memoir and business advice → |
| The Churchill Factor | argumentative → |
| The Churchill Factor | lively → |
| The Confessions of Felix Krull | mock-confessional ("narrativeMode") → |
| The Constant Maid | witty ("dialogueStyle") → |
| The Country Church | first-person ("narrativeMode") → |
| The Devil Finds Work | blending of memoir and criticism → |
| The Diary of Samuel Pepys | first-person ("narrativeMode") → |
| The Ebony Horse | third-person narration ("narrativeMode") → |
| The Elephant’s Child | didactic → |
| The Elephant’s Child | humorous → |
| The Eustace Diamonds | third-person omniscient → |
| The Forty-Five Guardsmen | serialized adventure ("hasNarrativeStyle") → |
| The Golden Bowl | third-person limited → |
| The House of Fame | first-person narration ("narrativeMode") → |
| The Imaginarium of Doctor Parnassus | mythic → |
| The Knight of Maison-Rouge | prose ("narrativeMode") → |
| The Living Planet | on-location presentation by David Attenborough ("hasNarrationStyle") → |
| The Love Song of J. Alfred Prufrock | dramatic monologue ("narrativeMode") → |
| The Love Song of J. Alfred Prufrock | interior monologue ("narrativeMode") → |
| The Lowland | third-person narration → |
| The Ministry of Utmost Happiness | fragmented narrative → |
| The Ministry of Utmost Happiness | multiple perspectives → |
| The Ministry of Utmost Happiness | nonlinear narrative → |
| The Moor's Last Sigh | first-person narration → |
| The Names of the Mountains | lyrical storytelling → |
| The Obscene Bird of Night | nonlinear → |
| The Obscene Bird of Night | unreliable narration → |
| The Owl and the Nightingale | first-person frame narrator ("narrativeMode") → |
| The Restaurant at the End of the Universe | comic → |
| The Sleepers | first-person ("narrativeMode") → |
| The Tale of the Ensorcelled Prince | third-person narration ("narrativeMode") → |
| The Trail of the Beast | suspenseful plotting → |
| The Traitor | stage drama ("narrativeMode") → |
| The Way We Live Now | third-person narration → |
| The Wings of the Dove | third-person narration → |
| The Woman Warrior | first-person → |
| Ties | psychological insight → |
| Trainspotting (novel) | multiple first-person narrators → |
| Trainspotting (novel) | nonlinear narrative → |
| Traps | fast-paced ("narrativePace") → |
| Tripmaster Monkey: His Fake Book | experimental → |
| Tripmaster Monkey: His Fake Book | intertextual → |
| Tutunamayanlar | fragmented narrative → |
| Tutunamayanlar | metafiction → |
| Tutunamayanlar | stream of consciousness → |
| Tuxedo Park | narrative nonfiction → |
| Tweeter and the Monkey Man | storytelling ("hasNarrativeStyle") → |
| Tweety | baby-talk pronunciation ("speechStyle") → |
| Under the Sea-Wind | lyrical → |
| Under the Sea-Wind | scientifically informed → |
| Veronica Mars | first-person voice-over → |
| Warning | storytelling → |
| Zero K | introspective → |
| Zero K | meditative → |