BWV 1001–1006
E274859
BWV 1001–1006 are Johann Sebastian Bach’s six celebrated works for solo violin, comprising three sonatas and three partitas that are central to the violin repertoire.
All labels observed (10)
| Label | Occurrences |
|---|---|
| BWV 1005 | 4 |
| BWV 1006 | 4 |
| BWV 1001–1006 canonical | 3 |
| BWV 1001 | 2 |
| BWV 1002 | 2 |
| BWV 1003 | 2 |
| BWV 1004 | 2 |
| BWV 1001 has four movements | 1 |
| BWV 1003 has four movements | 1 |
| BWV 1007–1012 | 1 |
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
set of musical compositions
ⓘ
violin compositions ⓘ |
| alsoKnownAs |
Violin Partitas and Sonatas
ⓘ
surface form:
Sonatas and Partitas for Solo Violin
|
| catalogueNumber | BWV 1001–1006 self-link ⓘ |
| composer | Johann Sebastian Bach ⓘ |
| compositionPeriod | circa 1703–1720 ⓘ |
| containsDanceForms |
allemande
ⓘ
bourrée ⓘ courante ⓘ gavotte ⓘ gigue ⓘ sarabande ⓘ |
| containsWork |
BWV 1001–1006
self-linksurface differs
ⓘ
surface form:
BWV 1001
BWV 1001–1006 self-linksurface differs ⓘ
surface form:
BWV 1002
BWV 1001–1006 self-linksurface differs ⓘ
surface form:
BWV 1003
BWV 1004 ⓘ BWV 1001–1006 self-linksurface differs ⓘ
surface form:
BWV 1005
BWV 1001–1006 self-linksurface differs ⓘ
surface form:
BWV 1006
|
| dedicatedTo | possibly Johann Georg Pisendel ⓘ |
| frequentlyRecordedBy |
Arthur Grumiaux
ⓘ
Gidon Kremer ⓘ Hilary Hahn ⓘ Itzhak Perlman ⓘ Jascha Heifetz ⓘ Nathan Milstein ⓘ Yehudi Menuhin ⓘ |
| genre | Baroque music ⓘ |
| importanceInRepertoire | central to the violin repertoire ⓘ |
| influenced |
20th-century solo violin literature
ⓘ
Eugène Ysaÿe’s Six Sonatas for Solo Violin, Op. 27 ⓘ |
| keyOfIndividualWork |
BWV 1001 in G minor
ⓘ
Partita No. 1 in B minor, BWV 1002 ⓘ
surface form:
BWV 1002 in B minor
BWV 1003 in A minor ⓘ D minor (BWV 1004) ⓘ
surface form:
BWV 1004 in D minor
BWV 1005 in C major ⓘ E major (BWV 1006) ⓘ
surface form:
BWV 1006 in E major
|
| languageOfTitle | Italian ⓘ |
| likelyPlaceOfComposition | Köthen ⓘ |
| manuscriptSource | Bach’s autograph manuscript dated 1720 ⓘ |
| movementCountOfWork |
BWV 1001–1006
self-linksurface differs
ⓘ
surface form:
BWV 1001 has four movements
Partita No. 1 in B minor, BWV 1002 ⓘ
surface form:
BWV 1002 has eight movements
BWV 1001–1006 self-linksurface differs ⓘ
surface form:
BWV 1003 has four movements
BWV 1004 has four movements ⓘ C major (BWV 1005) ⓘ
surface form:
BWV 1005 has five movements
BWV 1006 has six movements ⓘ |
| notableMovement |
Chaconne from Partita No. 2 in D minor, BWV 1004
ⓘ
surface form:
Chaconne from BWV 1004
|
| numberOfWorks | 6 ⓘ |
| scoredFor | solo violin ⓘ |
| style | polyphonic writing for solo violin ⓘ |
| workType | three sonatas and three partitas ⓘ |
Referenced by (22)
Full triples — surface form annotated when it differs from this entity's canonical label.
this entity surface form:
BWV 1007–1012
this entity surface form:
BWV 1004
this entity surface form:
BWV 1005
this entity surface form:
BWV 1001
this entity surface form:
BWV 1002
this entity surface form:
BWV 1003
this entity surface form:
BWV 1005
this entity surface form:
BWV 1006
this entity surface form:
BWV 1001 has four movements
this entity surface form:
BWV 1003 has four movements
this entity surface form:
BWV 1006
this entity surface form:
BWV 1003
this entity surface form:
BWV 1001
this entity surface form:
BWV 1002
this entity surface form:
BWV 1004
this entity surface form:
BWV 1005
this entity surface form:
BWV 1006
this entity surface form:
BWV 1005
this entity surface form:
BWV 1006