Mendelssohn Lobgesang
E143628
Mendelssohn's "Lobgesang" (Hymn of Praise), often classified as his Symphony No. 2, is a large-scale choral-symphonic work that combines orchestral movements with vocal solos and chorus to set biblical texts in a celebratory, sacred context.
All labels observed (3)
| Label | Occurrences |
|---|---|
| Mendelssohn symphonies | 2 |
| Lobgesang | 1 |
| Mendelssohn Lobgesang canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1208123 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Mendelssohn Lobgesang Context triple: [Westminster Symphonic Choir, repertoireIncludes, Mendelssohn Lobgesang]
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A.
Mendelssohn Elijah
Mendelssohn's *Elijah* is a large-scale Romantic oratorio depicting the biblical prophet Elijah, renowned for its dramatic choral writing and frequent performance in the choral repertoire.
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B.
Brahms Ein deutsches Requiem
Brahms' *Ein deutsches Requiem* is a large-scale, non-liturgical sacred work for chorus, orchestra, and soloists that meditates on human mortality and consolation using German biblical texts.
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C.
St Matthew Passion
St Matthew Passion is a monumental sacred oratorio by Johann Sebastian Bach that dramatizes the Passion of Christ according to the Gospel of Matthew, renowned for its emotional depth, complex choral writing, and profound spiritual impact.
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D.
Berlioz Requiem
Berlioz Requiem is Hector Berlioz’s monumental 1837 Grande Messe des morts, a large-scale Romantic choral and orchestral work renowned for its dramatic power and massive forces.
-
E.
Mass in B minor
Mass in B minor is a monumental choral and orchestral composition by Johann Sebastian Bach, widely regarded as one of the greatest sacred works in Western classical music.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Mendelssohn Lobgesang Target entity description: Mendelssohn's "Lobgesang" (Hymn of Praise), often classified as his Symphony No. 2, is a large-scale choral-symphonic work that combines orchestral movements with vocal solos and chorus to set biblical texts in a celebratory, sacred context.
-
A.
Mendelssohn Elijah
Mendelssohn's *Elijah* is a large-scale Romantic oratorio depicting the biblical prophet Elijah, renowned for its dramatic choral writing and frequent performance in the choral repertoire.
-
B.
Brahms Ein deutsches Requiem
Brahms' *Ein deutsches Requiem* is a large-scale, non-liturgical sacred work for chorus, orchestra, and soloists that meditates on human mortality and consolation using German biblical texts.
-
C.
St Matthew Passion
St Matthew Passion is a monumental sacred oratorio by Johann Sebastian Bach that dramatizes the Passion of Christ according to the Gospel of Matthew, renowned for its emotional depth, complex choral writing, and profound spiritual impact.
-
D.
Berlioz Requiem
Berlioz Requiem is Hector Berlioz’s monumental 1837 Grande Messe des morts, a large-scale Romantic choral and orchestral work renowned for its dramatic power and massive forces.
-
E.
Mass in B minor
Mass in B minor is a monumental choral and orchestral composition by Johann Sebastian Bach, widely regarded as one of the greatest sacred works in Western classical music.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
choral symphony
ⓘ
sacred vocal work ⓘ symphony ⓘ |
| alsoKnownAs |
Hymn of Praise
ⓘ
Mendelssohn Lobgesang ⓘ
surface form:
Lobgesang
Symphony No. 2 in B-flat major ⓘ |
| biblicalSource |
Epistle to the Ephesians
ⓘ
surface form:
Ephesians
Isaiah ⓘ Psalms ⓘ Romans ⓘ |
| catalogNumber | Op. 52 ⓘ |
| choralType | oratorio-like ⓘ |
| commissionedFor | 400th anniversary of the invention of printing ⓘ |
| composer | Felix Mendelssohn ⓘ |
| compositionYear | 1840 ⓘ |
| dedicationContext | public thanksgiving and praise ⓘ |
| era | 19th century ⓘ |
| genre | symphony-cantata ⓘ |
| hasPart |
chorus
ⓘ
orchestral movements ⓘ vocal solos ⓘ |
| influencedBy | Baroque oratorio tradition ⓘ |
| key | B-flat major ⓘ |
| language | German ⓘ |
| movementCount | 10 ⓘ |
| notableMovement |
“Alles, was Odem hat, lobe den Herrn”
ⓘ
“Nun danket alle Gott” ⓘ |
| occasion | celebration of the invention of printing by Johannes Gutenberg ⓘ |
| performancePractice | often performed in churches and concert halls ⓘ |
| placeInComposerOutput | second numbered symphony ⓘ |
| premiereCity | Leipzig ⓘ |
| premiereCountry | Germany ⓘ |
| premiereYear | 1840 ⓘ |
| publisher | Breitkopf & Härtel ⓘ |
| scoring |
mixed chorus
ⓘ
orchestra ⓘ organ ⓘ solo alto or second soprano (in some performances) ⓘ solo soprano ⓘ solo tenor ⓘ |
| structure | three orchestral movements followed by a large cantata-like section ⓘ |
| stylePeriod | Romantic ⓘ |
| subject | Christian praise of God ⓘ |
| textLanguage | German ⓘ |
| textSource | Bible ⓘ |
| textTheme | praise and thanksgiving to God ⓘ |
| textType | sacred ⓘ |
| typicalPerformanceDuration | approximately 60–70 minutes ⓘ |
| workNumbering | Symphony No. 2 ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Mendelssohn Lobgesang Description of subject: Mendelssohn's "Lobgesang" (Hymn of Praise), often classified as his Symphony No. 2, is a large-scale choral-symphonic work that combines orchestral movements with vocal solos and chorus to set biblical texts in a celebratory, sacred context.
Referenced by (4)
Full triples — surface form annotated when it differs from this entity's canonical label.