British New Wave
E114301
British New Wave was a late-1950s and early-1960s British film movement known for its gritty social realism, focus on working-class life, and stylistic break from traditional studio filmmaking.
All labels observed (7)
| Label | Occurrences |
|---|---|
| British New Wave canonical | 17 |
| British New Wave cinema | 9 |
| British New Wave film movement | 1 |
| British New Wave filmmakers | 1 |
| British New Wave of cinema | 1 |
| British realist cinema | 1 |
| British social realist filmmakers | 1 |
Statements (60)
| Predicate | Object |
|---|---|
| instanceOf |
cinematic movement
ⓘ
film movement ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| emergedFrom | Free Cinema documentary movement ⓘ |
| hasAlternativeName |
British New Wave
ⓘ
surface form:
British New Wave cinema
British New Wave ⓘ
surface form:
British New Wave film movement
British New Wave ⓘ
surface form:
British New Wave of cinema
|
| hasCharacteristic |
black-and-white cinematography
ⓘ
break from traditional studio filmmaking ⓘ critique of class structure ⓘ depiction of youth disillusionment ⓘ focus on working-class life ⓘ gritty realism ⓘ kitchen sink realism ⓘ location shooting ⓘ naturalistic acting ⓘ regional accents ⓘ social realism ⓘ use of non-professional actors ⓘ |
| industryContext | British film industry ⓘ |
| influenced |
British social realist cinema
ⓘ
contemporary British independent film ⓘ later British television drama ⓘ |
| influencedBy |
Angry Young Men
ⓘ
surface form:
Angry Young Men movement
Social realism ⓘ
surface form:
British theatre of social realism
French New Wave ⓘ Italian Neorealism ⓘ |
| language | English ⓘ |
| movementPeriod |
early 1960s
ⓘ
late 1950s ⓘ |
| notableDirector |
John Schlesinger
ⓘ
Karel Reisz ⓘ Lindsay Anderson ⓘ Tony Richardson ⓘ |
| notableScreenwriter |
Alan Sillitoe
ⓘ
John Osborne ⓘ Shelagh Delaney ⓘ |
| notableWork |
A Taste of Honey
ⓘ
Billy Liar ⓘ Look Back in Anger ⓘ Room at the Top ⓘ Saturday Night and Sunday Morning ⓘ The Loneliness of the Long Distance Runner ⓘ This Sporting Life ⓘ |
| primaryMedium | feature film ⓘ |
| relatedMovement |
Free Cinema
ⓘ
kitchen sink realism ⓘ
surface form:
Kitchen sink realism
|
| stylisticBreakFrom |
heritage-style literary adaptations
ⓘ
traditional British studio melodrama ⓘ |
| typicalProductionMode | low-budget production ⓘ |
| typicalSetting |
industrial towns in Northern England
ⓘ
working-class neighborhoods ⓘ |
| typicalTheme |
alienation
ⓘ
aspiration and frustration ⓘ class conflict ⓘ constraints of social mobility ⓘ economic hardship ⓘ generational conflict ⓘ marital breakdown ⓘ sexual relationships ⓘ |
Referenced by (31)
Full triples — surface form annotated when it differs from this entity's canonical label.
subject surface form:
Tom Jones (1963 film)
this entity surface form:
British New Wave cinema
this entity surface form:
British social realist filmmakers
this entity surface form:
British New Wave cinema
this entity surface form:
British New Wave cinema
this entity surface form:
British New Wave film movement
this entity surface form:
British New Wave of cinema
this entity surface form:
British New Wave cinema
this entity surface form:
British realist cinema
this entity surface form:
British New Wave cinema
this entity surface form:
British New Wave filmmakers
this entity surface form:
British New Wave cinema
this entity surface form:
British New Wave cinema
this entity surface form:
British New Wave cinema
this entity surface form:
British New Wave cinema