“Come Sunday”

E513289

“Come Sunday” is a celebrated jazz standard by Duke Ellington, originally part of his extended work *Black, Brown and Beige*, known for its spiritual, hymn-like character and frequent vocal interpretations.

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All labels observed (1)

Label Occurrences
“Come Sunday” canonical 1

Statements (43)

Predicate Object
instanceOf jazz standard
associatedInstrument alto saxophone
piano
associatedPerformer Duke Ellington NERFINISHED
Johnny Hodges NERFINISHED
Mahalia Jackson NERFINISHED
associatedWith Black American religious tradition
cataloguedAs Ellington standard
composer Duke Ellington NERFINISHED
countryOfOrigin United States of America
surface form: United States
firstPerformanceDate 1943
firstPerformancePlace Carnegie Hall NERFINISHED
firstPerformer Duke Ellington Orchestra NERFINISHED
genre jazz
spiritual jazz
hasForm ballad
hasInstrumentalFeature alto saxophone solo
hasKey G major (common performance key)
hasReligiousConnotation Christian
hasTitleWord Sunday
hasVocalVersion Mahalia Jackson version NERFINISHED
isConsidered jazz standard
isDescribedAs hymn-like
spiritual
isFrequentlyPerformedAs instrumental piece
vocal piece
language English
lyricist Duke Ellington NERFINISHED
movementOf Black, Brown and Beige NERFINISHED
notableRecordingBy Abbey Lincoln NERFINISHED
Duke Ellington NERFINISHED
Johnny Hodges NERFINISHED
Mahalia Jackson NERFINISHED
Nina Simone NERFINISHED
Wynton Marsalis NERFINISHED
originallyComposedFor Black, Brown and Beige NERFINISHED
partOf Black, Brown and Beige NERFINISHED
publicationCentury 20th century
style hymn-like
tempo slow
theme religious faith
spiritual reflection
workBy Duke Ellington NERFINISHED

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Black, Brown and Beige notableVocalFeature “Come Sunday”