Eugène Ysaÿe’s Six Sonatas for Solo Violin, Op. 27
E934156
Eugène Ysaÿe’s Six Sonatas for Solo Violin, Op. 27 are a set of highly virtuosic, late-Romantic solo violin works that explore advanced technique, rich harmonic language, and individual dedications to prominent violinists of his time.
Statements (43)
| Predicate | Object |
|---|---|
| instanceOf |
solo violin work
ⓘ
violin composition set ⓘ |
| composer | Eugène Ysaÿe NERFINISHED ⓘ |
| containsWork |
Sonata No. 1 in G minor, Op. 27 No. 1
NERFINISHED
ⓘ
Sonata No. 2 in A minor, Op. 27 No. 2 NERFINISHED ⓘ Sonata No. 3 in D minor, Op. 27 No. 3 "Ballade" NERFINISHED ⓘ Sonata No. 4 in E minor, Op. 27 No. 4 NERFINISHED ⓘ Sonata No. 5 in G major, Op. 27 No. 5 NERFINISHED ⓘ Sonata No. 6 in E major, Op. 27 No. 6 NERFINISHED ⓘ |
| dedication |
Fritz Kreisler
NERFINISHED
ⓘ
George Enescu NERFINISHED ⓘ Jacques Thibaud NERFINISHED ⓘ Joseph Szigeti NERFINISHED ⓘ Manuel Quiroga NERFINISHED ⓘ Mathieu Crickboom NERFINISHED ⓘ |
| firstPublicationApproximateYear | 1924 ⓘ |
| genre | solo violin sonata ⓘ |
| historicalContext |
reflects playing styles of dedicatee violinists
ⓘ
written when Ysaÿe’s performing career was declining ⓘ |
| influencedBy | Johann Sebastian Bach’s Sonatas and Partitas for Solo Violin NERFINISHED ⓘ |
| instrumentation | solo violin ⓘ |
| languageOfTitle | French ⓘ |
| notableFeature |
advanced violin technique
ⓘ
highly virtuosic writing ⓘ rich harmonic language ⓘ |
| numberOfWorks | 6 ⓘ |
| opusNumber | Op. 27 ⓘ |
| performancePractice | often performed individually rather than as a complete cycle ⓘ |
| period | late Romantic ⓘ |
| placeInRepertoire | core 20th-century solo violin repertoire ⓘ |
| reception |
admired for its expressive depth as well as virtuosity
ⓘ
considered a cornerstone of modern violin technique ⓘ |
| relatedConcept | 20th-century expansion of solo violin repertoire ⓘ |
| relatedWork | Bach’s Partita No. 3 in E major, BWV 1006 (as a model for some movements) NERFINISHED ⓘ |
| structure | six individual sonatas ⓘ |
| stylisticFeature |
chromatic harmony
ⓘ
individualized character for each sonata ⓘ use of modal and impressionistic colors ⓘ |
| technicalDemands |
advanced use of harmonics
ⓘ
complex bowing techniques ⓘ double stops and chords ⓘ left-hand pizzicato ⓘ |
| yearComposed | 1923 ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.