Black, Brown and Beige
E124104
Black, Brown and Beige is a landmark jazz composition by Duke Ellington, conceived as an extended orchestral suite that chronicles the African American experience in the United States.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Black, Brown and Beige canonical | 3 |
How this entity was disambiguated
This entity first appeared as the object of triple T1070227 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Black, Brown and Beige Context triple: [Duke Ellington, notableWork, Black, Brown and Beige]
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A.
Harlem's Nocturne
"Harlem's Nocturne" is the atmospheric, piano-driven opening track by Alicia Keys that sets a soulful, introspective tone for her album "The Diary of Alicia Keys."
-
B.
Yardbird
Yardbird is the famous nickname of jazz saxophonist and bebop pioneer Charlie Parker.
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C.
Birdland
Birdland is the popular nickname for the passionate fan community and home atmosphere surrounding Major League Baseball’s Baltimore Orioles.
-
D.
Big Blues
Big Blues is the collective name for the athletic teams representing Bluefield State University in collegiate sports competitions.
-
E.
Black America Again
Black America Again is a socially conscious hip-hop album by Common that addresses systemic racism, black identity, and political resistance in contemporary America.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Black, Brown and Beige Target entity description: Black, Brown and Beige is a landmark jazz composition by Duke Ellington, conceived as an extended orchestral suite that chronicles the African American experience in the United States.
-
A.
Harlem's Nocturne
"Harlem's Nocturne" is the atmospheric, piano-driven opening track by Alicia Keys that sets a soulful, introspective tone for her album "The Diary of Alicia Keys."
-
B.
Yardbird
Yardbird is the famous nickname of jazz saxophonist and bebop pioneer Charlie Parker.
-
C.
Birdland
Birdland is the popular nickname for the passionate fan community and home atmosphere surrounding Major League Baseball’s Baltimore Orioles.
-
D.
Big Blues
Big Blues is the collective name for the athletic teams representing Bluefield State University in collegiate sports competitions.
-
E.
Black America Again
Black America Again is a socially conscious hip-hop album by Common that addresses systemic racism, black identity, and political resistance in contemporary America.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
extended work
ⓘ
jazz composition ⓘ orchestral suite ⓘ |
| commissionedBy | self-commissioned by Duke Ellington ⓘ |
| composer | Duke Ellington ⓘ |
| containsMotif | spiritual-inspired themes ⓘ |
| containsSong |
Come Sunday
ⓘ
Work Song ⓘ |
| criticalReceptionAtPremiere | mixed ⓘ |
| dedicatedTo | African American people ⓘ |
| describedAs | tone parallel to the history of the Negro in America ⓘ |
| era |
Big band era
ⓘ
surface form:
Swing era
|
| firstPerformer | Duke Ellington Orchestra ⓘ |
| form | suite ⓘ |
| genre | jazz ⓘ |
| hasPart |
Beige
ⓘ
Black ⓘ Brown ⓘ |
| hasTitleMeaning | symbolic colors representing phases of African American history ⓘ |
| historicalScope | from slavery to the 20th century ⓘ |
| influencedBy |
African American spirituals
ⓘ
European symphonic tradition ⓘ blues ⓘ gospel music ⓘ |
| inMusicHistory | one of the first large-scale jazz suites for concert hall ⓘ |
| keyFigureInCreation | Billy Strayhorn ⓘ |
| label | Columbia Records ⓘ |
| language | instrumental ⓘ |
| laterCriticalStatus |
early example of long-form jazz work
ⓘ
landmark in jazz composition ⓘ |
| movementCount | 3 ⓘ |
| narrativeTheme | African American experience in the United States ⓘ |
| notableVocalFeature | “Come Sunday” ⓘ |
| notableVocalist | Mahalia Jackson ⓘ |
| orchestrationType | big band with expanded orchestral forces ⓘ |
| performancePractice | often performed in shortened versions ⓘ |
| premiereCity | New York City ⓘ |
| premiereCountry |
United States of America
ⓘ
surface form:
United States
|
| premiereDate | 1943-01-23 ⓘ |
| premierePlace | Carnegie Hall ⓘ |
| recording |
1944 studio excerpts by Duke Ellington
ⓘ
1958 album “Black, Brown and Beige” with Mahalia Jackson ⓘ |
| subgenre | big band jazz ⓘ |
| subjectMatter |
African American cultural contribution
ⓘ
emancipation ⓘ segregation ⓘ slavery ⓘ |
| workChronologyPosition | major mid-career work of Duke Ellington ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Black, Brown and Beige Description of subject: Black, Brown and Beige is a landmark jazz composition by Duke Ellington, conceived as an extended orchestral suite that chronicles the African American experience in the United States.
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.