Expressionism
E11990
Expressionism is an early 20th-century modernist art movement characterized by the intense, subjective distortion of reality to convey emotional experience rather than physical accuracy.
Observed surface forms (11)
Statements (90)
| Predicate | Object |
|---|---|
| instanceOf |
20th-century art movement
ⓘ
art movement ⓘ cultural movement ⓘ modernist movement ⓘ |
| coreIdea | expressing inner feelings over depicting external reality accurately ⓘ |
| countryOfOrigin | Germany ⓘ |
| declinePeriod | after World War I ⓘ |
| hasCharacteristic |
anti-academic stance
ⓘ
bold brushwork ⓘ distortion of form ⓘ emphasis on emotional experience ⓘ exaggerated color ⓘ inner experience over external reality ⓘ intense psychological content ⓘ rejection of naturalism ⓘ subjective representation of reality ⓘ |
| hasPart |
Abstract expressionism
ⓘ
surface form:
Abstract Expressionism
Expressionism self-linksurface differs ⓘ
surface form:
Austrian Expressionism
Der Blaue Reiter ⓘ Die Brücke ⓘ Expressionist architecture ⓘ Expressionism self-linksurface differs ⓘ
surface form:
Expressionist cinema
Expressionism self-linksurface differs ⓘ
surface form:
Expressionist literature
Neo-Expressionism ⓘ |
| influenced |
Abstract expressionism
ⓘ
surface form:
Abstract Expressionism
Expressionism self-linksurface differs ⓘ
surface form:
German Expressionist cinema
Neo-Expressionism ⓘ film noir aesthetics ⓘ graphic novels and comics ⓘ |
| influencedBy |
Edvard Munch
ⓘ
Fauvism ⓘ James Ensor ⓘ Post-Impressionism ⓘ Symbolism ⓘ Vincent van Gogh ⓘ industrialization ⓘ psychology of Sigmund Freud ⓘ social anxiety before World War I ⓘ urbanization ⓘ |
| language | primarily German ⓘ |
| movementIn |
architecture
ⓘ
film ⓘ literature ⓘ music ⓘ theatre ⓘ visual arts ⓘ |
| notableProponent |
August Macke
ⓘ
Egon Schiele ⓘ Emil Nolde ⓘ Erich Heckel ⓘ Ernst Ludwig Kirchner ⓘ Franz Marc ⓘ Gabriele Münter ⓘ George Grosz ⓘ Karl Schmidt-Rottluff ⓘ Lyonel Feininger ⓘ Max Beckmann ⓘ Oskar Kokoschka ⓘ Otto Dix ⓘ Paul Klee ⓘ Wassily Kandinsky ⓘ |
| notableWork |
Blue Horse I
ⓘ
Self-Portrait with Physalis ⓘ Street, Berlin ⓘ Blue Horse I ⓘ
surface form:
The Large Blue Horses
The Night ⓘ The Scream ⓘ |
| opposedTo |
Impressionism
ⓘ
Naturalism ⓘ Realism ⓘ |
| peakPeriod | circa 1905–1920 ⓘ |
| persecutedAs | degenerate art ⓘ |
| politicalContext |
Weimar Republic
ⓘ
rise of Nazism ⓘ |
| relatedMovement |
Cubism
ⓘ
Dada ⓘ Fauvism ⓘ Surrealism ⓘ Symbolism ⓘ |
| revival | Neo-Expressionism in the late 20th century ⓘ |
| startTime | early 20th century ⓘ |
| typicalSubject |
existential anxiety
ⓘ
inner turmoil ⓘ religious themes ⓘ urban alienation ⓘ war and violence ⓘ |
| typicalTechnique |
angular forms
ⓘ
impasto ⓘ non-naturalistic color ⓘ simplified shapes ⓘ |
Referenced by (89)
Full triples — surface form annotated when it differs from this entity's canonical label.
this entity surface form:
German Expressionism
this entity surface form:
German Expressionism
this entity surface form:
Expressionist architecture
this entity surface form:
German Expressionism
this entity surface form:
German Expressionism
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German Expressionism
this entity surface form:
German Expressionism
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Proto-Expressionism
this entity surface form:
German Expressionism
this entity surface form:
German Expressionism
this entity surface form:
German Expressionism
this entity surface form:
expressionism
this entity surface form:
German Expressionism
this entity surface form:
Expressionist architecture